Source: Organizer

Friday, 6/19/2026
at 7:30 PM



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Swinging sound plates with a spooky effect: The vibraphone, constructed in the 1920s, features a pedal that makes the sound long and warm, as well as a small motor as an acoustic trick that makes it vibrate and gives the instrument its name. Thus, the vibraphone can sound lyrical, avant-garde, but also spooky. Film composers recognized this early on and liked to use it for thrilling scenes.
The WKO now dedicates its 10th subscription concert to the "underdog" of instruments and furthermore, together with the award-winning Luxembourgish vibraphonist and musical boundary crosser Pascal Schumacher, it presents a concert for the German premiere, composed especially for the soloist by the American composer Judd Greenstein. Greenstein's musical language reaches its audience as a story, where the contrast between the driven, competing pulse beats of the New York streets of his childhood and the tranquility of his current rural chosen homeland plays a crucial role. His work has been described as "beautiful and simultaneously thought-provoking." This newly created music is framed by a concert overture by the completely unjustly forgotten French composer, pianist, and musicologist Louise Farrenc and the sonorous 2nd Symphony by Johannes Brahms - the second part of the Symphony Cycle by Johannes Brahms. A fantastic season finale with summery, spherical sounds!

Minimal vibes for a large orchestra

Event data provided by: Reservix

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