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Markgrafentheater
Erlangen

TheaterErlangen, Markgrafentheater Saal, CC BY-SA 3.0

Markgrafentheater

Theaterplatz 2
91054 Erlangen

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The oldest actively used Baroque theater in southern Germany with a program consisting of in-house productions, guest performances, and concerts.

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Location details

Category

Theater

Capacity

No information

Indoor/Outdoor

Indoor

Ambience

Classic

Environment

City

Parking

Own small parking lot

Public transport

Approx. 100-200 meters

Available technology

Stage

Upcoming events

Nora oder Wie man das Herrenhaus kompostiert - von Sivan Ben Yishai
2/22/2025 at 7:30 PM / Erlangen

by Sivan Ben Yishai, translated from English by Gerhild Steinbuch

145 years ago, a man named Henrik Ibsen invented a woman named Nora. Since then, she has haunted the stage as an icon of resistance against patriarchy and its greatest imposition: the degradation of the female human being to wife and mother.

In "Nora or A Doll's House," the happy ending looks like this: Nora leaves her asshole husband, disregards her children, and shits on the house where she is mistress. Applause for Nora! But who applauds Helene, the maid? Who Anne-Marie, the nanny? Oh, you don't know them? No wonder, they are just minor characters; they are just completely ordinary people with little significance and little text, and that could be cut too.
Overshadowed by the heroic glow of the icon Nora – shining star of white feminism – the minor characters lead their modest shadow existence. Wordless or mute, they perform the work in the master’s house, keep the shop running, prepare the ground for Nora, on which she will then stride out into freedom.

Sivan Ben Yishai, one of the most renowned contemporary playwrights, brings the shadow personnel to light. In her remix of Ibsen's drama, everyone who was never allowed to speak in Ibsen now has a voice. It was about time!

Direction … Nina Mattenklotz
Stage and costumes … Johanna Pfau
Music … Romy Camerun
Dramaturgy … Anita Augustin

Nora oder Wie man das Herrenhaus kompostiert - von Sivan Ben Yishai
2/24/2025 at 7:30 PM / Erlangen

by Sivan Ben Yishai, translated from English by Gerhild Steinbuch

145 years ago, a man named Henrik Ibsen invented a woman named Nora. Since then, she has haunted the stage as an icon of resistance against patriarchy and its greatest imposition: the degradation of the female human being to wife and mother.

In "Nora or A Doll's House," the happy ending looks like this: Nora leaves her asshole husband, disregards her children, and shits on the house where she is mistress. Applause for Nora! But who applauds Helene, the maid? Who Anne-Marie, the nanny? Oh, you don't know them? No wonder, they are just minor characters; they are just completely ordinary people with little significance and little text, and that could be cut too.
Overshadowed by the heroic glow of the icon Nora – shining star of white feminism – the minor characters lead their modest shadow existence. Wordless or mute, they perform the work in the master’s house, keep the shop running, prepare the ground for Nora, on which she will then stride out into freedom.

Sivan Ben Yishai, one of the most renowned contemporary playwrights, brings the shadow personnel to light. In her remix of Ibsen's drama, everyone who was never allowed to speak in Ibsen now has a voice. It was about time!

Direction … Nina Mattenklotz
Stage and costumes … Johanna Pfau
Music … Romy Camerun
Dramaturgy … Anita Augustin

Doping - Komödie von Nora Abdel-Maksoud
2/28/2025 at 7:30 PM / Erlangen

Comedy by Nora Abdel-Maksoud

Only at the market does the quality of a thing reveal itself. No matter if the thing is a hospital, a government, or an idea. BAM.
The human body is always also organic capital. Life is always also an economic function. BAM. Patient, money, patient, money. Don't come to me with your health insurance card! You are not a Return on Investment! BAM. #FDPimmelbrühe. Who posted that crap? Everyone here is fucked! Fucked from stress! Everyone here stumbles from one breakdown to the next!

Nora Abdel-Maksoud, multiple award-winner for her hard-hitting comedies marking the madness of social politics, recently made a splash with Jeeps and discounts. In her new stage blockbuster, three FDP politicians, a nurse, and a doctor ride the neoliberal horse to death. Only works with doping, of course.

Director ... Matthias Köhler
Stage and costumes ... Markus Karner
Music ... N. N.
Dramaturgy ... Anita Augustin

Nora oder Wie man das Herrenhaus kompostiert - von Sivan Ben Yishai
3/7/2025 at 7:30 PM / Erlangen

by Sivan Ben Yishai, translated from English by Gerhild Steinbuch

145 years ago, a man named Henrik Ibsen invented a woman named Nora. Since then, she has haunted the stage as an icon of resistance against patriarchy and its greatest imposition: the degradation of the female human being to wife and mother.

In "Nora or A Doll's House," the happy ending looks like this: Nora leaves her asshole husband, disregards her children, and shits on the house where she is mistress. Applause for Nora! But who applauds Helene, the maid? Who Anne-Marie, the nanny? Oh, you don't know them? No wonder, they are just minor characters; they are just completely ordinary people with little significance and little text, and that could be cut too.
Overshadowed by the heroic glow of the icon Nora – shining star of white feminism – the minor characters lead their modest shadow existence. Wordless or mute, they perform the work in the master’s house, keep the shop running, prepare the ground for Nora, on which she will then stride out into freedom.

Sivan Ben Yishai, one of the most renowned contemporary playwrights, brings the shadow personnel to light. In her remix of Ibsen's drama, everyone who was never allowed to speak in Ibsen now has a voice. It was about time!

Direction … Nina Mattenklotz
Stage and costumes … Johanna Pfau
Music … Romy Camerun
Dramaturgy … Anita Augustin

Nora oder Wie man das Herrenhaus kompostiert - von Sivan Ben Yishai
3/8/2025 at 7:30 PM / Erlangen

by Sivan Ben Yishai, translated from English by Gerhild Steinbuch

145 years ago, a man named Henrik Ibsen invented a woman named Nora. Since then, she has haunted the stage as an icon of resistance against patriarchy and its greatest imposition: the degradation of the female human being to wife and mother.

In "Nora or A Doll's House," the happy ending looks like this: Nora leaves her asshole husband, disregards her children, and shits on the house where she is mistress. Applause for Nora! But who applauds Helene, the maid? Who Anne-Marie, the nanny? Oh, you don't know them? No wonder, they are just minor characters; they are just completely ordinary people with little significance and little text, and that could be cut too.
Overshadowed by the heroic glow of the icon Nora – shining star of white feminism – the minor characters lead their modest shadow existence. Wordless or mute, they perform the work in the master’s house, keep the shop running, prepare the ground for Nora, on which she will then stride out into freedom.

Sivan Ben Yishai, one of the most renowned contemporary playwrights, brings the shadow personnel to light. In her remix of Ibsen's drama, everyone who was never allowed to speak in Ibsen now has a voice. It was about time!

Direction … Nina Mattenklotz
Stage and costumes … Johanna Pfau
Music … Romy Camerun
Dramaturgy … Anita Augustin

Nora oder Wie man das Herrenhaus kompostiert - von Sivan Ben Yishai
3/9/2025 at 6:00 PM / Erlangen

by Sivan Ben Yishai, translated from English by Gerhild Steinbuch

145 years ago, a man named Henrik Ibsen invented a woman named Nora. Since then, she has haunted the stage as an icon of resistance against patriarchy and its greatest imposition: the degradation of the female human being to wife and mother.

In "Nora or A Doll's House," the happy ending looks like this: Nora leaves her asshole husband, disregards her children, and shits on the house where she is mistress. Applause for Nora! But who applauds Helene, the maid? Who Anne-Marie, the nanny? Oh, you don't know them? No wonder, they are just minor characters; they are just completely ordinary people with little significance and little text, and that could be cut too.
Overshadowed by the heroic glow of the icon Nora – shining star of white feminism – the minor characters lead their modest shadow existence. Wordless or mute, they perform the work in the master’s house, keep the shop running, prepare the ground for Nora, on which she will then stride out into freedom.

Sivan Ben Yishai, one of the most renowned contemporary playwrights, brings the shadow personnel to light. In her remix of Ibsen's drama, everyone who was never allowed to speak in Ibsen now has a voice. It was about time!

Direction … Nina Mattenklotz
Stage and costumes … Johanna Pfau
Music … Romy Camerun
Dramaturgy … Anita Augustin

Ich, Akira - Monologstück für einen Hund mit einer Frage
3/22/2025 at 7:30 PM / Erlangen

Monologue piece for a dog with a question by Noëlle Haeseling and Leo Meier

People love their dogs. Dogs love their people. Akira is a dog, and he loves his human, Attila.
Attila adopted Akira as a puppy from the animal shelter, pampered him, and raised him, washed him, brushed him, petted him, did everything for him. "Even my poo my Papa Attila took care of," says Akira, and how he was present at every important event of Papa's: when Papa opened his first vegan snack bar, when Papa wrote his third vegan cookbook, when Papa publicly advocated for animal rights and organic food, when Papa attached a Reich flag to the hood of his Porsche and cruised around the area with it, when Papa shouted something about Hitler into a megaphone at a rally, when Papa got insulted on Instagram ("Hirsehitler," "Avocadolf"), when Papa received his first criminal complaint, when Papa ran away to Turkey. Attila Hildmann. Vegan, self-made man, anti-Semite, racist. Beloved human and Papa of Akira.

A dog speaks, we listen. In the end, he will ask us a question that is profound.

Direction … Bettina Bruinier
Stage and costumes … Mareile Krettek
Video … N.N.
Dramaturgy … Anita Augustin

Ich, Akira - Monologstück für einen Hund mit einer Frage
3/24/2025 at 7:30 PM / Erlangen

Monologue piece for a dog with a question by Noëlle Haeseling and Leo Meier

People love their dogs. Dogs love their people. Akira is a dog, and he loves his human, Attila.
Attila adopted Akira as a puppy from the animal shelter, pampered him, and raised him, washed him, brushed him, petted him, did everything for him. "Even my poo my Papa Attila took care of," says Akira, and how he was present at every important event of Papa's: when Papa opened his first vegan snack bar, when Papa wrote his third vegan cookbook, when Papa publicly advocated for animal rights and organic food, when Papa attached a Reich flag to the hood of his Porsche and cruised around the area with it, when Papa shouted something about Hitler into a megaphone at a rally, when Papa got insulted on Instagram ("Hirsehitler," "Avocadolf"), when Papa received his first criminal complaint, when Papa ran away to Turkey. Attila Hildmann. Vegan, self-made man, anti-Semite, racist. Beloved human and Papa of Akira.

A dog speaks, we listen. In the end, he will ask us a question that is profound.

Direction … Bettina Bruinier
Stage and costumes … Mareile Krettek
Video … N.N.
Dramaturgy … Anita Augustin

Nora oder Wie man das Herrenhaus kompostiert - von Sivan Ben Yishai
3/27/2025 at 7:30 PM / Erlangen

by Sivan Ben Yishai, translated from English by Gerhild Steinbuch

145 years ago, a man named Henrik Ibsen invented a woman named Nora. Since then, she has haunted the stage as an icon of resistance against patriarchy and its greatest imposition: the degradation of the female human being to wife and mother.

In "Nora or A Doll's House," the happy ending looks like this: Nora leaves her asshole husband, disregards her children, and shits on the house where she is mistress. Applause for Nora! But who applauds Helene, the maid? Who Anne-Marie, the nanny? Oh, you don't know them? No wonder, they are just minor characters; they are just completely ordinary people with little significance and little text, and that could be cut too.
Overshadowed by the heroic glow of the icon Nora – shining star of white feminism – the minor characters lead their modest shadow existence. Wordless or mute, they perform the work in the master’s house, keep the shop running, prepare the ground for Nora, on which she will then stride out into freedom.

Sivan Ben Yishai, one of the most renowned contemporary playwrights, brings the shadow personnel to light. In her remix of Ibsen's drama, everyone who was never allowed to speak in Ibsen now has a voice. It was about time!

Direction … Nina Mattenklotz
Stage and costumes … Johanna Pfau
Music … Romy Camerun
Dramaturgy … Anita Augustin

Ich, Akira - Monologstück für einen Hund mit einer Frage
3/29/2025 at 7:30 PM / Erlangen

Monologue piece for a dog with a question by Noëlle Haeseling and Leo Meier

People love their dogs. Dogs love their people. Akira is a dog, and he loves his human, Attila.
Attila adopted Akira as a puppy from the animal shelter, pampered him, and raised him, washed him, brushed him, petted him, did everything for him. "Even my poo my Papa Attila took care of," says Akira, and how he was present at every important event of Papa's: when Papa opened his first vegan snack bar, when Papa wrote his third vegan cookbook, when Papa publicly advocated for animal rights and organic food, when Papa attached a Reich flag to the hood of his Porsche and cruised around the area with it, when Papa shouted something about Hitler into a megaphone at a rally, when Papa got insulted on Instagram ("Hirsehitler," "Avocadolf"), when Papa received his first criminal complaint, when Papa ran away to Turkey. Attila Hildmann. Vegan, self-made man, anti-Semite, racist. Beloved human and Papa of Akira.

A dog speaks, we listen. In the end, he will ask us a question that is profound.

Direction … Bettina Bruinier
Stage and costumes … Mareile Krettek
Video … N.N.
Dramaturgy … Anita Augustin

Ewig Sommer (UA) - Tanz und Schauspiel nach Motiven aus dem Roman von Franziska Gänsler
4/12/2025 at 7:30 PM / Erlangen

Dance and theater based on motifs from the novel by Franziska Gänsler

A young hotel owner is holed up in a former spa resort. She hasn't had guests in a long time, as the fires in the nearby forest rage on, each summer more intense and longer than the year before.

Unexpectedly, a young woman appears in the deserted place with her daughter. For the hotel owner, the visit is both a welcome change and a cause for concern: Something seems off about the strangers. What are they fleeing to a place like this? Can the reticent woman with her mute daughter be trusted? Is the heat and isolation not too dangerous for the child?

As the forest burns and protests are held at the nearby climate camp, the two women grow closer. Until a strange caller inquires about the visitor and calls the honesty of their relationship into question. Franziska Gänsler's atmospheric novel serves as the foundation for an evening that combines music, theater, and dance to tell a story about urgent questions of our time.

Concept … Natalie Baudy / Marie Caroline Rössle / Albrecht Ziepert
Choreography … Sagí Amir Gross
Direction … Jonas Knecht
Stage and costumes … Marie Caroline Rössle
Music … Albrecht Ziepert
Dramaturgy … Natalie Baudy

Ewig Sommer (UA) - Tanz und Schauspiel nach Motiven aus dem Roman von Franziska Gänsler
4/23/2025 at 7:30 PM / Erlangen

Dance and theater based on motifs from the novel by Franziska Gänsler

A young hotel owner is holed up in a former spa resort. She hasn't had guests in a long time, as the fires in the nearby forest rage on, each summer more intense and longer than the year before.

Unexpectedly, a young woman appears in the deserted place with her daughter. For the hotel owner, the visit is both a welcome change and a cause for concern: Something seems off about the strangers. What are they fleeing to a place like this? Can the reticent woman with her mute daughter be trusted? Is the heat and isolation not too dangerous for the child?

As the forest burns and protests are held at the nearby climate camp, the two women grow closer. Until a strange caller inquires about the visitor and calls the honesty of their relationship into question. Franziska Gänsler's atmospheric novel serves as the foundation for an evening that combines music, theater, and dance to tell a story about urgent questions of our time.

Concept … Natalie Baudy / Marie Caroline Rössle / Albrecht Ziepert
Choreography … Sagí Amir Gross
Direction … Jonas Knecht
Stage and costumes … Marie Caroline Rössle
Music … Albrecht Ziepert
Dramaturgy … Natalie Baudy

Nora oder Wie man das Herrenhaus kompostiert - von Sivan Ben Yishai
4/27/2025 at 6:00 PM / Erlangen

by Sivan Ben Yishai, translated from English by Gerhild Steinbuch

145 years ago, a man named Henrik Ibsen invented a woman named Nora. Since then, she has haunted the stage as an icon of resistance against patriarchy and its greatest imposition: the degradation of the female human being to wife and mother.

In "Nora or A Doll's House," the happy ending looks like this: Nora leaves her asshole husband, disregards her children, and shits on the house where she is mistress. Applause for Nora! But who applauds Helene, the maid? Who Anne-Marie, the nanny? Oh, you don't know them? No wonder, they are just minor characters; they are just completely ordinary people with little significance and little text, and that could be cut too.
Overshadowed by the heroic glow of the icon Nora – shining star of white feminism – the minor characters lead their modest shadow existence. Wordless or mute, they perform the work in the master’s house, keep the shop running, prepare the ground for Nora, on which she will then stride out into freedom.

Sivan Ben Yishai, one of the most renowned contemporary playwrights, brings the shadow personnel to light. In her remix of Ibsen's drama, everyone who was never allowed to speak in Ibsen now has a voice. It was about time!

Direction … Nina Mattenklotz
Stage and costumes … Johanna Pfau
Music … Romy Camerun
Dramaturgy … Anita Augustin

Nora oder Wie man das Herrenhaus kompostiert - von Sivan Ben Yishai
4/28/2025 at 7:30 PM / Erlangen

by Sivan Ben Yishai, translated from English by Gerhild Steinbuch

145 years ago, a man named Henrik Ibsen invented a woman named Nora. Since then, she has haunted the stage as an icon of resistance against patriarchy and its greatest imposition: the degradation of the female human being to wife and mother.

In "Nora or A Doll's House," the happy ending looks like this: Nora leaves her asshole husband, disregards her children, and shits on the house where she is mistress. Applause for Nora! But who applauds Helene, the maid? Who Anne-Marie, the nanny? Oh, you don't know them? No wonder, they are just minor characters; they are just completely ordinary people with little significance and little text, and that could be cut too.
Overshadowed by the heroic glow of the icon Nora – shining star of white feminism – the minor characters lead their modest shadow existence. Wordless or mute, they perform the work in the master’s house, keep the shop running, prepare the ground for Nora, on which she will then stride out into freedom.

Sivan Ben Yishai, one of the most renowned contemporary playwrights, brings the shadow personnel to light. In her remix of Ibsen's drama, everyone who was never allowed to speak in Ibsen now has a voice. It was about time!

Direction … Nina Mattenklotz
Stage and costumes … Johanna Pfau
Music … Romy Camerun
Dramaturgy … Anita Augustin

Ich, Akira - Monologstück für einen Hund mit einer Frage
5/3/2025 at 7:30 PM / Erlangen

Monologue piece for a dog with a question by Noëlle Haeseling and Leo Meier

People love their dogs. Dogs love their people. Akira is a dog, and he loves his human, Attila.
Attila adopted Akira as a puppy from the animal shelter, pampered him, and raised him, washed him, brushed him, petted him, did everything for him. "Even my poo my Papa Attila took care of," says Akira, and how he was present at every important event of Papa's: when Papa opened his first vegan snack bar, when Papa wrote his third vegan cookbook, when Papa publicly advocated for animal rights and organic food, when Papa attached a Reich flag to the hood of his Porsche and cruised around the area with it, when Papa shouted something about Hitler into a megaphone at a rally, when Papa got insulted on Instagram ("Hirsehitler," "Avocadolf"), when Papa received his first criminal complaint, when Papa ran away to Turkey. Attila Hildmann. Vegan, self-made man, anti-Semite, racist. Beloved human and Papa of Akira.

A dog speaks, we listen. In the end, he will ask us a question that is profound.

Direction … Bettina Bruinier
Stage and costumes … Mareile Krettek
Video … N.N.
Dramaturgy … Anita Augustin

Ich, Akira - Monologstück für einen Hund mit einer Frage
5/4/2025 at 6:00 PM / Erlangen

Monologue piece for a dog with a question by Noëlle Haeseling and Leo Meier

People love their dogs. Dogs love their people. Akira is a dog, and he loves his human, Attila.
Attila adopted Akira as a puppy from the animal shelter, pampered him, and raised him, washed him, brushed him, petted him, did everything for him. "Even my poo my Papa Attila took care of," says Akira, and how he was present at every important event of Papa's: when Papa opened his first vegan snack bar, when Papa wrote his third vegan cookbook, when Papa publicly advocated for animal rights and organic food, when Papa attached a Reich flag to the hood of his Porsche and cruised around the area with it, when Papa shouted something about Hitler into a megaphone at a rally, when Papa got insulted on Instagram ("Hirsehitler," "Avocadolf"), when Papa received his first criminal complaint, when Papa ran away to Turkey. Attila Hildmann. Vegan, self-made man, anti-Semite, racist. Beloved human and Papa of Akira.

A dog speaks, we listen. In the end, he will ask us a question that is profound.

Direction … Bettina Bruinier
Stage and costumes … Mareile Krettek
Video … N.N.
Dramaturgy … Anita Augustin

Ewig Sommer (UA) - Tanz und Schauspiel nach Motiven aus dem Roman von Franziska Gänsler
5/8/2025 at 7:30 PM / Erlangen

Dance and theater based on motifs from the novel by Franziska Gänsler

A young hotel owner is holed up in a former spa resort. She hasn't had guests in a long time, as the fires in the nearby forest rage on, each summer more intense and longer than the year before.

Unexpectedly, a young woman appears in the deserted place with her daughter. For the hotel owner, the visit is both a welcome change and a cause for concern: Something seems off about the strangers. What are they fleeing to a place like this? Can the reticent woman with her mute daughter be trusted? Is the heat and isolation not too dangerous for the child?

As the forest burns and protests are held at the nearby climate camp, the two women grow closer. Until a strange caller inquires about the visitor and calls the honesty of their relationship into question. Franziska Gänsler's atmospheric novel serves as the foundation for an evening that combines music, theater, and dance to tell a story about urgent questions of our time.

Concept … Natalie Baudy / Marie Caroline Rössle / Albrecht Ziepert
Choreography … Sagí Amir Gross
Direction … Jonas Knecht
Stage and costumes … Marie Caroline Rössle
Music … Albrecht Ziepert
Dramaturgy … Natalie Baudy

Ewig Sommer (UA) - Tanz und Schauspiel nach Motiven aus dem Roman von Franziska Gänsler
5/9/2025 at 7:30 PM / Erlangen

Dance and theater based on motifs from the novel by Franziska Gänsler

A young hotel owner is holed up in a former spa resort. She hasn't had guests in a long time, as the fires in the nearby forest rage on, each summer more intense and longer than the year before.

Unexpectedly, a young woman appears in the deserted place with her daughter. For the hotel owner, the visit is both a welcome change and a cause for concern: Something seems off about the strangers. What are they fleeing to a place like this? Can the reticent woman with her mute daughter be trusted? Is the heat and isolation not too dangerous for the child?

As the forest burns and protests are held at the nearby climate camp, the two women grow closer. Until a strange caller inquires about the visitor and calls the honesty of their relationship into question. Franziska Gänsler's atmospheric novel serves as the foundation for an evening that combines music, theater, and dance to tell a story about urgent questions of our time.

Concept … Natalie Baudy / Marie Caroline Rössle / Albrecht Ziepert
Choreography … Sagí Amir Gross
Direction … Jonas Knecht
Stage and costumes … Marie Caroline Rössle
Music … Albrecht Ziepert
Dramaturgy … Natalie Baudy

Ich, Akira - Monologstück für einen Hund mit einer Frage
6/4/2025 at 7:30 PM / Erlangen

Monologue piece for a dog with a question by Noëlle Haeseling and Leo Meier

People love their dogs. Dogs love their people. Akira is a dog, and he loves his human, Attila.
Attila adopted Akira as a puppy from the animal shelter, pampered him, and raised him, washed him, brushed him, petted him, did everything for him. "Even my poo my Papa Attila took care of," says Akira, and how he was present at every important event of Papa's: when Papa opened his first vegan snack bar, when Papa wrote his third vegan cookbook, when Papa publicly advocated for animal rights and organic food, when Papa attached a Reich flag to the hood of his Porsche and cruised around the area with it, when Papa shouted something about Hitler into a megaphone at a rally, when Papa got insulted on Instagram ("Hirsehitler," "Avocadolf"), when Papa received his first criminal complaint, when Papa ran away to Turkey. Attila Hildmann. Vegan, self-made man, anti-Semite, racist. Beloved human and Papa of Akira.

A dog speaks, we listen. In the end, he will ask us a question that is profound.

Direction … Bettina Bruinier
Stage and costumes … Mareile Krettek
Video … N.N.
Dramaturgy … Anita Augustin

Bonaparte - The QUIET
6/6/2025 at 8:00 PM / Erlangen

On 30.05., the King of Rock & Roll returns with his fourth album. It is named after the artist himself: BONAPARTE. And here we undoubtedly have the most successful BONAPARTE album in the discography. BONAPARTE has become a high-energy, spicy chili plate fueled by Mexican cuisine. A Kalamazoo guitar, an animalistic drum, and a few synthesizer touches from Nerdywood drive us through wild adventures with arrogant garage rock roughness, remorseful power pop schubidu choruses, and BONAPARTE's typical spoken word in the tradition of Napoleon XIV from the bubbling subconscious of a Rock&Roll madman.

Ewig Sommer (UA) - Tanz und Schauspiel nach Motiven aus dem Roman von Franziska Gänsler
6/21/2025 at 7:30 PM / Erlangen

Dance and theater based on motifs from the novel by Franziska Gänsler

A young hotel owner is holed up in a former spa resort. She hasn't had guests in a long time, as the fires in the nearby forest rage on, each summer more intense and longer than the year before.

Unexpectedly, a young woman appears in the deserted place with her daughter. For the hotel owner, the visit is both a welcome change and a cause for concern: Something seems off about the strangers. What are they fleeing to a place like this? Can the reticent woman with her mute daughter be trusted? Is the heat and isolation not too dangerous for the child?

As the forest burns and protests are held at the nearby climate camp, the two women grow closer. Until a strange caller inquires about the visitor and calls the honesty of their relationship into question. Franziska Gänsler's atmospheric novel serves as the foundation for an evening that combines music, theater, and dance to tell a story about urgent questions of our time.

Concept … Natalie Baudy / Marie Caroline Rössle / Albrecht Ziepert
Choreography … Sagí Amir Gross
Direction … Jonas Knecht
Stage and costumes … Marie Caroline Rössle
Music … Albrecht Ziepert
Dramaturgy … Natalie Baudy

Ewig Sommer (UA) - Tanz und Schauspiel nach Motiven aus dem Roman von Franziska Gänsler
6/22/2025 at 6:00 PM / Erlangen

Dance and theater based on motifs from the novel by Franziska Gänsler

A young hotel owner is holed up in a former spa resort. She hasn't had guests in a long time, as the fires in the nearby forest rage on, each summer more intense and longer than the year before.

Unexpectedly, a young woman appears in the deserted place with her daughter. For the hotel owner, the visit is both a welcome change and a cause for concern: Something seems off about the strangers. What are they fleeing to a place like this? Can the reticent woman with her mute daughter be trusted? Is the heat and isolation not too dangerous for the child?

As the forest burns and protests are held at the nearby climate camp, the two women grow closer. Until a strange caller inquires about the visitor and calls the honesty of their relationship into question. Franziska Gänsler's atmospheric novel serves as the foundation for an evening that combines music, theater, and dance to tell a story about urgent questions of our time.

Concept … Natalie Baudy / Marie Caroline Rössle / Albrecht Ziepert
Choreography … Sagí Amir Gross
Direction … Jonas Knecht
Stage and costumes … Marie Caroline Rössle
Music … Albrecht Ziepert
Dramaturgy … Natalie Baudy

Endspiel - In Kooperation mit Theater Waidspeicher Erfurt und dem internationalen.figuren.theater.festival
6/26/2025 at 7:30 PM / Erlangen

by Samuel Beckett, German translation by Elmar Tophoven
in cooperation with the Theater Waidspeicher Erfurt and the international.figures.theater.festival

In a decaying civilization, four people have established a more or less tolerable existence with each other. A web of dependencies chains them together: Hamm can neither see nor stand, Clov cannot sit. Hamm possesses the last supplies. But without Clov, who works for him, he would be completely helpless and unable to survive. Hamm's parents, Nagg and Nell, live in trash cans because they no longer have legs. Nevertheless, the memory of a loving togetherness echoes in their relationship. Are these four what remains of humanity?

Beckett's dystopian stage world follows its own rules and blurs the line between tragedy and comedy. The characters are reduced to their mere existence, which makes human behavior patterns and the resulting societal phenomena stand out even more clearly. In Moritz Sostmann's productions, people interact with puppets. Their interdependent play sharpens the view of the power dynamics between the characters. Who actually controls whom here?

Direction … Moritz Sostmann
Stage and costumes … Clemens Kühn
Music … Albrecht Ziepert
Dramaturgy … Linda Best

Endspiel - In Kooperation mit Theater Waidspeicher Erfurt und dem internationalen.figuren.theater.festival
6/27/2025 at 7:30 PM / Erlangen

by Samuel Beckett, German translation by Elmar Tophoven
in cooperation with the Theater Waidspeicher Erfurt and the international.figures.theater.festival

In a decaying civilization, four people have established a more or less tolerable existence with each other. A web of dependencies chains them together: Hamm can neither see nor stand, Clov cannot sit. Hamm possesses the last supplies. But without Clov, who works for him, he would be completely helpless and unable to survive. Hamm's parents, Nagg and Nell, live in trash cans because they no longer have legs. Nevertheless, the memory of a loving togetherness echoes in their relationship. Are these four what remains of humanity?

Beckett's dystopian stage world follows its own rules and blurs the line between tragedy and comedy. The characters are reduced to their mere existence, which makes human behavior patterns and the resulting societal phenomena stand out even more clearly. In Moritz Sostmann's productions, people interact with puppets. Their interdependent play sharpens the view of the power dynamics between the characters. Who actually controls whom here?

Direction … Moritz Sostmann
Stage and costumes … Clemens Kühn
Music … Albrecht Ziepert
Dramaturgy … Linda Best

Endspiel - In Kooperation mit Theater Waidspeicher Erfurt und dem internationalen.figuren.theater.festival
6/28/2025 at 7:30 PM / Erlangen

by Samuel Beckett, German translation by Elmar Tophoven
in cooperation with the Theater Waidspeicher Erfurt and the international.figures.theater.festival

In a decaying civilization, four people have established a more or less tolerable existence with each other. A web of dependencies chains them together: Hamm can neither see nor stand, Clov cannot sit. Hamm possesses the last supplies. But without Clov, who works for him, he would be completely helpless and unable to survive. Hamm's parents, Nagg and Nell, live in trash cans because they no longer have legs. Nevertheless, the memory of a loving togetherness echoes in their relationship. Are these four what remains of humanity?

Beckett's dystopian stage world follows its own rules and blurs the line between tragedy and comedy. The characters are reduced to their mere existence, which makes human behavior patterns and the resulting societal phenomena stand out even more clearly. In Moritz Sostmann's productions, people interact with puppets. Their interdependent play sharpens the view of the power dynamics between the characters. Who actually controls whom here?

Direction … Moritz Sostmann
Stage and costumes … Clemens Kühn
Music … Albrecht Ziepert
Dramaturgy … Linda Best

Ewig Sommer (UA) - Tanz und Schauspiel nach Motiven aus dem Roman von Franziska Gänsler
7/6/2025 at 6:00 PM / Erlangen

Dance and theater based on motifs from the novel by Franziska Gänsler

A young hotel owner is holed up in a former spa resort. She hasn't had guests in a long time, as the fires in the nearby forest rage on, each summer more intense and longer than the year before.

Unexpectedly, a young woman appears in the deserted place with her daughter. For the hotel owner, the visit is both a welcome change and a cause for concern: Something seems off about the strangers. What are they fleeing to a place like this? Can the reticent woman with her mute daughter be trusted? Is the heat and isolation not too dangerous for the child?

As the forest burns and protests are held at the nearby climate camp, the two women grow closer. Until a strange caller inquires about the visitor and calls the honesty of their relationship into question. Franziska Gänsler's atmospheric novel serves as the foundation for an evening that combines music, theater, and dance to tell a story about urgent questions of our time.

Concept … Natalie Baudy / Marie Caroline Rössle / Albrecht Ziepert
Choreography … Sagí Amir Gross
Direction … Jonas Knecht
Stage and costumes … Marie Caroline Rössle
Music … Albrecht Ziepert
Dramaturgy … Natalie Baudy

Ewig Sommer (UA) - Tanz und Schauspiel nach Motiven aus dem Roman von Franziska Gänsler
7/7/2025 at 7:30 PM / Erlangen

Dance and theater based on motifs from the novel by Franziska Gänsler

A young hotel owner is holed up in a former spa resort. She hasn't had guests in a long time, as the fires in the nearby forest rage on, each summer more intense and longer than the year before.

Unexpectedly, a young woman appears in the deserted place with her daughter. For the hotel owner, the visit is both a welcome change and a cause for concern: Something seems off about the strangers. What are they fleeing to a place like this? Can the reticent woman with her mute daughter be trusted? Is the heat and isolation not too dangerous for the child?

As the forest burns and protests are held at the nearby climate camp, the two women grow closer. Until a strange caller inquires about the visitor and calls the honesty of their relationship into question. Franziska Gänsler's atmospheric novel serves as the foundation for an evening that combines music, theater, and dance to tell a story about urgent questions of our time.

Concept … Natalie Baudy / Marie Caroline Rössle / Albrecht Ziepert
Choreography … Sagí Amir Gross
Direction … Jonas Knecht
Stage and costumes … Marie Caroline Rössle
Music … Albrecht Ziepert
Dramaturgy … Natalie Baudy

Sophie Hunger - "Walzer für Niemand" - Lesung & Lieder
11/15/2025 at 8:00 PM / Erlangen

Admission: 7:00 PM

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