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Bonkers Event by DJ Workshop Germany - Electro Rising & 90s/2000s
Saturday, 10/24/2026 at 8:00 PM
Source: Organizer
Bonkers Event by DJ Workshop Germany - Electro Rising & 90s/2000s
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Zwei Floors, zwei Welten - ein Ziel: Abriss. Von Electro bis 2000er Classics - hier läuft nur das Beste. Top DJs an den Decks die ganze Nacht. BONKERS EVENT steht für pure Energie.
Einlass ab 16 Jahren; Aufenthalt für Personen unter 18 Jahren nur bis 24:00 Uhr gemäss Jugendschutzgesetz. Nach 24:00 Uhr nur für Personen ab 18 Jahren. Einlass nur mit gültigem Ausweisdokument. Änderungen im Line-up vorbehalten.
Tageskasse 13,00 EURTwo floors, two worlds - one goal: demolition. From electro to 2000s classics - only the best is played here. Top DJs at the decks all night long. BONKERS EVENT stands for pure energy.
Admission from 16 years; stay for under 18s only until 24:00 according to the youth protection law. After 24:00 only for persons aged 18 and over. Entry only with a valid ID document. Changes to the lineup reserved.
You best secure your tickets in advance. At the box office, they cost €12.
Short history of the cult discotheque Club 74:
The small town of Waldems-Esch is also called the gateway to the Golden Ground. For many, however, it was for a long time above all one thing: the gateway to unconventional music off the beaten path. When "Club 74" opened its doors on March 8, 1974, as one of many discotheques of that time, no one would have thought that this would be the beginning of a nearly 33-year history. Initially housed in the old hall building of the "Zur Krone" inn, Club 74 quickly captured a diverse audience. Here, everyone celebrated together: visitors of all generations – from teenagers to those well over 60 – many more people from the region and beyond, as well as representatives of various subcultures – hippies, metalheads, punks, and darkwavers, as well as students and members of the still numerous US Armed Forces in the Rhine-Main area.
"The Club," as it was colloquially called, established itself as a regional to a nationwide institution. Key co-founder and later sole operator Hans Sedlak († 2017), the staff, and especially the crowds of DJs, the special audience, and the expressive dance style of many "club-goers," made Club 74 a legendary, almost magical place for many. There was no dress code or fear of embarrassing oneself on the dance floor – whether barefoot or in high heels, at the club, people celebrated, danced, and turned night into day together.
Even the FAZ recognized in May 1990: "The secret center of the world is anyway Club 74 in Waldems-Esch."
The move on December 25, 1994, from the distinctive, Western-style designed dance hall to the more functional premises in the industrial area, which some regular guests found less atmospheric, represented a first rupture for some traditionalists. Nevertheless, another 12 years of club history were written afterwards, and on the wrought-iron-framed dance floor, feet were danced sore.
When Club 74 closed its doors forever on December 26, 2006, it was for many the end of an era.
The Nuremberg collective WADW and the local project electrobüro join forces to heat up the Kongresshalle. For this special location, WADW and electrobüro bring a curation of DJs and live acts that express themselves in electro-, breakbeat-, and bass-heavy sounds. WADW, known for the notorious ROOM events, brings CEM3340 with his drum machines and synthesizers for a live electro set from southern Italy to Nuremberg and sends a few residents into the race. This whole experience is completed by the DJ selection from electrobüro. The drive behind electrobüro is to promote a strongly networked subculture scene in Nuremberg. On one hand, through the electrobüro Mix Series, which now features over 100 sets from local and partially overregional friendly DJs, as well as the irregular events taking place in various Nuremberg venues. Diversity, both in booking and in the genres played, is highly prioritized. Under the motto “No Genre Borders. All Electronic Music,” events with various genre directions are always curated and shaped by local artists. Everything from house and techno to contemporary club music like baile funk and global club, to UK garage is included. The collective WADW was formed in the last decade and has remained true to the subculture since then. Broadly spread but always at a distance from the mainstream is probably the most fitting description of the collective's orientation. In addition to the ROOM series, under which names like Jensen Interceptor [AUS], Nora [BR], Dagga, and Manao [VEN], DJ Physical and LB aka Labat [FR], Anna Z and Cyan85 [GER], and many more have already played, WADW is committed to diverse local events, such as spontaneous open airs, 120-minute raves, or in cooperation with other Nuremberg collectives. Aside from the musical output, both WADW and electrobüro place great importance on the visual design of the events. Even in the Kongresshalle, both parties will offer you something juicy for the eyes.
CEM3340 CEM3340 is a live act and producer whose project was launched in 2016. He made his debut in 2017 with the EP Polaris I on the label Lunar Orbiter Program, followed by three other releases on the same imprint. In 2019, a split EP was released together with DJ Overdose on Rotterhague Records. In the same year, CEM3340 also founded his own label Curtis Electronix, which has since served as a platform for numerous releases – including the LP 080 and the two albums Macchine and other self-productions. In 2025, he released a collaboration EP with electro-artist 2030 on the legendary Detroit label Metroplex – a milestone that further solidified his role within the contemporary electro scene. His sound is deeply rooted in the raw soundscapes of 80s analog machines while also being influenced by the futuristic spirit of 90s Detroit electro. The result is a distinctive blend of classic machine funk and forward-thinking production that seamlessly combines tradition and innovation.
cufme b2b grano cufme is a producer and DJ who enriches the electronic music scene with his unique, bass-driven, funky, and spacey sound. His musical signature moves between electro, house, and ghetto tech and ghetto funk, but is reluctant to fit into fixed genre boundaries. With performances at Z-Bau and Rakete in Nuremberg, Bahnwärter Thiel in Munich, PRST in Vienna, HÖR in Berlin, as well as shows in Italy and beyond, he has already made a name for himself in the scene. His sets and productions are expressions of his emotions and his deep passion for electronic music. grano is a Nuremberg DJ, WADW resident, and founder of the project electrobüro. His passion for electronic music spans a wide range of genres, characterized by powerful bass lines, driving grooves, and distinctive breakbeats. His selections move effortlessly between progressive house, contemporary electro, and UK-inspired sounds like garage, dubstep, and drum & bass. Each set is an unpredictable journey where hidden gems and unexpected tracks merge into an energetic mix that keeps the dancefloor in constant motion. Staying true to the motto “educate the dancefloor,” grano consistently surprises with extraordinary tracks, broadening musical horizons and connecting the familiar with the unexpected. For the WADW x electrobüro showcase in the Kongresshalle, cufme and grano will be performing together for the first time as a back-to-back duo on the decks. With combined forces, their musical signatures will fuse into a bass-heavy combination of electro, breaks, and UK club sounds. Socials
Hyperfocus Breaks, the raw charm of 80s electro, Detroit at the height of industry, dark, complex, and a little cerebral – images that come to mind in the first few minutes of a set from Hyperfocus. The Nuremberg-based DJ with roots in the local "We All Die Worse" collective knows how to take the crowd on a trip through bass-heavy and driving sounds that sometimes drift briefly into the more experimental corner. Hardly limited by genre boundaries, but with consistently high energy and multifaceted emotions, she has been leaving the local dancefloors sweaty and happy for several years now.
Liesinger The Frankfurt DJ Liesinger has been shaping the Hessian club scene for years – both behind the decks and through her work in various clubs, including the legendary Robert Johnson. Her distinctive sound combines atmospheric, dreamy soundscapes with deep, powerful bass lines and a fine sense for hidden gems and unexpected musical moments.
You best secure your tickets in advance. At the box office, they cost €12.
Short history of the cult discotheque Club 74:
The small town of Waldems-Esch is also called the gateway to the Golden Ground. For many, however, it was for a long time above all one thing: the gateway to unconventional music off the beaten path. When "Club 74" opened its doors on March 8, 1974, as one of many discotheques of that time, no one would have thought that this would be the beginning of a nearly 33-year history. Initially housed in the old hall building of the "Zur Krone" inn, Club 74 quickly captured a diverse audience. Here, everyone celebrated together: visitors of all generations – from teenagers to those well over 60 – many more people from the region and beyond, as well as representatives of various subcultures – hippies, metalheads, punks, and darkwavers, as well as students and members of the still numerous US Armed Forces in the Rhine-Main area.
"The Club," as it was colloquially called, established itself as a regional to a nationwide institution. Key co-founder and later sole operator Hans Sedlak († 2017), the staff, and especially the crowds of DJs, the special audience, and the expressive dance style of many "club-goers," made Club 74 a legendary, almost magical place for many. There was no dress code or fear of embarrassing oneself on the dance floor – whether barefoot or in high heels, at the club, people celebrated, danced, and turned night into day together.
Even the FAZ recognized in May 1990: "The secret center of the world is anyway Club 74 in Waldems-Esch."
The move on December 25, 1994, from the distinctive, Western-style designed dance hall to the more functional premises in the industrial area, which some regular guests found less atmospheric, represented a first rupture for some traditionalists. Nevertheless, another 12 years of club history were written afterwards, and on the wrought-iron-framed dance floor, feet were danced sore.
When Club 74 closed its doors forever on December 26, 2006, it was for many the end of an era.
You best secure your tickets in advance. At the box office, they cost €12.
Short story about the cult discotheque Club 74:
The small place Waldems-Esch is also called the gateway to the Golden Ground. For many, however, it was for a long time primarily one thing: the gateway to unusual music off the mainstream. When "Club 74" opened its doors on March 8, 1974, as one of many discotheques of that time, no one would have thought that this would mark the beginning of a nearly 33-year-long history. Initially housed in the old hall building of the "Zur Krone" inn, Club 74 quickly conquered a diverse audience. Here, everyone celebrated together: visitors of all generations – from teenagers to those well over 60 – many more people from the region and the broader catchment area, as well as representatives of various subcultures – hippies, metalheads, punks, and darkwavers as well as students and members of the then still numerous US armed forces in the Rhine-Main area.
"The Club," as it was briefly called, established itself from a regional to a supra-regional institution. Significant co-founder and later sole operator Hans Sedlak († 2017), the staff, and especially the throngs of DJs, the special audience, and the expressive dance style of many "club-goers," made Club 74 a legendary, almost magical place for many. There was no dress code or fear of embarrassing oneself on the dance floor - whether barefoot or in high heels, the club was a place to celebrate, dance, and turn the night into day together.
Even the FAZ recognized in May 1990: "The secret center of the world is anyway Club 74 in Waldems-Esch."
The move on Christmas Day 1994 from the distinctive, Western-style dance hall to the more functional premises in the industrial area, which some regular customers found less atmospheric, marked a first break for some traditionalists. Nevertheless, another 12 years of club history were written afterward, and on the wrought iron-framed dance floor, feet were danced sore.
When Club 74 closed its doors for good on December 26, 2006, it was the end of an era for many.
You best secure your tickets in advance. At the box office, they cost €12.
Short story about the cult discotheque Club 74:
The small place Waldems-Esch is also called the gateway to the Golden Ground. For many, however, it was for a long time primarily one thing: the gateway to unusual music off the mainstream. When "Club 74" opened its doors on March 8, 1974, as one of many discotheques of that time, no one would have thought that this would mark the beginning of a nearly 33-year-long history. Initially housed in the old hall building of the "Zur Krone" inn, Club 74 quickly conquered a diverse audience. Here, everyone celebrated together: visitors of all generations – from teenagers to those well over 60 – many more people from the region and the broader catchment area, as well as representatives of various subcultures – hippies, metalheads, punks, and darkwavers as well as students and members of the then still numerous US armed forces in the Rhine-Main area.
"The Club," as it was briefly called, established itself from a regional to a supra-regional institution. Significant co-founder and later sole operator Hans Sedlak († 2017), the staff, and especially the throngs of DJs, the special audience, and the expressive dance style of many "club-goers," made Club 74 a legendary, almost magical place for many. There was no dress code or fear of embarrassing oneself on the dance floor - whether barefoot or in high heels, the club was a place to celebrate, dance, and turn the night into day together.
Even the FAZ recognized in May 1990: "The secret center of the world is anyway Club 74 in Waldems-Esch."
The move on Christmas Day 1994 from the distinctive, Western-style dance hall to the more functional premises in the industrial area, which some regular customers found less atmospheric, marked a first break for some traditionalists. Nevertheless, another 12 years of club history were written afterward, and on the wrought iron-framed dance floor, feet were danced sore.
When Club 74 closed its doors for good on December 26, 2006, it was the end of an era for many.
Hallo, ich bin Maya.
