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Thursday, 11/12/2026
at 7:30 PM



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Play by Lot Vekemans
With Peter Kremer and Lisa Wildmann
Translated into German by Eva M. Pieper and Alexandra Schmiederbach
Euro-Studio Landgraf, Titisee-Neustadt

Two people, one room, and a truth neither of them wants to see.
Richard once was someone. A respected architect who built dams and aqueducts – structures that channel water, connect valleys, overcome distances. In his own life, he never achieved that. Since the death of his wife, he has retreated to a luxurious residential complex, sheltered from the world, estranged from his only daughter, Helen. Now, almost completely blind, he has nothing left but to ask her for help. Helen comes. And brings everything Richard has not wanted to see for years: her Black husband, a writer; her political beliefs; the wounds she has carried as a daughter. Both characters are blind in their own way. And both begin to tentatively recognize each other at last. The question this play poses, without answering it: Can you love someone whose beliefs you completely reject?

Big themes in a small space
Lot Vekemans, the most performed Dutch playwright, writes “small chamber plays about big themes” (Nachtkritik). Blind was created with South Africa in mind – and resonates wherever generations and ideological bubbles have nothing left to say to each other. Translated into 22 languages and performed in 35 countries.

Why this evening
Vekemans discusses in ninety minutes what others need a novel for: racism in the family, the silence between generations, the question of what love can endure. Blind does not seek to convert anyone – the play opens eyes and leaves the rest to the audience.

The cast
Peter Kremer as Richard – a man who has created structures for eternity and must witness the crumbling of his own walls. Familiar to the audience from Tatort, Die Toten vom Bodensee, and especially six seasons as the title character in the ZDF series Siska.
Lisa Wildmann as Helen – lawyer, daughter, wife; a woman who has learned to assert herself and, in doing so, has forgotten what she once owed to her father. Regularly seen in film and television, she teaches at the Stuttgart University of Music and Performing Arts.

“A clever, touching theater evening at the right time. Conflicts between generations, the isolation between ideological bubbles … a brilliant text.” – Donaukurier

Play by Lot Vekemans

When purchasing a discounted ticket, we ask you to present the corresponding proof of eligibility at the entrance.

House opening: 6:30 PM

Event data provided by: Reservix

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