Friday, 2/14/2025
at 8:00 PM


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How can we bring to life something that is no longer here? How can the breath, the life, and the dreams of those whose identity and existence have been denied and destroyed by the slave trade and colonial system be expressed? Through words? Through the body? Toi, moi, Tituba... is a 'collective solo': A multitude of voices and perspectives come together in a single body. Dorothée Munyaneza dances and sings on behalf of Elsa Dorlin's Guianese great-great-grandmother, or Tituba, a Caribbean woman who was persecuted in the Salem witch trials. The music for this is provided by Oud player and electronic producer Khyam Allami. In their interplay, a vibrant archive emerges, a resonance space to make the traces of the extinguished, ignored, or forgotten audible, visible, and felt.

With Toi, moi, Tituba..., Munyaneza refers to the novel I, Tituba, Black Witch of Salem (1986) by Maryse Condé and the text I, You, We: “I, Tituba” and the Ontology of the Trace (2021) by the philosopher Elsa Dorlin. She asks: How can I relate to my own story, of which there are no written traces, perhaps aside from some “historical erasures,” to use Elsa Dorlin's words about the colonial administrative archives? Is it possible to establish a lineage for the duration that a dance lasts? To enter into relationships with those whom history has forgotten, with our lives, but also with those yet to be born?

Duration: 60 min.

Event data provided by: Reservix

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