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Hessisches Staatstheater Wiesbaden
Wiesbaden

Pedelecs - ich selbst, Wiesbaden-Theater0138, CC BY-SA 3.0

Hessisches Staatstheater Wiesbaden

Christian-Zais-Straße 3
65189 Wiesbaden

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The Hessian State Theatre Wiesbaden in the Hessian state capital Wiesbaden is a five-division theater.

The theater has four stages:

- Large venue (1,041 seats)
- Small venue (328 seats)
- Studio (89 seats)
- and the external venue Wartburg (154 seats, since 2003) on Schwalbacher Straße

Each year, there are more than 30 new productions in opera, drama, and ballet. The theater offers everything from classical works to pieces of contemporary dramatic literature and modern musical theater. More than four performances can be held per day, as all four stages can be played on simultaneously and sometimes even twice a day.

In May of each year, the International May Festival takes place. The international festival Biennale Wiesbaden is held every two years.

As a special feature, the State Theatre also offers young people a wide range of productions. It is one of the few state theaters nationwide with its own professional ensemble dedicated exclusively to staging children and youth theater. The "Young State Theatre" often creates its own adaptations of well-known, and even contemporary, children's stories.

Opening Hours:
Mon - Fri: 10:00 am - 7:30 pm
Sat: 10:00 am - 2:00 pm
Sun & Holidays: 11:00 am - 1:00 pm

The box office opens one hour before the start of the performance at the respective venue.

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Dieser Text basiert auf dem Artikel Hessisches Staatstheater Wiesbaden aus der freien Enzyklopädie Wikipedia und steht unter der Lizenz Creative Commons CC-BY-SA 3.0 Unported (Kurzfassung). In der Wikipedia ist eine Liste der Autoren verfügbar.

Location details

Category

Theater

Capacity

up to 1,000 Persons

Indoor/Outdoor

Indoor

Ambience

Classic
Modern

Environment

City
Park

Closing time

No information

Parking

Own small parking lot
Public parking
Parking garage/underground parking

Public transport

No information

Accessible for disabled persons

Yes

Suitable for

Theater / Show

Catering

Cocktails / Bar
Professional kitchen

Available technology

Lighting system
Sound system
Fully air-conditioned
Stage

Photos of the location

No further photos are available.

Upcoming events

APHOTIC ZONE
10/24/2024 at 9:00 PM / Wiesbaden

Aphotic Zone is dedicated to the nearly unexplored, lightless deep areas of the ocean as a speculative space and examines its transformative potential. In a ritualistic process, the performers dive into the depths of the ocean and seek a sensual approach to the Post-Anthropocene, an era after the dominance of humans. In the silence and darkness of the aphotic zone, they trace fluid life forms and attempt to connect with this space. What might such an encounter look like? And what will we become? With sounds, without text and language, magical images are created that lead us in a slow glide into the darkness of the depths.
DIRECTOR Jakob Altmayer
SPACE Leonard Schulz
COSTUME Annalou Meyer
DRAMATURGY & MUSICAL REHEARSAL Maria Leitgab
BODY WORK Benjamin Viziotis
SOUND & MOTION TRACKING Daniel Geßl
ANIMATION Louis Caspar Schmitt
ASSISTANT DIRECTOR & MAKEUP Josephine Less
LIGHT Bernd Gatzmaga
SOUND Georgios Maragkoudakis, Felix Nyncke
MENTORSHIP Theresa Schlesinger
WITH Nele Christoph, Charlotte Hovenbitzer, Benjamin Viziotis
Photo: ©Calvise Predieri

KOSTJA (K)EIN SOLOABEND - Alessa Bollack | nominiert für den OPEN-PORT-PREIS
10/24/2024 at 7:30 PM / Wiesbaden

With texts by Sara Çalışkan and Anton Chekhov
"It is enough that we are not enough"
Chekhov's "The Seagull" is repeatedly discussed as a piece that revolves around the conflict between generations of theater makers - Kostja represents the young generation with a new form of dramatic poetry.
Starting from this, Alessa Bollack relocates the Kostja figure to the present. He is a wounded "softboi," seeking recognition and success. He wants to revolutionize the theater, create endless spaces freed from physical and moral rules. For this theater, Kostja creates an avatar, an image of himself, and places it in an animated, digital world. Now a exchange begins, a live interaction, between the digital Kostja on the screen, the body of the actor on stage, and his shadow. The team around Alessa Bollack and Alex Junge develops an interactive solo evening about utopia, dystopia, and the act of making theater itself.
From Insta feeds, to Spotify playlists, to Netflix recommendations: In the digital world, everything is now tailored to the users. Why not in theater?
What should Kostja look like and how should the space be? And above all, what happens when it is not apps that adapt to us, but a body, a person in the room? Using smartphones and polling tools, the audience determines what Kostja looks like and in which world he moves.
DIRECTED BY Alessa BollackTEXT & ASSISTANCE Sara ÇalışkanSTAGE & COSTUME Monika KälbererCREATIVE TECHNOLOGIES Moritz Alan Huson, Nils EberweinMUSIC & SOUNDDESIGN Constantin Rinke, Leon Maximilian BrücknerOUTSIDE EYE Philine Pastenaci
A production of the Academy of Performing Arts Baden-Württemberg in cooperation with the Babelsberg Film University.
Photo: ©Alessa Bollack

S.A.D. - SECRETLY A DINOSAUR - Sascha Malina Hoffmann & Ruben Müller | nominiert für den OPEN-PORT-PREIS
10/24/2024 at 2:00 PM / Wiesbaden

The dinosaurs are extinct. That's exactly why they tell us what it means to stick together when the world is coming to an end. "S.A.D." negotiates the themes of friendship and care in the context of personal and global crises. From individual exceptional situations to the crisis-ridden societal conditions of our everyday life, it addresses the question of what small and large apocalypses feel like. Why and when do we sometimes feel "crushed" by an asteroid? How can we take care of each other in extreme situations? And how can we emancipate ourselves from the feeling of being "crushed" — how can we change the circumstances of our lives so that we "survive"?
Throughout the piece, samples, text blocks, personal voice messages, and live sung texts are woven into a dialogical interaction with quotes from pop culture and contemporary history. This brings the diverse authors of the text material into an earnest yet sometimes humorous dialogue with one another, allowing the performers and the audience to experience care and solidarity despite the burdensome crises.
Content Note: Depression and mental health
DIRECTING & PERFORMANCE Sascha Malina Hoffmann, Ruben Müller
VIDEO ART & OUTSIDE EYE Amon Ritz
COSTUME Paula Schlagbauer
A production of the Otto-Falckenberg-Schule Munich.
Photo: ©Hoffmann/Müller

VERWOBENE WELTEN – MYZEL UND DIE SPRACHE DER SYMBIOSE - Kristina Malyseva | nominiert für den OPEN-PORT-PREIS
10/25/2024 at 7:00 PM / Wiesbaden

Mushrooms sprout at unpredictable times, in unpredictable places. They are known to intervene in human-constructed living areas: they cause buildings to collapse, eliminate environmental pollutants, or are used as remedies. Mushrooms are connected by hidden underground life networks – so-called mycelia, thread-like, nutrient-rich structures that can unfold into a vast, complex network. These mycelia communicate with each other through electrical impulses – a characteristic they share with computer networks.
"Verwobene Welten" enables contact with the invisible mycelia through chatbots. With the help of a trained artificial intelligence, a unique language of mushrooms is created, expressing their versatile properties. The staging takes the audience through an interactive and immersive experience that seeks a common language between humans and mycelia. The cycle of an ecosystem, the process of decomposition and renewal, and the significance of one's own human role within the larger ecosystem are addressed.

VERWOBENE WELTEN – MYZEL UND DIE SPRACHE DER SYMBIOSE - Kristina Malyseva | nominiert für den OPEN-PORT-PREIS
10/25/2024 at 4:00 PM / Wiesbaden

Mushrooms sprout at unpredictable times, in unpredictable places. They are known to intervene in human-constructed living areas: they cause buildings to collapse, eliminate environmental pollutants, or are used as remedies. Mushrooms are connected by hidden underground life networks – so-called mycelia, thread-like, nutrient-rich structures that can unfold into a vast, complex network. These mycelia communicate with each other through electrical impulses – a characteristic they share with computer networks.
"Verwobene Welten" enables contact with the invisible mycelia through chatbots. With the help of a trained artificial intelligence, a unique language of mushrooms is created, expressing their versatile properties. The staging takes the audience through an interactive and immersive experience that seeks a common language between humans and mycelia. The cycle of an ecosystem, the process of decomposition and renewal, and the significance of one's own human role within the larger ecosystem are addressed.

PLANET MAGNON - ANIMATIONSFILM - Luis August Krawen
10/26/2024 at 2:00 PM / Wiesbaden

A solar system where the end of history has already been surpassed: People are governed by the computer reason "ActualSanity," which keeps the planetary community in a harmonious ideal state. Political processes seem unnecessary in this AI-driven, totalitarian cuddle government; instead, it is collectives that distinguish themselves from one another solely through subtle differences in habitus. Unexpectedly, the "Collective of Broken Hearts" shakes the solar system with terrorist attacks. Suddenly, Marten Eliot and Emma Glendale, the young top fellows of the Dolfin Collective, are thrown into an adventure in the vastness of their galaxy.
Luis August Krawen transforms Leif Rand's bizarre utopian science fiction novel into a visually dazzling theatrical film with the ensemble of the Munich Kammerspiele, creating fitting images for the atmospheric density of the novel.
WITH Katharina Bach, Thomas Hauser, Walter Hess, Anna Gesa-Raija Lappe, Christian Löber, Luis August Krawen, Vincent Redetzki, Edith Saldanha, Edmund Telgenkämper, Komi Togbonou
THANKS TO Martin Weigel
DIRECTOR Luis August Krawen
CONSULTATION, SUPERVISION, SCREENPLAY Leif Randt
COMPOSITION Ludwig Abraham
SOUND DESIGN Konrad Wehrmeister, Titus Maderlechner
SOUND MIXING Titus Maderlechner
DRAMATURGY Martin Valdés-Stauber
ARTISTIC PRODUCTION MANAGEMENT Daniela Schroll
Video still: ©Luis August Krawen

PLANET MAGNON - ANIMATIONSFILM - Luis August Krawen
10/27/2024 at 6:00 PM / Wiesbaden

A solar system where the end of history has already been surpassed: People are governed by the computer reason "ActualSanity," which keeps the planetary community in a harmonious ideal state. Political processes seem unnecessary in this AI-driven, totalitarian cuddle government; instead, it is collectives that distinguish themselves from one another solely through subtle differences in habitus. Unexpectedly, the "Collective of Broken Hearts" shakes the solar system with terrorist attacks. Suddenly, Marten Eliot and Emma Glendale, the young top fellows of the Dolfin Collective, are thrown into an adventure in the vastness of their galaxy.
Luis August Krawen transforms Leif Rand's bizarre utopian science fiction novel into a visually dazzling theatrical film with the ensemble of the Munich Kammerspiele, creating fitting images for the atmospheric density of the novel.
WITH Katharina Bach, Thomas Hauser, Walter Hess, Anna Gesa-Raija Lappe, Christian Löber, Luis August Krawen, Vincent Redetzki, Edith Saldanha, Edmund Telgenkämper, Komi Togbonou
THANKS TO Martin Weigel
DIRECTOR Luis August Krawen
CONSULTATION, SUPERVISION, SCREENPLAY Leif Randt
COMPOSITION Ludwig Abraham
SOUND DESIGN Konrad Wehrmeister, Titus Maderlechner
SOUND MIXING Titus Maderlechner
DRAMATURGY Martin Valdés-Stauber
ARTISTIC PRODUCTION MANAGEMENT Daniela Schroll
Video still: ©Luis August Krawen

Location provided by: Kulturkurier

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