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Fließender Übergang

BBK Jahresausstellung

Sunday, 4/20/2025 at 1:40 AM until Saturday, 5/24/2025

Fließender Übergang

BBK Jahresausstellung

Sunday, 4/20/2025 at 1:40 AM until Saturday, 5/24/2025

More on 4/20/2025

KH Künstler:innenhaus Bremen
Am Deich 68/69
28199 Bremen

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With works by:
Akkela Dienstbier, Veronika Dobers, Sulme & Jea-Nder Fluid, Nathalie Gebert, Alberto Harres, Sascha Kregel, Veronika Maier, Atsushi Mannami, Ulrike Möhle, Jana Piotrowski, Tine Pockels, Pio Rahner, Sabine Schellhorn, Marina Schulze, Hassan Sheidaei, Annemarie Strümpfler, Behshad Tajammol, Jiawen Uffline

Curated by Clara Kramer

Event data provided by: Kulturkurier

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Fließender Übergang

With works by:
Akkela Dienstbier, Veronika Dobers, Sulme & Jea-Nder Fluid, Nathalie Gebert, Alberto Harres, Sascha Kregel, Veronika Maier, Atsushi Mannami, Ulrike Möhle, Jana Piotrowski, Tine Pockels, Pio Rahner, Sabine Schellhorn, Marina Schulze, Hassan Sheidaei, Annemarie Strümpfler, Behshad Tajammol, Jiawen Uffline

Curated by Clara Kramer

Bremen

5/14/2025
1:40 AM

Urban Priol - Im Fluss. Täglich quellfrisch, immer aktuell!

IN THE FLOW
Daily fresh, always up-to-date!

One cannot step into the same river twice, says Heraclitus; everything is in a state of constant flux. One thinks of the Berlin Brandenburg Airport and realizes: the ancient Greek was right.
"Everything is in a state of constant flux" – this is the conclusion Urban Priol regularly comes to when he is sitting at his press release text just before the deadline.
Similar to a river in constant change, his new program also evolves. With a keen eye, the cabaret artist observes the constant flow of political events, even though the German political landscape of recent years, especially the grand coalition, more closely resembles a reservoir than a flowing stream. Priol is always at the cutting edge, spontaneously and with current relevance, often mocking faster than his shadow can think. He grumbles, thunders, flashes, and, like a cleansing thunderstorm, illuminates many things in a bright, cheerful light. Master of parody, he plows tirelessly through the night, getting to the heart of complex issues and transforming opaque-turbid whirlpools into pure spring water. With joy, he plunges into the torrents of daily absurdity, delves into the abyss of the absurd, gleefully mocks, and has just as much fun as his audience.
"In the Flow" is like a rafting trip, speeding past rapids and boulders through wild foaming rapids. Come along! Follow the motto of another great Greek philosopher, Costa Cordalis: "Get into the boat tonight!" You won't regret it.

Esslingen

5/23/2025
8:00 PM

Caminhos Das Águas – Unaufhaltsames Fließen

With new casting

The sea is a large collective mirror. A thousand rivers, streams, and brooks pour into it. They dance their ways, flowing around stones, undermining structures. Water is dammed until it climbs over obstacles or tears down barriers. Even the brook carries something unstoppable. We see ourselves in it, liquefied. Water is the oldest of futuristic mirrors.

The dancer and choreographer Fernanda Costa seeks new self-determined images for Black women in Caminhos das Águas – Unaufhaltsames Fließen. The white binary thinking divides the world into opposites, into opposing values. The prevailing order is shaping and devaluing, until the self-images become worthless. Together with three Black dancers, the choreographer works on liquefaction – of categories, movements, reflections. And on a changed relationship between inside and outside. After all, we are water, at least for the most part. Perhaps the body is a state of matter like ice and steam, and like them, a threat to static structures.

Caminhos das Águas – Unaufhaltsames Fließen is part of the dance series Wie ich werde, wie ich sein will at Ballhaus Naunynstraße, where three Black choreographers explore important inspirations, solidarities, and connections for the empowerment of self-determined Black femininities. It is Fernanda Costa's choreographic debut at Ballhaus Naunynstraße.

A production by Kultursprünge at Ballhaus Naunynstraße gemeinnützige GmbH. The premiere production was created as part of the dance series Wie ich werde, wie ich sein will, funded by the Senate Department for Culture and Social Cohesion of the State of Berlin and the Hauptstadtkulturfonds.

Photo: Zé de Paiva

Berlin

6/5/2025
8:00 PM

Caminhos Das Águas – Unaufhaltsames Fließen

With new casting

The sea is a large collective mirror. A thousand rivers, streams, and brooks pour into it. They dance their ways, flowing around stones, undermining structures. Water is dammed until it climbs over obstacles or tears down barriers. Even the brook carries something unstoppable. We see ourselves in it, liquefied. Water is the oldest of futuristic mirrors.

The dancer and choreographer Fernanda Costa seeks new self-determined images for Black women in Caminhos das Águas – Unaufhaltsames Fließen. The white binary thinking divides the world into opposites, into opposing values. The prevailing order is shaping and devaluing, until the self-images become worthless. Together with three Black dancers, the choreographer works on liquefaction – of categories, movements, reflections. And on a changed relationship between inside and outside. After all, we are water, at least for the most part. Perhaps the body is a state of matter like ice and steam, and like them, a threat to static structures.

Caminhos das Águas – Unaufhaltsames Fließen is part of the dance series Wie ich werde, wie ich sein will at Ballhaus Naunynstraße, where three Black choreographers explore important inspirations, solidarities, and connections for the empowerment of self-determined Black femininities. It is Fernanda Costa's choreographic debut at Ballhaus Naunynstraße.

A production by Kultursprünge at Ballhaus Naunynstraße gemeinnützige GmbH. The premiere production was created as part of the dance series Wie ich werde, wie ich sein will, funded by the Senate Department for Culture and Social Cohesion of the State of Berlin and the Hauptstadtkulturfonds.

Photo: Zé de Paiva

Berlin

6/6/2025
8:00 PM

Caminhos Das Águas – Unaufhaltsames Fließen

With new casting

The sea is a large collective mirror. A thousand rivers, streams, and brooks pour into it. They dance their ways, flowing around stones, undermining structures. Water is dammed until it climbs over obstacles or tears down barriers. Even the brook carries something unstoppable. We see ourselves in it, liquefied. Water is the oldest of futuristic mirrors.

The dancer and choreographer Fernanda Costa seeks new self-determined images for Black women in Caminhos das Águas – Unaufhaltsames Fließen. The white binary thinking divides the world into opposites, into opposing values. The prevailing order is shaping and devaluing, until the self-images become worthless. Together with three Black dancers, the choreographer works on liquefaction – of categories, movements, reflections. And on a changed relationship between inside and outside. After all, we are water, at least for the most part. Perhaps the body is a state of matter like ice and steam, and like them, a threat to static structures.

Caminhos das Águas – Unaufhaltsames Fließen is part of the dance series Wie ich werde, wie ich sein will at Ballhaus Naunynstraße, where three Black choreographers explore important inspirations, solidarities, and connections for the empowerment of self-determined Black femininities. It is Fernanda Costa's choreographic debut at Ballhaus Naunynstraße.

A production by Kultursprünge at Ballhaus Naunynstraße gemeinnützige GmbH. The premiere production was created as part of the dance series Wie ich werde, wie ich sein will, funded by the Senate Department for Culture and Social Cohesion of the State of Berlin and the Hauptstadtkulturfonds.

Photo: Zé de Paiva

Berlin

6/7/2025
8:00 PM

Caminhos Das Águas – Unaufhaltsames Fließen

With new casting

The sea is a large collective mirror. A thousand rivers, streams, and brooks pour into it. They dance their ways, flowing around stones, undermining structures. Water is dammed until it climbs over obstacles or tears down barriers. Even the brook carries something unstoppable. We see ourselves in it, liquefied. Water is the oldest of futuristic mirrors.

The dancer and choreographer Fernanda Costa seeks new self-determined images for Black women in Caminhos das Águas – Unaufhaltsames Fließen. The white binary thinking divides the world into opposites, into opposing values. The prevailing order is shaping and devaluing, until the self-images become worthless. Together with three Black dancers, the choreographer works on liquefaction – of categories, movements, reflections. And on a changed relationship between inside and outside. After all, we are water, at least for the most part. Perhaps the body is a state of matter like ice and steam, and like them, a threat to static structures.

Caminhos das Águas – Unaufhaltsames Fließen is part of the dance series Wie ich werde, wie ich sein will at Ballhaus Naunynstraße, where three Black choreographers explore important inspirations, solidarities, and connections for the empowerment of self-determined Black femininities. It is Fernanda Costa's choreographic debut at Ballhaus Naunynstraße.

A production by Kultursprünge at Ballhaus Naunynstraße gemeinnützige GmbH. The premiere production was created as part of the dance series Wie ich werde, wie ich sein will, funded by the Senate Department for Culture and Social Cohesion of the State of Berlin and the Hauptstadtkulturfonds.

Photo: Zé de Paiva

Berlin

6/8/2025
7:00 PM

FLOW – COMPAGNIE LINGA UND KEDA - INTERNATIONALER TANZ TRIFFT NATUR UND KLANG

A hypnotic, captivating experience.

The internationally celebrated and award-winning dance company "Compagnie Linga" presents FLOW, a triumph of pure movement.
Inspired by natural phenomena, the dancers move in perfect interplay like flocks of birds in the sky, like schools of fish in the water, like migrating herds in the savanna, always in balance between collective harmony and individual expressive strength.
But FLOW is far more than a dance representation. It is a homage to the fleeting beauty of coordination, a play of impulse and reaction, with incredible precision and lightness.

For this work, Compagnie Linga collaborates for the first time with the French-Korean duo Keda.
Musicians E`Joung-Ju and Mathias Delplanque create an exciting, live-played score with their unique fusion of traditional Korean Geomungo music and electronic soundscapes, seamlessly intertwining with the movement.

Choreographers Katarzyna Gdaniec and Marco Cantalupo, founders of the company, are known for their innovative work at the intersection of movement, music, and scientific research.
In FLOW, they have created a work that tests the possibilities of dance synchronization to its limits.
With technical brilliance, unpredictable changes in direction, and extreme tempo variations, FLOW takes its audience on a whirlpool of movement and sound – an impressive journey to the limits of dance synchronization!

Awarded the Swiss Dance Prize 2019 in the category of current dance creation. (Dance Yearbook)

This tour is conducted with the support of Pro Helvetia – Swiss Cultural Foundation and Corodia.

Admission: Foyer from 6:30 PM / Hall from 7:00 PM

Freising

11/22/2025
7:30 PM

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