Countless clubs and many festivals have been graced by them (including Haldern-Pop, Orange Blossom Special, Hurricane, Southside, Weinturm, Fusion), and they became known to a larger audience in the support act of the tour of their fellow countrymen Mando Diao, with WDR inviting them to their legendary television series "Rockpalast."
“Absolutely great, these Swedes. A quintet that collides melancholy with joy of life, touching on song-driven, opulent indie-pop reminiscent of Pink Mountaintops, Wolf Parade, Isolation Years, and Kristofer Aström. With often quirky brass passages, many string instruments, and fine songs - indulging in it are two beautifully fragile voices. Powerful and delicate, exhilarating and staggering, deep and enchanting.”
Not to be missed under any circumstances!
Scandinavian bands are generally known for their great experimental spirit. Golden Kanine is no exception. The guys from Malmö, Sweden, like to pick up various instruments to mix a lovely blend of indie and folk. Violin, trumpet, trombone, banjo, guitar, mandolin, electric guitars, drums, and bass come together in a wonderful quirkiness that can only emerge in the Swedish countryside.
Linus Lindvall and Andreas Olrog found the indie rock band Ashtray Hearts. After a few years, some lineup changes, and two name changes, in 2006, it becomes the band Golden Kanine. Their style also changes. Moving from indie rock to more of a folk approach, they bring additional instruments on board and release their first album "Scissors & Happiness" in 2009. Now joining them are Dante Ekfeldt on bass, Micke Sahlin on drums, and Marcus Lundquist on trombone. Their sound heavily resembles Mumford & Sons with a strong Modest Mouse influence. Added to this are Eastern European influences and melodies dripping with melancholy.
http://www.goldenkanine.com http://www.youtube.com/watch?feature=player_embedded&v=7_f4UE79dGg “We Were Wrong, Right” is the third album by the Swedish sextet from Malmö. And it is more than just a combination of clattering indie-rock, delicate and intimate lo-fi aesthetics, and the danceable part of folk-rock. Their songs and melodies, which at the same time catch their breath, provide joy, and exude melancholic grandeur, carry a Golden Kanine-like aura. One may cry to it. Or dance. Or fight.
Golden Kanine has the ability like hardly any other band to take the listener along with a jubilant crescendo while simultaneously confusing them positively. In the most captivating passages lie the darkest messages, where misfortune and soul torment loom – and suddenly, when the musical aplomb transitions into less emphatic, calmer realms, preparing one textually for any valley of tears, suddenly there come almost cheerful syllables from their mouths and throats. One fervently joins them, following their swings between boisterous dynamics and desperate self-examination. The result is a single, captivating temptation.