His annual retrospectives have long become a cult. Just as his legendary May Bock speeches at the Hofbräuhaus have become. But when Django Asül creates a new stage program, it’s not about the everyday small stuff in politics and society, but about the big themes. Being current is far from enough. He not only looks at the here and now but also at the elsewhere and later. Staying true to oneself while consistently evolving – these are the cornerstones of his work. He owes it not just to himself, but also to his audience. The responsibility weighs heavily now. Those like Django Asül, who is a bearer of the Bavarian Order of Merit, the Bavarian Culture Prize, and the Bavarian Cabaret Prize, have understood: The coarsest part is done – now it’s about the essence. And that too, without regard for profits. And the audience gets to experience it live. For those who find this announcement too cryptic, it should be said: Django Asül's eighth solo program can easily compete with any precision device made in Germany. Look forward to two hours in which every subordinate clause has the potential to become a main clause.

Doors open at 18:00.

With "IF NOT WHEN THEN NOW", Rolf Miller will certainly once again achieve one thing: elegantly dodging the elephant in the room. Because that's his character: stubborn as a bag of cement - which can only be allowed thanks to his humor. Grandiosely ignorant, vitally dull, and completely half-knowledgeable. As always, the comedian stoically plays exactly the rock in the surf, who confidently looks away, mouthful about important topics and definitely says nothing; and of course notices everything, except his own failure. The more everything around him collapses, the more we cannot grasp how this rooster does not realize what is happening. "He just doesn't realize it," you would say in real life. Fortunately, this dangerous vehicle remains on a stage. Roger Willemsen once called it "counter-fascination": the viewer can look down when they watch the jungle camp, and therefore delight in it. Contrary to the perpetrator. Miller succeeds in the "narrow balancing act," which he would mistakenly call it; presenting his character on one hand, but also reflecting our own failure on the other hand; fortunately with his registers of barely exaggerated satire, with exactly the lightness that we know from him - and therefore do not notice how he at least stupefies the elephant: "...if not when, uh then ... now ... so uh ... from the thing ... practically..." It is not enough to not think - one must also be incapable of expressing them - Part 8!!!
Rolf Miller's 8th program! At the latest with "No Reason to Initiate" and "Facts", the final breakthrough was achieved - with "Everything else is primary" and "Beware", the brilliant satirist could not only follow up but also reach an even larger audience.

Doors open: 6:00 PM

Enjoy a wonderful afternoon with sweet treats and musical delight through live music. Indulge in Sacher and yoghurt tarts, cheese and fruit cakes while listening to popular musical hits.

Experience melodies from "Evita," "Phantom of the Opera," "My Fair Lady," "West Side Story," and many other famous performances - presented by the vocal duo Leona and Stefan Kellerbauer and pianist Florian Markel.

After completing her studies at the Conservatory in Czech Republic/Pardubice under the guidance of Professor Václav Zítek, soprano Leona Kellerbauer moved to Munich with her now-husband Stefan and successfully completed the advanced study program at the Richard-Strauss Conservatory in the class of Barbara Wendt. She continued her studies with KS Prof. Ingeborg Hallstein and has since become a laureate of several international competitions.

Native Munich tenor Stefan Kellerbauer received his basic training from one of the most famous tenors of his time and teachers at the Richard-Strauss Conservatory in Munich, Kenneth Neate. He further developed his artistic skills through lessons and participation in master classes with KS Prof. Andrej Kucharsky and KS Felicia Weathers.

End: 5:00 pm.
Entry fee includes coffee, tea, cake from the buffet, and 1 glass of Prosecco per person.

Admittance: 1:30 pm; including coffee & cake and a glass of Prosecco

Copyright: Ludwig Büsing

Admission: 19:30 Uhr

A Journey Around the World
We have put together an impressive selection of award-winning talents from different parts of the world in our program. The diversity and quality are truly remarkable. Here are some brief descriptions of the artists we would like to present:

The Flying Zuniga from Brazil:
This award-winning group of artists presents a breathtaking performance on the flying trapeze, being seen in Germany for the first time.

Duo Guilherme Sepuveda from Argentina:
A master of crossbow shooting, whose artistry is one of the rare performances still shown in circuses.

Hula-Hoop dancer Ashley-Sydney, this young artist is only 18 years old, but her performances are anything but ordinary.

Joaquim from Spain: A true master on the tightrope. Joaquim has enchanted audiences around the world with his captivating wire-walking performance. His acts are a perfect blend of elegance, suspense, and artistic skill.

Live orchestra of Circus Gebrüder Barelli:
Without this orchestra, our show would not be complete. The entire music is perfectly tailored to the artists' performances, ensuring the right mood and atmosphere in the ring.

Doors open: One hour before the start.

A Journey Around the World
We have put together an impressive selection of award-winning talents from different parts of the world in our program. The diversity and quality are truly remarkable. Here are some brief descriptions of the artists we would like to present:

The Flying Zuniga from Brazil:
This award-winning group of artists presents a breathtaking performance on the flying trapeze, being seen in Germany for the first time.

Duo Guilherme Sepuveda from Argentina:
A master of crossbow shooting, whose artistry is one of the rare performances still shown in circuses.

Hula-Hoop dancer Ashley-Sydney, this young artist is only 18 years old, but her performances are anything but ordinary.

Joaquim from Spain: A true master on the tightrope. Joaquim has enchanted audiences around the world with his captivating wire-walking performance. His acts are a perfect blend of elegance, suspense, and artistic skill.

Live orchestra of Circus Gebrüder Barelli:
Without this orchestra, our show would not be complete. The entire music is perfectly tailored to the artists' performances, ensuring the right mood and atmosphere in the ring.

Doors open: One hour before the start.

For children up to and including 17 years old, a separate children's or youth rate is available. Infants (up to and including 5 years) do not need their own ticket when accompanied by an adult.

Entry is allowed 90 minutes before the start of the game.

“I can quickly recognize if someone is anorexic.” King Kong Vivienne speaks unflinchingly and openly about the path out of eating disorders, slips into a gorilla costume, and sings pointedly against the patriarchy. With great joy in performance, she showcases self-empowering strategies and possibilities for rebellion that she has developed for herself. An emancipatory ride through the struggle and survival of being a woman in the 21st century.

Who am I and how would I like to be? Actress Causemann confronts the challenges of self- and external images in a time striving for individuality with biting humor. She invites us in a conversational tone to question the structures that limit women's opportunities for self-realization and their pleasure. It is wonderfully absurd when she recreates the "Literary Quartet" with Marcel Reich-Ranicki and Sigrid Löffler about Elfriede Jelinek's novel "Lust" as a one-woman show or passionately debates with philosophers of all times.

“…captivating, wonderfully funny and damn clever”
Magazine for Culture and Society

“When fearless protest against neoliberal constraints and the will for self-liberation are told with such depth, wit, adaptability, and versatile musicality, then it is helpful and relieving!”
STELLA*23 – Performing Arts Award

TRIGGER WARNING The piece includes complex themes such as addiction, eating disorders, and sexualized violence.

WITH Vivienne Causemann TEXT Vivienne Causemann / Fanny Brunner DIRECTING/SET DESIGN Fanny Brunner SONGS/MUSIC Jan Preißler DRAMATURGY Andreas Hutter SET DESIGN ASSISTANCE Daniel Angermayr CO-PRODUCTION dreizehnterjanuar Vienna / Vorarlberg State Theatre

VIVIENNE CAUSEMANN, born 1995. 2013-2017 acting studies at the Max Reinhardt Seminar, among others with Hubertus Petroll, Martin Schwanda, Ivo Ismael and Klaus Maria Brandauer. After graduating, freelance actress in Vienna, among others at Werk X, Zimmertheater Tübingen as well as in Berlin and Schwerin. Participation in various film projects. 2019-2024 ensemble member at Vorarlberg State Theatre. 2023 recognition award for art and culture Vorarlberg. Music plays an important role in her own theater projects and she composes her own pieces; can be seen as a dancer in BUTOH performances.

2024-09-29_The Eternal Snob

2024-11-30_Mindfully Murdering

2025-02-15_Things I Know for Sure

2025-03-22_Rent a Friend

2025-04-26_Waiting for the Bus

WUTSCHWEIGER (9+)

by Jan Sobrie/Raven Ruëll



WITH Malte Sylvester and Larissa Wagenhals

DIRECTOR AND STAGE Ella Elia Anschein

COSTUME Stephanie Krey

DRAMATURGY Tina Brüggemann



Ebeneser's world is shrinking: Since his parents have lost their jobs, everything is getting smaller – the opportunities, the apartment, and finally even father and mother themselves. Sammy is already familiar with this; with her, Ebeneser can share the "Because we can't afford it" experiences. Along with TicTac candies, stories and fantasies, anger and courage. And when the "Because we can't afford it" even costs them the longed-for school trip, the two decide not to let themselves be made small, but to loudly remain silent. The award-winning children’s play uses fine humor and strong imagery to protest (quietly) against disappearance and silence, celebrating a wonderful friendship.



RAVEN RUËLL

(*1978 in Knokke, Belgium) studied theater directing at RITCS in Brussels, where he has also taught since 2001. He is an actor, author, and director, has been teaching at the Conservatory in Liège since 2006, and has also received multiple awards for his plays, like Sobrie.



JAN SOBRIE

(*1979 in Ghent) studied acting at the RITS theater school in Brussels. He works as an actor and writes plays in which he also performs. He was awarded the Dutch-German Children's and Youth Theater Award Kaas & Kappes with "Wutschweiger" for the third time in 2009. The first joint work of both authors also won the Youth Theater Prize Baden-Württemberg in 2020.

A piece in words, signs, gestures, noises, and colors by Brendan Murray
German-speaking premiere with German Sign Language (DGS)

(Sign language version available in the video during individual appointments.)

Yoshi and Hani are best friends, as long as yellow is the color of the sun. But suddenly, Yoshi is only interested in flying kites and doesn't let Hani play along anymore. A quarrel breaks out, the sky darkens, and clouds gather. To express Hani's pain for Yoshi, Hani lets Yoshi's kite fly away. Gradually, the storm subsides, the two find a way back to each other, and learn to express their injuries.

Yellow is the color of the sun is a charming piece about the friendship of two children who learn to communicate about their feelings and respect each other's boundaries. The fact that both communicate in different ways - one in spoken language, the other in sign language - makes it clear that it is not necessarily spoken words needed to recognize and understand feelings.

Playfully, Brendan Murray's piece conveys how accessibility can be embedded in the creative process and how children can approach different forms of communication.

A cooperation with the German Musical Automaton Museum

Recommended age: from 3 years

The sea is a huge, beautiful, and wondrous place full of secrets that are often hidden deep in the ocean. One day, a wondrous newcomer appears: the Rainbow Fish. With his shimmering scales, he is the most beautiful fish in the entire ocean and is admired by the other fish. However, the Rainbow Fish is not interested in the community of the other sea creatures, and so he soon becomes the loneliest fish in the great ocean. Fortunately, there is the wise octopus. He brings him an idea that will change his life in the deep sea...

Fully booked

Admittance: 3:00 PM

The Kora is a West African harp with 21 strings traditionally played by men. Sona Jobarteh has broken this old rule! She plays the Kora standing up and showcases her complex musical skills on stage as the frontwoman of her own band.
At the age of four, she learned the instrument from her brother, laying the foundation for her international career. Sona later studied music at the Royal College of Music, composition at the Purcell School of Music, and African studies at the School of Oriental and African Studies at the University of London. Uniquely, she blends influences from modern music with traditional African music in her compositions, staying connected to the roots of her homeland.
For some years now, Sona has also been socially engaged by founding the "Amadu Bansang Jobarteh School" in Gambia, where children can study the traditional music of their homeland.

21st March 2024
Suchtpotenzial (Music Comedy)
"Bällebad forever"

19th May 2024
Max Beier (Cabaret)
"Love & Order"

1st June 2024
Yann Yuro (Mental Magic)
"Revelation"

11th October 2024
Anny Hartmann (Political Cabaret)
"Climate Ballerina"

5th December 2024
La Signora (Comedy)
"Make a wish"

Admittance: 6:30 PM

Any remaining tickets possibly available at the box office, information at 06894-13-523

"I'm allowed to do this" is written on Markus Langer's T-shirt. Big, right in the middle of the chest. And the aspiring cabaret artist, often compared to the rebellious Polt, doesn't mean this in an egoistic way. Instead, he is convinced: The happier ones are those who don't care what others think. Those who break roles and reject expectations, ignore trends, and use their time for truly important things. Time millionaires indeed.

It's a message that is very close to his heart! Away with the many "to do's"! Better to take life into your own hands, each in their own way and above all with more humor! Markus Langer's artistic characters therefore have edges and quirks, and their absurd everyday life almost moves to tears, if he didn't tell about them with so much wit, bite, and acting talent, until tears of laughter flow. He brings his parodically finely modeled characters to the stage with well-fitting punchlines. Of course, also the most famous of them, the viral anti-hero Sepp Bumsinger. The one who really doesn't give a damn!

Or mature men, who calmly drive an adult pig in the backseat of a VW Polo to the vet and are not disturbed by a police check either. Men in their prime, grown up with a caring grandma, who calmly carry their kilos in the middle of their body as a profit in front of them, like a rock in the strong surf of fitness madness, which they tiredly smile at.

"Anyone who can empathize convincingly with the reality of a simple person struggling with the language and adversities of everyday life and depict it must have a good sense of how to tell stories well and when a punchline hits." (Süddeutsche Zeitung)

Doors open: 6.00 pm