Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

The theater adventure for the whole family - on the open-air stage in Waren (Müritz)!

Exciting stories full of love, action, and humor! An enthralling journey into the past of the Müritz region with thrilling battles, horses, historical costumes, and specially composed stage music. Located in the midst of greenery, just a few minutes' walk from the historic city center, is the dreamlike backdrop of the open-air stage in Waren (Müritz) on the wooded Mühlenberg.

Admission from 30 minutes before the start of the event

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Giuseppe Verdi is undoubtedly one of the most popular opera composers. The opera "Nabucco" is among the most famous works of the Italian, alongside "La Traviata", "Rigoletto", "Aida", "Falstaff", and "Othello". Particularly the so-called "Chorus of the Hebrew Slaves", which still represents the highlight of every performance today, already became a secret national anthem of Italy during the composer's lifetime. Opera fans will experience this masterpiece this year in wonderful open-air locations.

The dramatic play of love and power is uniquely staged with magnificent costumes, an impressive set design, enchanting lighting, and over one hundred participants. Renowned soloists, the large choir, and the acclaimed Venezia Festival Orchestra perform under the direction of Nayden Todorov. He is the conductor of the Sofia Philharmonic Orchestras, the most famous orchestra in Bulgaria, and was recently appointed as the country's Minister of Culture.

Verdi wrote "Nabucco" when he was 28 years old. After living in solitude and melancholy due to the death of his wife, the biblical words of the Nabucco libretto gave him new vitality, and he completed the opera line by line. The world premiere took place on March 9, 1842, at La Scala in Milan and was extraordinarily successful. This triumph marked the beginning of Verdi's years of success.

To this day, the opera about the Jewish people's struggle for freedom from Babylonian captivity has lost none of its popularity and ranks very high on the list of the most popular operas with its stirring mass scenes, grand melodies, and brilliant arias.

Admission: 6:15 PM

The permanent exhibition on the life and work of Erich Maria Remarque offers a detailed look into the life, work, and thoughts of the famous writer through numerous photographs, documents, and manuscripts. The exhibition is bilingual, presented in German and English throughout.

Divided into seven sections covering his youth in Osnabrück (1898–1921), the years in Hanover and Berlin (1922–1928), the discussion around All Quiet on the Western Front (1928–1930), his exile in Europe (1931–1939) and the USA (1939–1948), his political works in the 1950s, and the 1960s leading up to his death on September 25, 1970 in Locarno, the exhibition attempts to highlight the ruptures, contradictions, and controversies in Remarque's life while emphasizing their productivity for his work. It illustrates Remarque's numerous psychological conflicts, aiming to resolve the apparent contradiction between the "bon vivant" and the "militant pacifist," and provides insight into his acquaintances, friendships, and marriages. Numerous originals such as the death mask or Remarque's original desk complement the presentation.

Another focus of the exhibition is the worldwide, often highly controversial reception of Remarque's works, which have been translated into at least 60 languages and continue to attract a global audience of millions.

An information terminal allows visitors to delve deeper into specific questions about Remarque's life and work. Another terminal provides access to over 2,000 photographs spanning all stages of Remarque's life, his residences, contacts, and the film adaptations of his works.

The exhibition is open for free visits on Tuesdays to Fridays from 10 am to 1 pm and from 3 pm to 5 pm, and on Saturdays and Sundays from 11 am to 5 pm. Guided tours for school classes and other interest groups can also be arranged outside regular opening hours. Tours can be scheduled with Mr. Martin Siemsen (siemsen.m@osnabrueck.de) by phone at 0541/323-2109 or fax at 0541/323-4355.

A shop on-site offers materials related to Remarque's life and work for sale.

The castle with a lot to offer: "HerrschaftsZeiten! Erlebnis Cadolzburg" from June 24, 2017 at the Cadolzburg - the new highlight of the Nuremberg Metropolitan Region

A powerful castle - the setting of the illustrious history of a ruling family that has achieved great success: this was and is the Cadolzburg. The rulers were the Hohenzollern family, who ruled over Franken and later Brandenburg, also gaining electoral dignity in the 15th century. Later on, they even became Prussian kings and German emperors.

The Cadolzburg derives its radiance not only from its role as the starting point of a significant career in the Holy Roman Empire - the impressive structure itself reflects this golden era of the Hohenzollerns. The new museum "HerrschaftsZeiten! Erlebnis Cadolzburg" of the Bavarian Administration of State Castles will make this time - the late Middle Ages - exciting and informative for visitors through innovative communication concepts. While walking through the castle, visitors can learn not only about the architectural history, wars and peace, daily life, and governing tasks of the princely castle residents. There is much to discover here through interactive and sensory means:

Visitors can experience the castle through their sense of smell, there are tactile stations, sounds and dialogues, vivid models, and invitations to try things out. Exciting or challenging games, medieval Hohenzollerns in their own words, and the jester Contz who guides visitors through the castle bring the Middle Ages to life. Visitors can also expect to see several original medieval artifacts such as swords, maces, or a magnificent treasure chest. Other objects were specially crafted for the museum based on extensive research in historical techniques, such as the gilded armor of the famous General Albrecht Achilles, or textiles dyed according to original recipes. The Bavarian Administration of State Castles also made significant contributions to experimental historical research, like creating a breastplate from boiled leather, in line with the ambition of creating one of Germany's most important castle museums.

The cultural communication of the Bavarian Administration of State Castles also offers a diverse program of accompanying events, making this exciting history even more intriguing - for the young nobleman as well as the castle enthusiast.

Not only the Middle Ages but also the Cadolzburg itself now comes back to life. After the extensive damage of World War II, original medieval rooms and successful architectural creations of the 21st century can now be experienced. The modern buildings completed in 2017 bridge the medieval era with our present time.

You can expect very special experiences here - it truly is THE CASTLE WITH A LOT TO OFFER.

 

 

The Romantic era was a particularly brilliant period for portrait miniatures, reaching its peak and at the same time signaling the end of this special painting technique. Countless artists created portraits with great empathy and astonishing technical perfection. More people than ever collected small portraits of their loved ones to carry with them or to gather at home as a pictorial family album. 142 masterpieces from the renowned Tansey collection illuminate the heyday of an art that had to make way for photography during the 19th century.

Accompanying the exhibition is a catalog that, in addition to the annotated reproduction of all works, is distinguished by essays by various experts on aspects of miniature painting during this time. Hirmer Verlag, bilingual German/English, 432 pages, 208 color illustrations.

Tue - Sun 11am-5pm

»Sometimes I think the sky is made up of uninterrupted, never-tiring reading.«
(Virginia Woolf)

Due to high demand, we will again offer the popular 5+1 subscription starting August 1, 2024.

This also applies to discounted tickets (discounts are available upon proof for students, refugees, people with disabilities, and Munich Pass holders). Pay the price for 5 events and attend 6 (Euro 50.- instead of Euro 60.- for 6 events).*

With the promotional code included in the 5+1 subscription, you can then book 6 events of your choice (of course, already sold-out events are excluded). / The code can be redeemed for a maximum of 6 selected events (also in several stages if desired). / PLEASE NOTE that you can only use the code once per event, as the subscription is valid for one person only. / A service fee of 2.- EURO will be charged for each online booking with the promotional code via Reservix.

*This currently only applies to events with an admission price of EURO 16.- (regular price) as well as reduced EURO 10.-.

With the exhibition »The Story That Never Ends. The Collection of the ZKM«, the ZKM | Karlsruhe provides a comprehensive insight into its own collection, which, with around 12,000 works, is among the largest and most significant collections of media art in the world. The exhibition tells not only of the intertwined stories of art and technology but also of the challenges that fast-paced technological media bring to museums worldwide.

The history of media art from the 1950s to the present

Electrification and digitalization have changed the world. This transformation has not only affected our daily lives but has also impacted artistic creation. 

Since the beginning of the 20th century, artists have been using these rapidly evolving technologies and constantly expanding the expressive possibilities of art: The spectrum ranges from video, light, and sound works to motor-driven kinetic objects, as well as computer-based interactive installations or works created with the help of artificial intelligence. 

With about 100 works, »The Story That Never Ends« traces these developmental lines of the apparatus arts and their openness to the categories of space, time, and movement as well as interaction and participation – from the 1950s to the present. A selection of important key works that represent significant moments and milestones of media art illustrates the diversity and impact of these technological developments. Marie-Jo Lafontaine's monumental video sculpture »Les larmes d’acier« (1987), which ironizes the complex conceptual constellations of "man, machine, power, and sexuality," as well as Bill Viola's video-sound installation »Stations« (1994), which unites central aspects of his artistic work along with fundamental themes of human existence, or Jeffrey Shaw's »Virtual Sculpture« (1981), representing early experiments in augmented reality, form a small selection of examples here. 

At the same time, the exhibition also makes the socio-political context in which the works were created comprehensible, allowing for deductions and connections to the pressing questions of our time: Feminist works by earlier (media art) pioneers, such as pezoldo (aka Friederike Pezold), Lynn Hershman Leeson, Kirsten Geisler, or Rebecca Horn, are just as noteworthy as works reflecting the impacts of mass media like television (Nam June Paik, Wolf Vostell), the connection between technology and the military, borders and surveillance, or violence in the digital space (Paul Garrin, Hanna Haaslahti, David Rokeby) or natural ecosystems (Justine Emard, Claudia González Godoy). Artists repeatedly question the possibilities and effects of new media, rethink and redesign them, thus bringing forth new social and cultural narratives that shape the discourse about our relationship with technology. 

We perceive art, as the exhibition title suggests, as a story that will never end as long as there are people. The fact that we do not know what form it will take in the future is something it shares with technology. Our knowledge of the past and present influences how we shape the future and value what is yet to come.

The restoration of media art

„The Story That Never Ends“ not only refers to artistic development but also to the challenges museums face when collecting media artworks: Technical devices are not made for eternity, data carriers deteriorate, software standards become obsolete very quickly, and media formats are no longer readable after a few years. This means that works must continuously be monitored and technically updated by conservators. What impact does this have on art and our cultural memory? What skills do we need to develop to not only have a future but also a past?

The ZKM has an internationally recognized expertise in the conservation and restoration of media art. However, since these conservation and restoration activities mostly happen behind the scenes, »The Story That Never Ends« takes a radical step: The decision about which key works from the collection are shown in the exhibition has been entrusted to the conservators of the ZKM. In doing so, they bring hidden treasures to light that have, due to elaborate preservation measures, often not been publicly visible for decades. Since the works themselves do not necessarily reveal the complexity of their technology and the challenges of their preservation, the exhibition also provides an introduction to the history of technology and conservation strategies for this type of works.

The view from the past into the future

»The Story That Never Ends« thus not only tells the fascinating story of media art through the unique collection of the ZKM. It also highlights the fragility of our electrified and digitalized civilization. The exhibition allows for an in-depth insight into the art and technology history of the 20th and 21st centuries and shows how history sharpens the view of the present and stimulates the imagination of possible futures.

Wed to Fri: 10 am to 6 pm
Sat, Sun: 11 am to 6 pm

Giuseppe Verdi is undoubtedly one of the most popular opera composers. The opera "Nabucco" is one of the most famous works of the Italian, alongside "La Traviata," "Rigoletto," "Aida," "Falstaff," and "Othello." Particularly the so-called "Chorus of the Hebrew Slaves," which still represents the highlight of every performance today, already became a sort of unofficial national anthem of Italy during the composer’s lifetime. Opera fans will experience this masterpiece this year in wonderful open-air locations.

The dramatic play about love and power is uniquely staged with magnificent costumes, an impressive set design, enchanting lighting, and over a hundred performers. Renowned soloists, the grand choir, and the celebrated Venezia Festival Orchestra perform under the direction of Nayden Todorov. He is the conductor of the Sofia Philharmonic Orchestra, the most famous orchestra in Bulgaria, and was recently appointed Minister of Culture of the country.

Verdi wrote "Nabucco" when he was 28 years old. After living in solitude and melancholy due to the death of his wife, the biblical words of the Nabucco libretto gave him new vitality, and he completed the opera verse by verse. The world premiere took place on March 9, 1842, at La Scala in Milan and was met with extraordinary success. This triumph marked the beginning of Verdi's years of success.

To this day, the opera about the Jewish people's quest for freedom from Babylonian captivity has not lost any of its popularity and ranks high on the list of the most popular operas with its stirring mass scenes, grand melodies, and brilliant arias.

Admission: 6:30 PM

Miss Allie is extending her current tour! Due to high demand, there are additional dates in autumn 2026 in Germany, Austria, and Switzerland. The fourth and eponymous album for the tour “Paradiesvogel” has been released.
Miss Allie is considered one of the most humorous singer-songwriters in the German-speaking world and an outstanding entertainer. She brings a unique blend of modern songwriting, charming humor, and astute social criticism to the stage. Her concerts are truly community events, where she often interacts spontaneously and wittily with the audience, embedding her songs in humorous anecdotes and personal stories.
Miss Allie has “Funny Bones,” and it’s no surprise that she can also regularly be seen in comedy formats as a musician. She has shared the stage multiple times with Carolin Kebekus. Olli Schulz recommended her latest album in the podcast with Jan Böhmermann, and she has already performed in an ARTE Concert. She is numerous award-winning and regularly appears on TV and radio, as well as being a popular guest on talk shows.

Doors open: 7 PM

Big emotions, gripping melodies, and charming stories are the recipe for success of the most famous musicals in the world. BEST OF MUSICALS has set itself the task of presenting only the best from over 20 musicals. The perfect mix of powerful voices, breathtaking dance performances, and charming performers makes this magical show an unforgettable event. Espen Nowacki's BEST OF MUSICAL is a unique entertainment experience for all ages and an absolute must for lovers of high-quality entertainment.

Highlights from: PHANTOM OF THE OPERA, EVITA, GREASE, ELISABETH, THE LION KING, WE WILL ROCK YOU, DANCE OF THE VAMPIRES, MAMMA MIA, I’VE NEVER BEEN TO NEW YORK…

Doors open: 6:30 PM

Tour to the evening arrival of cranes at their roosting sites.

Every year, thousands of cranes gather in the Müritzregion to continue their journey to their winter quarters. Loud trumpeting fills the air, and in the evening, the "birds of happiness" move in large and small flocks to their roosting places.

On this tour, approximately 4 km will be covered.
Individual arrival at the National Park Information Federow. Please wear suitable clothing.
Dogs are not allowed on the tour. Limited photography opportunities.

Please wear suitable clothing, dogs are not allowed, only limited photography opportunities.

It is not like in Africa, there is not a lion waiting for you! We will take you into the territory of sea and fish eagles. The impressive birds are part of the brand core of the Müritz National Park. Sometimes they can also be seen over the marketplace in Waren, but who is constantly looking up at the sky there...

Bicycles can be rented for the tours, or guests can use their own bike. Rental option at Zweirad Karberg, Lange Straße 46, 17192 Waren (Müritz), 50 meters from the starting point of the tour, advance booking recommended at: 03991-666080.

The tour lasts about 3 hours and covers approximately 15 km.

Be quick: Today, on 28.11.2025, the Spessart Therme is offering 500 day tickets for the thermal salt bath at the Black Friday promotional price of a 2.5-hour ticket! The Black Friday day ticket Bad (adults) for only €12.35 also includes the weekend surcharge, which corresponds to a saving of at least 25%, and on weekends even over €6.00.

The Black Friday promotional ticket 2025 is valid for one year (until 27.11.2026). Exchanges and cash payments, as well as the combination with other discounts, are excluded. The use of the 4-star sauna can be added on site at the entrance for an additional fee of €7.50.

Tickets are available from 28.11.25 at 11 AM.

»Sometimes I think that heaven is made up of uninterrupted, never tiring reading.«
(Virginia Woolf)

Due to high demand, we will offer the popular 5+1 subscription again starting on August 1, 2024.
Pay the price for 5 events and attend 6 (80 Euro instead of 96 Euro for 6 events).*

With the promotional code included in the 5+1 subscription, you can then book 6 events of your choice (except for sold-out events, of course). / The code can be redeemed for a maximum of 6 selected events (also in multiple stages). / PLEASE NOTE that you can only use the code once per event, as the subscription is valid for one person only. / A service fee of 2 Euro applies for each online booking with the promotional code via Reservix.

*this currently applies only to events with an admission price of 16 Euro (standard price) and 10 Euro (discounts are available upon proof for students, refugees, people with disabilities & Munich Pass holders).

Meeting point: lower castle gate