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Im weissen Rössl - Ein Singspiel in drei Akten

Friday, 5/15/2026 at 8:00 PM

Source: Reservix

Im weissen Rössl - Ein Singspiel in drei Akten

Friday, 5/15/2026
at 8:00 PM

More on 5/15/2026

Stadttheater Weilheim
Theaterplatz 1
82362 Weilheim in Oberbayern

More in Weilheim in Oberbayern

€ 15.00 to € 27.00

The following text was automatically translated.
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Weilheimer Festspiele 2026
Im weissen Rössl
Singspiel in drei Akten frei nach dem Lustspiel von Blumenthal und Kadelburg.
Buch von Hans Müller und Erik Charell
Musik von Ralph Benatzky
Gesangstexte von Robert Gilbert
Sechs musikalische Einlagen von Bruno Granichstaedten, Robert Gilbert, Robert Stolz und Hans Frankowski
Fassung "Bar jeder Vernunft"
Verlag Felix Bloch Erben Berlin

"Im weissen Rössl am Wolfgangsee, da steht das Glück vor der Tür ...".
Wer kennt ihn nicht, den Schlager aus einem der populärsten Klassiker der Unterhaltungswelt.
Für diejenigen, die das Stück tatsächlich nicht kennen: worum geht's?
Der Kellner Leopold bemüht sich um die Gunst der Rössl-Wirtin Josepha. Die hat aber ein Auge auf einen Stammgast, den Rechtsanwalt Dr. Siedler, geworfen. Der interessiert sich aber mehr für Ottilie, die mit ihrem Vater Wilhelm Giesecke, Fabrikant für Trikotagen, aus Berlin, angereist ist. Unterdessen trifft Sigismund, der Sohn von Gieseckes Konkurrenten ein. Er soll Frieden zwischen den Firmen stiften. Giesecke hofft, dieses Ansinnen mit einer Verbindung seiner Tochter Ottilie und Sigismund zu befördern. Dr. Siedler verspricht, sich in diesem Fall zu engagieren, denkt aber nicht daran, Ottilie einem anderen zu überlassen. Sigismund bemüht sich sowieso lieber um die Reisebekanntschaft Klärchen, die Tochter des ärmlichen Professors Hinzelmann. Nun muss alles geregelt werden.
Aber was wird aus Leopolds Traum vom Glück? Schau'n wir mal. Denn: Im Salzkammergut, da ka'mer gut lustig sein. Und außerdem: was kann der Sigismund dafür, dass er so schön ist.

Mit Marina Granchette, Christoph Theussl, Uwe Kosubek, Elisabeth Reitzer, Benedikt Linus Bader, Ruben Hagspiel, Timo Alexander Wenzel, Larissa Mariell Hoffmann, Nelson König dos Reis, Nathalie Seitz
Chorkreis Weilheim (1844) e.V. - Inszenierung Yvonne Brosch - Musikalische Leitung: Florian Appel - Choreinstudierung: Elisabeth Reitzer - Ausstattung: Andreas Arneth

Personen mit Rollstuhl bitten wir, sich für die Reservierung bei den Weilheimer Festspielen direkt zu melden.
Telefon: 0152 56570359 oder E-Mail: andreas-arneth@t-online.de
Es gibt keine Ermäßigung für Personen, die eine Rente beziehen.

Es gilt die Besucherordnung des Stadttheaters Weilheim i.OB

Einlass: 19:00 Uhr Weilheimer Festival 2026
Im weissen Rössl
Singspiel in three acts freely based on the play by Blumenthal and Kadelburg.
Book by Hans Müller and Erik Charell
Music by Ralph Benatzky
Lyrics by Robert Gilbert
Six musical interludes by Bruno Granichstaedten, Robert Gilbert, Robert Stolz and Hans Frankowski
Version "Outside of all reason"
Publisher Felix Bloch Erben Berlin

"At the white inn by Lake Wolfgang, happiness stands at the door...".
Who doesn't know the hit from one of the most popular classics in the entertainment world?
For those who don't actually know the piece: what is it about?
The waiter Leopold is trying to win the favor of the innkeeper Josepha. But she has her eye on a regular guest, the lawyer Dr. Siedler. However, he is more interested in Ottilie, who has traveled from Berlin with her father Wilhelm Giesecke, a manufacturer of knitwear. Meanwhile, Sigismund, the son of Giesecke's competitor, arrives. He is supposed to mediate peace between the companies. Giesecke hopes to facilitate this with a connection between his daughter Ottilie and Sigismund. Dr. Siedler promises to get involved in this case but has no intention of letting Ottilie go to another. Sigismund, in any case, prefers to pursue the travel acquaintance Klärchen, the daughter of the poor professor Hinzelmann. Now everything must be arranged.
But what will become of Leopold's dream of happiness? Let's wait and see. Because: In Salzkammergut, you can have fun. And besides: what can Sigismund do about being so handsome?

With Marina Granchette, Christoph Theussl, Uwe Kosubek, Elisabeth Reitzer, Benedikt Linus Bader, Ruben Hagspiel, Timo Alexander Wenzel, Larissa Mariell Hoffmann, Nelson König dos Reis, Nathalie Seitz
Chorverein Weilheim (1844) e.V. - Direction Yvonne Brosch - Musical Direction: Florian Appel - Choreography: Elisabeth Reitzer - Set Design: Andreas Arneth

We ask persons with wheelchairs to contact the Weilheimer Festival directly for reservations.
Phone: 0152 56570359 or E-Mail: andreas-arneth@t-online.de
There is no discount for persons receiving a pension.

The visitor regulations of the Weilheim municipal theater apply.

Admission: 7:00 PM

Event data provided by: Reservix

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Source: Reservix

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"For a marionette stage, 'The White Horse Inn' presents a great challenge. Not least the numerous props used by the puppets pose the highest demands on the puppeteers. Letters, glasses and suitcases, even musical instruments and animals must be mastered."

STAGE HISTORY
The premiere of "The White Horse Inn" took place on November 8, 1930 at the Berlin Schauspielhaus. The setting is the White Horse Inn in St. Wolfgang in the Salzkammergut region of Austria. In London, the play had 651 performances in a Erik Charell production, and in New York, The White Horse Inn was performed 223 times on Broadway at the Center Theatre in 1936, once again in a newly composed musical production by Charell.
The work was banned in Nazi Germany due to its Jewish co-authors. The scene at the baths, which was perceived as scandalous, also angered the Nazis.
On June 19, 2009, "The White Horse Inn" was newly staged.
The rediscovered Rössel is brighter and jazzier than the arrangement played to this day from the 1950s. Even the historical recordings of individual musical numbers could only provide an approximate idea of it.

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Puppet heads: Kathrin Klimke / Bernhard Leismüller / Sebastian Demmel
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Stage design: Bettina Hummitzsch
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PRODUCTION
"For a marionette stage, 'The White Horse Inn' presents a great challenge. Not least the numerous props used by the puppets pose the highest demands on the puppeteers. Letters, glasses and suitcases, even musical instruments and animals must be mastered."

STAGE HISTORY
The premiere of "The White Horse Inn" took place on November 8, 1930 at the Berlin Schauspielhaus. The setting is the White Horse Inn in St. Wolfgang in the Salzkammergut region of Austria. In London, the play had 651 performances in a Erik Charell production, and in New York, The White Horse Inn was performed 223 times on Broadway at the Center Theatre in 1936, once again in a newly composed musical production by Charell.
The work was banned in Nazi Germany due to its Jewish co-authors. The scene at the baths, which was perceived as scandalous, also angered the Nazis.
On June 19, 2009, "The White Horse Inn" was newly staged.
The rediscovered Rössel is brighter and jazzier than the arrangement played to this day from the 1950s. Even the historical recordings of individual musical numbers could only provide an approximate idea of it.

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Libretto and text editing: Eric Charell, Robert Gilbert and Kurt Feltz
Duration: 130 minutes including intermission

PRODUCTION TEAM
Puppet construction: Bernhard Leismüller
Puppet heads: Kathrin Klimke / Bernhard Leismüller / Sebastian Demmel
Costume tailoring: Bernhard Leismüller / Amand Pérez / Fabienne Haspel
Stage design: Bettina Hummitzsch
Set construction: Ralf Böhringer
Production assistance: Patrick Vonmoos
Direction, dramaturgy: Bernhard Leismüller

PRODUCTION
"For a marionette stage, 'The White Horse Inn' presents a great challenge. Not least the numerous props used by the puppets pose the highest demands on the puppeteers. Letters, glasses and suitcases, even musical instruments and animals must be mastered."

STAGE HISTORY
The premiere of "The White Horse Inn" took place on November 8, 1930 at the Berlin Schauspielhaus. The setting is the White Horse Inn in St. Wolfgang in the Salzkammergut region of Austria. In London, the play had 651 performances in a Erik Charell production, and in New York, The White Horse Inn was performed 223 times on Broadway at the Center Theatre in 1936, once again in a newly composed musical production by Charell.
The work was banned in Nazi Germany due to its Jewish co-authors. The scene at the baths, which was perceived as scandalous, also angered the Nazis.
On June 19, 2009, "The White Horse Inn" was newly staged.
The rediscovered Rössel is brighter and jazzier than the arrangement played to this day from the 1950s. Even the historical recordings of individual musical numbers could only provide an approximate idea of it.

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Source: Reservix

Im weissen Rössl - Ein Singspiel in drei Akten

Weilheimer Festival 2026
Im weissen Rössl
Singspiel in three acts freely based on the play by Blumenthal and Kadelburg.
Book by Hans Müller and Erik Charell
Music by Ralph Benatzky
Lyrics by Robert Gilbert
Six musical interludes by Bruno Granichstaedten, Robert Gilbert, Robert Stolz and Hans Frankowski
Version "Outside of all reason"
Publisher Felix Bloch Erben Berlin

"At the white inn by Lake Wolfgang, happiness stands at the door...".
Who doesn't know the hit from one of the most popular classics in the entertainment world?
For those who don't actually know the piece: what is it about?
The waiter Leopold is trying to win the favor of the innkeeper Josepha. But she has her eye on a regular guest, the lawyer Dr. Siedler. However, he is more interested in Ottilie, who has traveled from Berlin with her father Wilhelm Giesecke, a manufacturer of knitwear. Meanwhile, Sigismund, the son of Giesecke's competitor, arrives. He is supposed to mediate peace between the companies. Giesecke hopes to facilitate this with a connection between his daughter Ottilie and Sigismund. Dr. Siedler promises to get involved in this case but has no intention of letting Ottilie go to another. Sigismund, in any case, prefers to pursue the travel acquaintance Klärchen, the daughter of the poor professor Hinzelmann. Now everything must be arranged.
But what will become of Leopold's dream of happiness? Let's wait and see. Because: In Salzkammergut, you can have fun. And besides: what can Sigismund do about being so handsome?

With Marina Granchette, Christoph Theussl, Uwe Kosubek, Elisabeth Reitzer, Benedikt Linus Bader, Ruben Hagspiel, Timo Alexander Wenzel, Larissa Mariell Hoffmann, Nelson König dos Reis, Nathalie Seitz
Chorverein Weilheim (1844) e.V. - Direction Yvonne Brosch - Musical Direction: Florian Appel - Choreography: Elisabeth Reitzer - Set Design: Andreas Arneth

We ask persons with wheelchairs to contact the Weilheimer Festival directly for reservations.
Phone: 0152 56570359 or E-Mail: andreas-arneth@t-online.de
There is no discount for persons receiving a pension.

The visitor regulations of the Weilheim municipal theater apply.

Admission: 7:00 PM

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5/16/2026
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Source: Reservix

Im weissen Rössl - Ein Singspiel in drei Akten

Weilheimer Festival 2026
Im weissen Rössl
Singspiel in three acts freely based on the play by Blumenthal and Kadelburg.
Book by Hans Müller and Erik Charell
Music by Ralph Benatzky
Song texts by Robert Gilbert
Six musical interludes by Bruno Granichstaedten, Robert Gilbert, Robert Stolz, and Hans Frankowski
Version "Bar jeder Vernunft"
Publisher Felix Bloch Erben Berlin

"Im weissen Rössl on Wolfgangsee, there happiness stands at the door ...".
Who doesn't know it, the hit from one of the most popular classics of the entertainment world.
For those who actually don't know the piece: what's it about?
The waiter Leopold is trying to win the favor of the Rössl innkeeper Josepha. But she has her eye on a regular guest, the lawyer Dr. Siedler. However, he is more interested in Ottilie, who has traveled from Berlin with her father Wilhelm Giesecke, a manufacturer of knitted goods. In the meantime, Sigismund, the son of Giesecke's competitor, arrives. He is supposed to mediate peace between the companies. Giesecke hopes to promote this endeavor with a union of his daughter Ottilie and Sigismund. Dr. Siedler promises to get involved in this case but has no intention of letting Ottilie belong to another. Sigismund, on the other hand, prefers to pursue his travel acquaintance Klärchen, the daughter of the impoverished Professor Hinzelmann. Now everything needs to be arranged.
But what will become of Leopold's dream of happiness? Let's wait and see. Because: In the Salzkammergut, one can be good and merry. And besides: what can Sigismund do about being so handsome?

With Marina Granchette, Christoph Theussl, Uwe Kosubek, Elisabeth Reitzer, Benedikt Linus Bader, Ruben Hagspiel, Timo Alexander Wenzel, Larissa Mariell Hoffmann, Nelson König dos Reis, Nathalie Seitz
Chorverband Weilheim (1844) e.V. - Direction Yvonne Brosch - Musical Director: Florian Appel - Choreography: Elisabeth Reitzer - Set Design: Andreas Arneth

We ask guests in wheelchairs to contact the Weilheimer Festival directly for reservations.
Phone: 0152 56570359 or E-Mail: andreas-arneth@t-online.de
There is no discount for individuals receiving a pension.

The visitor regulations of the city theater Weilheim i.OB apply.

Admission: 5:00 PM

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Source: Reservix

Im weissen Rössl - Operette von Ralph Benatzky

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Operetta in 3 Acts
Libretto and text adaptation: Eric Charell, Robert Gilbert, and Kurt Feltz
Duration: 130 minutes including intermission

PRODUCTION TEAM
Puppet construction: Bernhard Leismüller
Puppet heads: Kathrin Klimke / Bernhard Leismüller / Sebastian Demmel
Costume design: Bernhard Leismüller / Amand Pérez / Fabienne Haspel
Set design: Bettina Hummitzsch
Scenery construction: Ralf Böhringer
Production assistance: Patrick Vonmoos
Direction, dramaturgy: Bernhard Leismüller

STAGING
"Im weissen Rössl" presents a significant challenge for a puppet theater. Not least, the numerous props used by the puppets pose the highest demands on the puppeteers. Letters, glasses, and suitcases, yes, even musical instruments and animals must be mastered.

STAGE HISTORY
The premiere of "Im weissen Rössl" took place on November 8, 1930, at the Berliner Schauspielhaus. The setting of the story is the Weißes Rössl hotel in St. Wolfgang in the Salzkammergut region of Austria. In London, the piece was part of an Erik Charell production that staged 651 performances in succession in 1931, and in New York, The White Horse Inn was performed 223 times on Broadway at the Center Theatre in 1936, again in a musically reassembled Charell production.
The work was banned in Nazi Germany due to its Jewish co-authors. Particularly, the bathing scene, considered scandalous, provoked the anger of the Nazis.
On June 19, 2009, "Im weissen Rössl" was performed again.
The rediscovered Rössl is brighter and jazzier than the arrangement played to this day from the 1950s. Even the historical recordings of individual music numbers could only provide a rough idea of it.

Sold out – Possibly remaining seats at the box office / Wheelchair seats please order by phone: +49 (0)83829113915

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Source: Reservix

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Duration: 130 minutes including intermission

PRODUCTION TEAM
Puppet construction: Bernhard Leismüller
Puppet heads: Kathrin Klimke / Bernhard Leismüller / Sebastian Demmel
Costume tailoring: Bernhard Leismüller / Amand Pérez / Fabienne Haspel
Stage design: Bettina Hummitzsch
Set construction: Ralf Böhringer
Production assistance: Patrick Vonmoos
Direction, dramaturgy: Bernhard Leismüller

PRODUCTION
"For a marionette stage, 'The White Horse Inn' presents a great challenge. Not least the numerous props used by the puppets pose the highest demands on the puppeteers. Letters, glasses and suitcases, even musical instruments and animals must be mastered."

STAGE HISTORY
The premiere of "The White Horse Inn" took place on November 8, 1930 at the Berlin Schauspielhaus. The setting is the White Horse Inn in St. Wolfgang in the Salzkammergut region of Austria. In London, the play had 651 performances in a Erik Charell production, and in New York, The White Horse Inn was performed 223 times on Broadway at the Center Theatre in 1936, once again in a newly composed musical production by Charell.
The work was banned in Nazi Germany due to its Jewish co-authors. The scene at the baths, which was perceived as scandalous, also angered the Nazis.
On June 19, 2009, "The White Horse Inn" was newly staged.
The rediscovered Rössel is brighter and jazzier than the arrangement played to this day from the 1950s. Even the historical recordings of individual musical numbers could only provide an approximate idea of it.

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Source: Reservix

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Duration: 130 minutes including intermission

PRODUCTION TEAM
Puppet construction: Bernhard Leismüller
Puppet heads: Kathrin Klimke / Bernhard Leismüller / Sebastian Demmel
Costume tailoring: Bernhard Leismüller / Amand Pérez / Fabienne Haspel
Stage design: Bettina Hummitzsch
Set construction: Ralf Böhringer
Production assistance: Patrick Vonmoos
Direction, dramaturgy: Bernhard Leismüller

PRODUCTION
"For a marionette stage, 'The White Horse Inn' presents a great challenge. Not least the numerous props used by the puppets pose the highest demands on the puppeteers. Letters, glasses and suitcases, even musical instruments and animals must be mastered."

STAGE HISTORY
The premiere of "The White Horse Inn" took place on November 8, 1930 at the Berlin Schauspielhaus. The setting is the White Horse Inn in St. Wolfgang in the Salzkammergut region of Austria. In London, the play had 651 performances in a Erik Charell production, and in New York, The White Horse Inn was performed 223 times on Broadway at the Center Theatre in 1936, once again in a newly composed musical production by Charell.
The work was banned in Nazi Germany due to its Jewish co-authors. The scene at the baths, which was perceived as scandalous, also angered the Nazis.
On June 19, 2009, "The White Horse Inn" was newly staged.
The rediscovered Rössel is brighter and jazzier than the arrangement played to this day from the 1950s. Even the historical recordings of individual musical numbers could only provide an approximate idea of it.

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Source: Reservix

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Musical play in three acts
loosely based on the comedy by Blumenthal and Kadelburg by Hans Müller and Erik Charell
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Puppet construction: Bernhard Leismüller
Puppet heads: Kathrin Klimke / Bernhard Leismüller / Sebastian Demmel
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Stage design: Bettina Hummitzsch
Set construction: Ralf Böhringer
Production assistance: Patrick Vonmoos
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PRODUCTION
"For a marionette stage, 'The White Horse Inn' presents a great challenge. Not least the numerous props used by the puppets pose the highest demands on the puppeteers. Letters, glasses and suitcases, even musical instruments and animals must be mastered."

STAGE HISTORY
The premiere of "The White Horse Inn" took place on November 8, 1930 at the Berlin Schauspielhaus. The setting is the White Horse Inn in St. Wolfgang in the Salzkammergut region of Austria. In London, the play had 651 performances in a Erik Charell production, and in New York, The White Horse Inn was performed 223 times on Broadway at the Center Theatre in 1936, once again in a newly composed musical production by Charell.
The work was banned in Nazi Germany due to its Jewish co-authors. The scene at the baths, which was perceived as scandalous, also angered the Nazis.
On June 19, 2009, "The White Horse Inn" was newly staged.
The rediscovered Rössel is brighter and jazzier than the arrangement played to this day from the 1950s. Even the historical recordings of individual musical numbers could only provide an approximate idea of it.

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Source: Reservix

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loosely based on the comedy by Blumenthal and Kadelburg by Hans Müller and Erik Charell
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loosely based on the comedy by Blumenthal and Kadelburg by Hans Müller and Erik Charell
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Source: Reservix

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loosely based on the comedy by Blumenthal and Kadelburg by Hans Müller and Erik Charell
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Six musical inserts by Robert Gilbert, Bruno Granichstaedten, and Robert Stolz

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Source: Reservix

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Singspiel in three acts
freely based on the comedy by Blumenthal and Kadelburg by Hans Müller and Erik Charell
Lyrics by Robert Gilbert
Music by Ralph Benatzky
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Duration: 130 minutes including intermission

PRODUCTION TEAM
Puppet construction: Bernhard Leismüller
Puppet heads: Kathrin Klimke / Bernhard Leismüller / Sebastian Demmel
Costume tailoring: Bernhard Leismüller / Amand Pérez / Fabienne Haspel
Stage design: Bettina Hummitzsch
Set construction: Ralf Böhringer
Production assistance: Patrick Vonmoos
Direction, dramaturgy: Bernhard Leismüller

PRODUCTION
"For a marionette stage, 'The White Horse Inn' presents a great challenge. Not least the numerous props used by the puppets pose the highest demands on the puppeteers. Letters, glasses and suitcases, even musical instruments and animals must be mastered."

STAGE HISTORY
The premiere of "The White Horse Inn" took place on November 8, 1930 at the Berlin Schauspielhaus. The setting is the White Horse Inn in St. Wolfgang in the Salzkammergut region of Austria. In London, the play had 651 performances in a Erik Charell production, and in New York, The White Horse Inn was performed 223 times on Broadway at the Center Theatre in 1936, once again in a newly composed musical production by Charell.
The work was banned in Nazi Germany due to its Jewish co-authors. The scene at the baths, which was perceived as scandalous, also angered the Nazis.
On June 19, 2009, "The White Horse Inn" was newly staged.
The rediscovered Rössel is brighter and jazzier than the arrangement played to this day from the 1950s. Even the historical recordings of individual musical numbers could only provide an approximate idea of it.

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Source: Reservix

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8 performers in about 12 roles, 4 musicians, 7 instruments, everything live – the musicians play on stage.

And Christmas can come. This musical is a pre-Christmas treat for the whole family. With lovingly and detailed stage design, beautiful costumes, and a captivating team of musical performers and musicians who enchant the audience live.

The story is well-known: Aschenbrödel lives on the estate of her deceased father. There, the stepmother reigns, who hates Aschenbrödel and makes her life difficult. When the King holds a ball to find a bride for his son, the stepmother is determined to marry off her biological daughter to the court. Aschenbrödel also wants to go to the ball, which the stepmother tries to prevent. But Aschenbrödel has three magic nuts and the help of friendly animals. The prince falls in love with the beautiful veiled girl while dancing, but she flees. In doing so, she loses a shoe…

When the German-Czech fairy tale film "Drei Haselnüsse für Aschenbrödel" was first shown in 1973, generations of enthusiastic viewers fell in love with it immediately. Since then, it has been a regular part of the television program during the pre-Christmas season every year. The success is no coincidence, as here is a very special Cinderella to experience, with whom one gladly identifies: She is not only beautiful and warm-hearted, she is clever and self-confident, can ride, shoot, and climb. The prince does not get it for free; he has to win her heart.

A very special evening not only for fairy tale lovers from 6 to at least 106.

Doors open at 3:00 PM

Northeim

12/26/2026
4:00 PM

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