Vincent Meissner Trio: "Eigengrau" am 2/25/2026 in Markkleeberg

Trio Süd

Jazz in the Marstall - Felix Wahnschaffe's Trio Süd - Everything must go

"I would like to play again like someone who can't play at all. Forget everything, just be in the moment, let it all out." (Felix Wahnschaffe)

The main work of the Berlin saxophonist Felix Wahnschaffe is the band "Das Rosa Rauschen", which has been a stable presence in contemporary German jazz for years. Recently, however, his musical development has been leaning towards smaller ensembles and less complex compositions, allowing for more freedom in design and the possibility of discovering spontaneous sound spaces. Just like Trio Süd, which is characterized by a very personal, intimate, almost chamber music-like sound.

Felix Wahnschaffe | Alto Saxophone
Dietmar Fuhr | Bass
Holger Nesweda | Drums

http://www.felix-wahnschaffe.de
http://www.dietmarfuhr.de
holger-nesweda.de

Doors open: 19:00 Uhr

Heppenheim

3/4/2026
8:00 PM

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Vincent Meissner Trio: "Eigengrau"

Wednesday, 2/25/2026 at 7:00 PM

Vincent Meissner Trio: "Eigengrau"

Wednesday, 2/25/2026
at 7:00 PM

More in Markkleeberg

Tickets

from € 17.00

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Jazz in the White House: Concert with the Vincent Meissner Trio from Leipzig

“You always come back to the beginning, the more you discover something new,” says pianist Vincent Meissner. The music of his third album “Eigengrau” is characterized by a very introspective view. And by very personal experiences and encounters. Together with his working trio, bassist Josef Zeimetz and drummer Henri Reichmann, Vincent Meissner has developed a unique language – inspired by artists like The Bad Plus, Esbjörn Svensson, Vijay Iyer, or his mentor Michael Wollny.

“Eigengrau describes the moment of darkness behind closed eyes,” explains Meissner. “But when you then rub your eyes, you suddenly see patterns. Everyone sees something different, structures, objects, or maybe nothing at all. It’s similar with our music – it creates its own images for each person.”

On stage, the trio is constantly in motion, often exploding with sheer energy. In the studio, Vincent Meissner seeks reduction and concentration with his fellow musicians and producer Andreas Brandis – focusing on melodies, textures, and moods. For the album, the three zoom in closer, every note is an exploration, each piece is an interplay – finely polished and profound.

Thus, “Eigengrau” is, despite all its depth and complexity, a song album. The nine highly focused pieces each open emotional spaces – often pastel-colored, full of fine shades and with hypnotic allure.

Cultural space Leipziger Raum supports the events in the White House.

This measure is co-financed by tax funds based on the budget passed by the members of the Saxon State Parliament.

Event data provided by: Reservix

DIE UNWUCHT feat. ACHIM KAUFMANN - Avantgarde Jazz

Christopher Kunz sax / Achim Kaufmann p / Flo Fischer dr

Die Unwucht is a saxophone/drum duo that understands free improvisation as a social practice. Their music emerges as real-time composition: in the dialogue of sound, body, space, and relationship. Control recedes in favor of openness, resonance, and transformation. Drawing from the tradition of Free Jazz, saxophonist Christopher Kunz and drummer Florian Fischer comprehend improvisation not just as an aesthetic act but as a collective process, where subject and material mutually influence each other. Sound "leads" along, forms arise and dissolve, meanings are not predetermined but generated in shared experience. Concerts thus become temporary rituals: places of intense presence, physical experience, and possible change – for the audience as well as the musicians. Music acts here as a connecting force, opening individual perception and making collective resonance tangible. With pianist Achim Kaufmann, they expand into a trio and open the musical space to another level of structural and energetic tension. Kaufmann's oscillating play between impulse, texture, and silence serves less as a harmonic foundation than as a catalyst: it destabilizes, condenses, mirrors, and transforms the unfolding. In the trio, improvisation shifts from dialogical to polyphonic practice. Decisions become more fragmented, responsibility is distributed, leadership becomes situational and fleeting. The musical structure remains consciously fragile – an open system where friction, misunderstanding, and breakage are not avoided but made productive. Die Unwucht feat. Achim Kaufmann becomes a laboratory for collective perception: music as a process of negotiation, of listening and allowing oneself to be heard. It is not the result that stands in the foreground, but the unfolding itself – as a shared experience of intensity and momentary order.

“The spontaneous free exchange leads this trio to highly intense dynamics, to energetic outbursts, to frightening condensing, but also to sunken, almost ethereal passages, to color combinations and mixtures where red and blue do not necessarily make purple.” – Ssirus W. Pakzad – Jazz thing on the album Red And Blue Don’t Make Purple

Doors open at 8:00 PM. No seat guarantee.

Trio Chalumeau - Klarinette, Violoncello und Klavier

The warm timbre and the intimate blending of the instruments, combined with passionate musicality, are the trademarks of the TRIO CHALUMEAU with Bernhard Veil (clarinet), Dorothea Borth (cello), and Bettina Heinz (piano), which has evolved since its founding in 1992 into one of the leading ensembles of this instrumentation.

Concert
TRIO CHALUMEAU - Klarinette, Violoncello und Klavier (Concert Subscription)
Black and white photo of Bettina Heinz, Dorothea Borth, and Bernhard Veil
Fri., March 20, 2026
7:30 PM
Doors open at 7:00 PM

The warm timbre and the intimate blending of the instruments, combined with passionate musicality, are the trademarks of the TRIO CHALUMEAU with Bernhard Veil (clarinet), Dorothea Borth (cello), and Bettina Heinz (piano), which has evolved since its founding in 1992 into one of the leading ensembles of this instrumentation.
Description
The collaboration with Peter Buck (Melos Quartet) and the Beaux Arts Trio brought the decisive artistic impulses and unmistakably contributed to the clear and distinctive interpretation style of the ensemble.

The cultivation of the classical-romantic repertoire, including the main works of Mozart, Beethoven, and Brahms, is as much of a concern for the musicians as is the constant effort to present lesser-known, sometimes hidden treasures of chamber music literature. Inspired by the ensemble sound, numerous compositions dedicated to and premiered by the TRIO CHALUMEAU have emerged in recent years. In addition to ongoing concert commitments in the Federal Republic, the ensemble has frequently been a guest at international festivals such as the Schleswig-Holstein Music Festival, the Oberstdorf Music Summer, the International Lake Constance Festival, or at Schloss Elmau, the traditional "chamber music mecca." The trio has also received warm acclaim from audiences and press in neighboring European countries and Japan.

Doors open at 7:00 PM

Gelius Trio

On the occasion of a CD production featuring the works of composer Dorothee Eberhardt, the musicians came together for the first time and founded the GELIUS TRIO in 1999, named after the pianist. The experiences of the two string players as concertmasters of the Munich Philharmonic, performing under the baton of the great conductors of our time, enrich their collaboration immensely. Micael Gelius knows how to make the piano sing, to accompany sensitively, and to showcase his pianistic finesse.

The trio is famous for the shared breath that permeates the phrasings of the musicians, for their tonal beauty, passion, and deep emotion. Founding member Sreten Krstic plays a violin by Nicolaus Gagliano, while Andreas Heinig has been the trio's cellist since 2026, playing a Venetian cello from 1749.

The repertoire of the GELIUS TRIO includes not only classical and romantic works but also excursions into the worlds of tango and jazz, as demonstrated by the musicians on their CD "Oblivion." The trio is a guest at major festivals, such as the Schleswig-Holstein Festival, Musiksommer between Inn and Salzach, and Milstätter Konzertwochen.

At the MUSIKPODIUM in Neuenhagen, the GELIUS TRIO will make its debut and will present works for violin, cello, and piano by Clara Schumann, Lili Boulanger, and Antonín Dvořák.

Foyer entry: 6 PM

Avin Trio: Licht und Schatten

The concert program "Licht und Schatten" offers a fascinating journey through the world of chamber music, shaped by works by female composers as well as a significant piece from the Romantic era.

The first half of the program serves as a tribute to Lili Boulanger and Rebecca Clarke, whose compositions capture the interplay between light and darkness. Lili Boulanger's "D‘un soir triste" and "D‘un matin de printemps" are poetic reflections on the beginning and end of the day, permeated by sensitive melancholy and a remarkable color palette, while Rebecca Clarke's piano trio combines passionate expressivity with rich harmonics and emotional depth. Particularly impressive is her approach to colors and contrasts: shimmering, almost light-filled passages are in immediate contrast to powerful, dark-hued episodes.

After a break, Johannes Brahms' second piano trio follows, a masterpiece of chamber music. The thematic exploration of light and shadow is evident, among other things, in its profound harmonies and lyrical melodies, ranging from radiant light to dark shadows.

Program

Rebecca Clarke (1886-1979)
Piano Trio

Lili Boulanger (1893-1918)
D‘un soir triste D‘un matin de printemps

Johannes Brahms (1833-1897)
Piano Trio No. 2 in C major, Op. 87

(Subject to changes)

The Avin Trio, consisting of Saskia Niehl (violin), Michael Schmitz (cello), and Josefa Schmidt (piano), was founded in 2019 and has already performed at numerous national and international festivals.

At the German Music Competition 2024, the Avin Trio was awarded a scholarship and the special prize of the VON ZENGEN Art Auctions. In the 2025/26 season, they will be included in the concert promotion of the German Music Competition. Furthermore, the Avin Trio is a prizewinner of the International Chamber Music Campus Weikersheim (Prize of the Schleswig-Holstein Music Festival) and the International Rubinstein Chamber Music Competition. The Virtual Reality video production "Schubert.SPACE" of the Summer Music Days Hitzacker featuring the trio was nominated for the OPUS KLASSIK.

The event is supported by the concert promotion of the German Music Competition of the German Music Council and the GVL.

Ticket prices:
Normal price: 21 € (presale) or 25 € (box office)
Reduced: 18 € (presale) or 22 € (box office)
plus any applicable fees

Photo: Mel Rangel

Doors open: 6:30 pm

The Clarinet Trio Anthology

With a comprehensive recording of the repertoire for clarinet, cello, and piano, the three renowned Austrian musicians deepen their long-standing musical friendship – in a difficult time that simultaneously offers space for such unique projects.

The entire repertoire was released in 2022 as a 7 CD box set by DECCA.

The history of this ensemble formation, beginning with Ludwig van Beethoven and Johannes Brahms, is remarkable in that a multitude of famous composers such as Max Bruch, Gabriel Fauré, Michael Glinka, Alexander Zemlinsky, and Nino Rota have written pieces for clarinet trio – some of which are well-known, while others remain hidden treasures. Another very interesting detail is the world premiere recording of a 16-bar fragment for clarinet trio by Arnold Schönberg, which directly led to Alexander Zemlinsky's clarinet trio.

Artistic highlights of the past include Daniel Ottensamer's solo performances with the Vienna Philharmonic, the NHK Symphony Orchestra, and the Mozarteum Orchestra Salzburg under conductors such as Lorin Maazel, Gustavo Dudamel, Andris Nelsons, Adam Fischer, and Manfred Honeck, as well as his collaboration with chamber music partners like Daniel Barenboim, Sir András Schiff, Barbara Bonney, Thomas Hampson, Bobby McFerrin, Heinrich Schiff, Isabelle Faust, Mischa Maisky, and the Hagen Quartet.

Artistic highlights in Stephan Koncz's past have been solo performances, recordings, and conducting with orchestras such as the Philharmonia Orchestra (London), the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, and the Munich Radio Orchestra. His chamber music partners include Leonidas Kavakos, Lisa Batiashvili, Janine Jansen, Ray Chen, Antoine Tamestit, Gautier Capuçon, Gerald Finley, Thomas Hampson, Anna Prohaska, Rudolf Buchbinder, Avi Avital, and Emmanuel Pahud.

Highlights of the past concert season for Christoph Traxler included performances of the piano concertos by Ludwig van Beethoven in Japan, artistic collaborations with international figures such as Manfred Honeck, Stefan Vladar, and Thomas Hampson, and appearances at the festivals of Verbier, Gstaad, and the Rheingau Festival.

DANIEL OTTENSAMER, Clarinet
STEAPAN KONCZ, Cello
CHRISTOPH TRAXLER, Piano

Program
Ludwig van Beethoven: Trio for Clarinet, Cello, and Piano in B-flat Major Op. 11 "Gassenhauer Trio"
John Ireland: Trio for Clarinet, Cello, and Piano in D Minor
***
Mikhail Glinka: Trio pathétique in D Minor
Jörg Widmann: Nachtstück for Clarinet, Cello, and Piano
Robert Muczynski: Fantasy Trio Op. 26

Photo: Andrej Grilc

Doors open at 19:00

"Klangfarben der Sehnsucht" - Kammermusik für Klarinette, Viola und Klavier

Lisa Klotz, Viola - Stefanie Brunner, Clarinet - Eric Domenech, Piano

W.A. Mozart: "Kegelstatt-Trio" E-flat major, KV 498
J. Brahms “Gestillte Sehnsucht,” from op. 91, two songs
E. Domenech, Trio for Viola, Clarinet, Piano, World Premiere
M. Bruch, Eight pieces, op. 83

The particularly warm and soft-sounding blend of clarinet, viola, and piano has always inspired composers to let these instruments enter into dialogue.
Lisa Klotz (principal violist of the Staatsphilharmonie Nürnberg), Stefanie Brunner (deputy principal clarinetist of the Münchner Symphoniker), and pianist and composer Eric Domenech present to you true treasures of chamber music literature this evening. From W. A. Mozart’s graceful “Kegelstatt-Trio” to J. Brahms' contemplative song “Gestillte Sehnsucht” to M. Bruch’s “Eight Pieces,” a great musical diversity is offered. The concert will be rounded off with a trio composed for this occasion, featuring the freshness of a world premiere. Eric Domenech has drawn inspiration from the dark and warm sound of the viola and clarinet.

Admission: 18:15 Uhr

REQ (Richard Ebert Quartett) - (D) - Jazz

Supported by the Initiative Musik and the Federal Government Commissioner for Culture and Media "BKM"

The jazz quartet led by saxophonist Richard Ebert combines elements from the current mainstream of modern jazz with experimental sound collages.

Press text "Departure Day"
"Departure Day" (QFTF) at the end of the eponymous album by the young saxophonist Richard Ebert is the return from the dreamscapes of the debut album "Nyx" (Unit). There is no melancholy or wanderlust to be found. The gaze is always directed forward, and the development of the band with the second album does not stand still, showcasing a completely new spectrum of musical expression possibilities beyond the classical role distribution of a typical jazz quartet.

With light steps and always full of poetry, the four musicians, who got to know each other during their music studies in Dresden and have performed over 100 concerts in Germany, Austria, and Slovenia, move through detail-loving arrangements, assigning as much importance to refined song structures as to lyrical or fast-paced improvisations. They skillfully incorporate elements from the current mainstream of modern jazz as well as experimental sound collages, playing a jazz that is both engaging and subtle, capturing the mind, heart, soul, and body alike—a jazz that opens up realms of imagination and freedom.

Line-up:
Richard Ebert: Saxophone, Flute
Jochen Aldinger: Piano
Kevin Knödler: Double Bass
Patrick Neumann: Drums

Press reviews:
Ukvibe.org:
"Abreisetag is a truly unique piece of music. Showing a great effort for sound and story. Reminiscent of Saxophone greats like Stan Getz." 4/5

Jazzthetik:
"Genius stroke / absurd sound paintings / Highlight / Original / The interplay of the musicians is impeccable."

FRIZZ Frankfurt:
"Another discovery from the young label QFTF." 4/5

Press release "Departure Day"
"Departure Day" (QFTF) at the end of the eponymous album by the young saxophonist and composer Richard Ebert is the return from the dreamscapes of the debut album "Nyx" (Unit) without causing melancholy or wanderlust. The view is always forward and a completely new spectrum of musical expression beyond the sound of a typical jazz quartet shows that the development of the band does not stop with the second album."

20:00

Matti Klein Soul Trio - Jazzkonzert

In the Matti Klein Soul Trio, three kindred spirits have come together in the name of grooves, forging an independent path beyond the well-trodden routes of Hammond organ trios.
At the center of the sound experience are the warm Wurlitzer tones of bandleader Matti Klein.
The pleasing deep tones of a 1973 Fender Rhodes piano bass are a unique hallmark of the group, just like the precise use of sound effects by tenor saxophonist and bass clarinetist Lars Zander.
The elastic playing of drummer André Seidel ensures that one does not take the trio’s other specialty – the unthinking preference for odd meters – literally.

“With their passionate reminiscences of the soul-jazz era, the three musicians meet with enthusiastic resonance from the audience. This is mainly due to the groove that oozes from every pore in the music and is extremely contagious.” Kerstin Rickert

Advance sale: 18 € / reduced: 16 €
Box office: 21 € / reduced: 19 €
Students, trainees, and college students: 8 €

Trio Concept

Works by A. Casella, M. Ravel, E. Bloch, and M. Weinberg
Admission: 17:30

Trio Moreau - Musique Francaise

Trio Moreau
Jérémie Moreau, piano
David Moreau, violin
Edgar Moreau, cello

CLAUDE DEBUSSY Piano Trio in G major
RITA STROHL Piano Trio No. 1 in G minor
CAMILLE SAINT-SAËNS Piano Trio No. 2 in E minor, Op. 92

With "Les adieux et le départ," Rita Strohl titled the first movement of her piano trio. We extend the title: "Farewell" from centuries of ignorance and "Departure" to a new path through music history, to a new listening as well. Rediscovered works of hidden and forgotten female composers: This theme quietly runs through the concert season and will likely bring us one or another beautiful discovery in the future.

Undoubtedly, Edgar is most famous on the cello; Jérémie, on the other hand, is an awarded student in Sir András Schiff's "Building Bridges" program. Together with David on the violin, the brothers form the Trio Moreau, which has performed at festivals such as La Roque d'Anthéron, the Festival International de Colmar, and the Flâneries Musicales de Reims – and their CD featuring works by Rita Strohl brought attention to the little-known composer.

Subscription series G and A

Subject to changes in date, program, and cast.

Photo credit: Jacky Azoula

The box office opens one hour before the event begins.

Remaining tickets may be available at the daytime or evening box office or by calling 09181/299622.

Jowee Omicil | Vincent Peirani - Living Being

JOWEE OMICIL aka Mr. BasH!
A musical polyglot from Canada
He is a charismatic, unpredictable force in music. An improviser, at once a musician, educator, mentor, producer, and visionary composer. With this versatility, Jowee Omicil ranks among the most influential artists of his generation in Canada. Born and raised in Montreal as the son of Haitian immigrants, he encountered music first in his father's church, where he recorded hymns and gospel. At 15, he finally picked up the alto saxophone and reached a turning point that set his life on a bold new course.
Inspired by spiritual traditions, urban music, and pop culture, he developed a limitless approach to music – vibrant, raw, and deeply authentic. He channels sounds with his entire being and plays saxophones, clarinets, trumpets, Rhodes, and whatever instrument the moment demands. Like a nomad, always in search of new sounds and perspectives, he leaves lasting impressions wherever he performs.

VINCENT PEIRANI – Living Being
A sonic exploration of the nuances of the rhythm of life
With "Living Being IV: Time Reflections," Vincent Peirani and his quintet present a work that is deeply rooted in musical reflection and exploration of time.
On the accordion, he creates a mosaic together with Tony Paeleman on piano and Rhodes, Emile Parisien on soprano saxophone, Julien Herné on bass, and Yoann Serra on drums, where the contemporary pulse intersects with echoes of traditional dances. With a strong wink at baroque music, he finds an unexpected and poetic place for it. The intertextual resonances illustrate the richness and diversity that characterize Peirani's work, thus offering a musical experience that is both introspective and universal.

Vincent Peirani - Living Being

Living Being

With "Living Being IV: Time Reflections," Vincent Peirani and his quintet present a work deeply rooted in musical reflection and exploration of time. The new project invites a sonic exploration where each note is shaped by the complexity and nuances of life's rhythm. Born in the unique context of the early months of the Covid pandemic, this CD is the result of a moment of forced pause for Vincent Peirani, a break in his daily life that led him to meditate on how time shapes our lives and our perception of the world. "Time Reflections" is thus a mosaic where contemporary pulsations intersect with echoes of traditional dances, with a strong wink at Baroque music, which finds an unexpected and poetic place here. Vincent Peirani's collaboration with artists from various fields gives his music an intertextual dimension. In this album, the influences of the Beninese guitarist Lionel Loueke and the German pianist Michael Wollny are clearly evident in two tracks dedicated specifically to them. These resonances illustrate the richness and diversity that characterize Peirani's work, providing a musical experience that is both introspective and universal.

Vincent Peirani – Accordion, Accordina
Tony Paeleman – Rhodes, Piano
Emile Parisien – Soprano Saxophone
Julien Herné – Bass
Yoann Serra – Drums

Doors open one hour before the event

Tingvall Trio - PAX Tour 2026

For more than two decades, the Tingvall Trio has been a reliable guarantee for captivating piano trio jazz with catchy melodies and powerful rhythms. Eight times, their productions have been awarded the Jazz Award in Gold and once in Platinum. Their last album "Birds" again reached No.1 in the German Jazz Charts, and sold-out concerts across Europe are a testament to the popularity of the three Hamburg residents.

In preparation for the new longplayer "Pax," the trio embarked on a concert tour comprising more than 20 dates at the beginning of the year, after which the three went directly to their favorite studio, ARTE SUONO by sound engineer Stefanio Amerio in Italy. The result is an album that sounds nearly as energetic yet also fragile as a live concert. Never before has the trio been captured so unembellished in the studio, whether in touching ballads like "A Promise" or typical TT-going numbers like "Cruisin."

The album title "Pax" is deliberately chosen, as Martin Tingvall explains: "In a world full of unrest and increasing societal polarization, it was particularly important to me to make a statement for peace with our music. With our album 'Birds,' we already tried to musically reflect the disturbing developments of our time. Since then, much has continued to change negatively in the world. As a musician, I don't want to watch this silently. PAX should inspire reflection, invite calm—and be a clear sign for peace." "Pax" will be released in the usual formats CD / LP and DIGITAL, as well as in a Limited LP Edition, which includes not only the three tracks missing from the "normal vinyl edition" due to playtime reasons but also a special Rhodes version of the successful TT classic "Hummingbird," a true bonus for collectors.

From autumn, the trio will of course bring the new work live to stages across Europe and once again prove to listeners that they are among the best that European jazz has to offer, surely also explicitly connected with the compelling message contained in tracks like "A New Hope," "Shadows," "A Promise," or "The End."

Cast:
Martin Tingvall - piano
Omar Rodriguez Calvo – double bass
Jürgen Spiegel – drums and percussion

Discography Tingvall Trio:
2006: Skagerrak (DE: Gold – German Jazz Award); 2008: Norr (DE: Gold – German Jazz Award); 2009: Vattensaga (DE: Gold – German Jazz Award); 2011: Vägen; 2013: In Concert (DE: Gold – German Jazz Award); 2014: Beat; 2017: Cirklar; 2020: Dance; 2023: Birds; 2025: Pax (TC)

Press Reviews and Chart Positions:
#2 Jazz Charts August 2025 (Pop chart entry at 31 in the first week after release on 01.08.2025)
Album of the Week: Deutschlandfunk Kultur, WDR3

Album of the Month: BR 24
"gentle, playful sound images" Brigitte, 5 stars

"Creates islands for pausing, reflecting, enjoying, relaxing, feeling good, and possibly also for gathering strength. Contrasts and well-considered developments... recorded with great sensitivity to the sound of the instruments" RONDO

"catchy ballads and fast-paced numbers" GONG, HÖRZU

"explicitly political like never before – without sacrificing musical lightness" kulturnews

"Twelve new, sparkling tracks" hr2 Hörbar

"Music to hold on to. The Tingvall Trio sounds even more compact and present than before" JAZZthing

"For European jazz, it deserves the highest honor, and especially the less forceful, rather graceful numbers on this album radiate a charm and an aura of calm that is truly peaceful." Concerto

"one of the most exciting piano trios in European jazz right now" Neue Ruhr Zeitung

"curious-juvenile like in its early days yet with a well-rehearsed, refined team sound" Aachener Zeitung "At the same time, the album convinces with the clarity and transparency of its expression, with its immediate accessibility and the beauty of its melodies. "PAX" is an outstanding work – another milestone in the history of this great trio." jazz-fun.de

Booking territory: GSA

Doors: 19:30h

Trio Ikigai: Freu(n)de und Volksmusik

Jakow Pavlenko (Violin), who has already performed as a soloist at the Klassik Open Air, Sara Schlumberger-Ruiz (Violin) and Conrad Jacobshagen (Viola), all three award winners of numerous competitions, play music composed for this rare trio formation by A. Dvořák, B. Martinů, Z. Kodály, and B. Bartók, which has its roots in Czech, Hungarian, and Romanian folk music.

Doors open at 19:00.

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Heppenheim

Nürnberg

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Neuenhagen

Forchheim

Gauting

Erlangen

Offenburg

Ehingen

Meersburg

Neumarkt in der Oberpfalz

Würzburg

Kassel

Oldenburg

Weißenburg in Bayern

Events nearby

Locations nearby