For Ingmar Stadelmann, it is clear: The polycrises of this world can only end in a gigantic punchline.

With his completely new stage program, he attempts to find a way out of the human miseries of the past years. He recognizes, shows, and embodies the one true solution to the problems of this world: Humor! The last superpower of humanity – that which brings us back together!

Stadelmann belongs to the select circle of a handful of comedians who were able to say goodbye to Thomas Hermanns live in a large venue and was honored in the introduction by Atze Schröder with the sentence: “For me, the best stand-up comedian we have.” In the last 10 years, the path of Ingmar Stadelmann, born in East Germany and living in Berlin, has been lined with successes: From the German Comedy Prize and numerous cabaret awards, from celebrated radio formats to entertainment shows for ProSieben to his own late-night “Abendshow” for rbb. In addition, he continuously toured with his solo programs “Was ist denn los mit den Menschen?”, “#humorphob”,
“Fressefreiheit”, “Verschissmus” as well as “Außer mir macht’s ja keiner!” across Germany and delighted his audience – simultaneously, the world fell more and more out of place.

Stadelmann's necessary consequence from this worldly and personal development, for himself and his audience, is his new stage program. In the post-eskapistic stand-up comedy show “KOMMT IHR KLAR?”, he again brings together all the confusions and the lost. “We are back from our collective escape from reality and now we need to learn to deal with the new reality. With humor.” And in this reality, completely new questions arise: Why don’t climate activists glue themselves to the streets in Kyiv? Why does Ingmar’s ENT doctor think he is a psychologist? When does continuous outrage actually become boring, and how often have you recently thought: What would Klaus Kinski have done now?

Ingmar Stadelmann embraces the contradictions of life in this show and shows how absurdly funny this world is when one declares their subjective view of things as the only truth. Because, speaking quite subjectively, Ingmar Stadelmann is of course the most important person in the world for himself, whom you must have seen live. “One must also sometimes have to laugh,” Stadelmann sums it all up.

»A great competition of modern poets.«
(General-Anzeiger)

"Articulate, imaginative, and politically sharp (...) high-quality competition"
(Bonner Rundschau)

At the RAUS MIT DER SPRACHE Poetry Slam, the best that the German-speaking slam scene has to offer (and will offer) comes together for a lyrical showdown. Only self-written texts are allowed to excite the audience. Who leaves the stage as the winner, you decide: The audience!

Line-up at www.pantheon.de

de-de.facebook.com/RausMitDerSprache/

Before the baby boomers pack up, one has to unpack: about his peers, a society in transition, and the possibilities of making life beautiful despite everything. Who would be better suited for this than the "verbal typhoon from the Rhineland" Christoph Brüske. With a lot of charm, incredible wordplay, and captivating songs, the forever-young fifty-something points the way to the "Golden Generation." And no eye will remain dry and no rain protection untouched. Don't miss it!

About the person:
The trained bass-baritone was a member of the Bonn Springmaus ensemble and has been active in the German-speaking world for over 25 years. With "Brüskes Laach Ovend" in his hometown Niederkassel, he leads one of the most successful cabaret series in the Rhineland.

“In the sold-out Cabaret Queue, Christoph Brüske is celebrated after the premiere for his mix of smart cabaret, exuberant carnival, and musical delight with standing ovations and prolonged applause.”
 Ruhr Nachrichten on November 23, 2022

“Chapeau, that was brilliant.” Düren Zeitung on October 27, 2023

“Wonderful nonsense with depth and bite. Here was a cunning Rhinelander at work, who pulled out all the stops of his craft, combining punny wordplay with solid, current political satire and often hitting the nail on the head.” ABB from November 6, 2023
brueske.de/

Get ready, ears and brain alert, it's Science Slam time again!

Boring scripts and mountains of statistics? Not here! Lecture hall atmosphere? No, thank you! In a casual environment, young scientists convince their audience of how exciting science can be. Creative, entertaining, amusing, and above all understandable for everyone, the scientists present within ten minutes what they have been researching for years.

How the slammers want to present their research is up to them. There are hardly any limits. Whether as a rap or a poem, cross-legged or with a dance interlude: Anything is possible. The audience, not a jury, decides who delivered the best presentation at the end. So: Applause, applause, and let the Science Slam begin!

www.science-slam.com

Become a friend of Science Slam:
facebook.com/scienceslams

www.youtube.com/user/scienceslamcom

Tina Teubner, gifted comedian, celestial musician, core competency in the field of authoritarian love songs, has successfully completed her husband's education and is looking for new challenges.

The boundaries between "private" and "political" can no longer be maintained. The world is on fire: Tina dares to look inside. With her razor-sharp intelligence, her irresistible humor, and her all-encompassing warmth, she stirs up her audience: Don't scratch. Wash.

Tolstoy writes: "Everyone wants to change the world, no one themselves." How about the following business model: Tina changes the world, Ben has to work on himself, and the audience gets to watch.

"Tina Teubner was, is, and remains the most exciting, sustainable, and entertaining woman in the German cabaret scene." (HSA)

Two hours of Tina Teubner are as beautiful as first love and as effective as two years on the couch. Go see it!

Director & Co-Author: Thomas Lienenlücke
www.tinateubner.de

This title of the new program by Jochen Malmsheimer is based on Simon Bolivar, who, if you believe the Internet – and far too many do nowadays – lived for a long time with Jean Paul Sartre. Perhaps it was Simone Signoret who lived with Sartre.
Or Sartre lived alone, constantly in the boudoir.
Maybe Sartre didn’t live with anyone at all, except perhaps with a Beaujolais and some tokens. Gitanes.
Who can say? And, above all, why?
In this program, which empties the morning but fills the evening, there are neither eland antelopes, bromeliads, nor other sweet grass types, because they are, quite rightly, strictly protected. Furthermore, it deals, alongside various oddities, with the fundamental error of cycling, the rarity of art, its mysterious relationship with the moon, and other big and medium-sized questions, and does so very rigorously.
But as always and everywhere, it applies here as well:
What really happens, only the wind knows!

www.jochenmalmsheimer.de

The Bonn group singing is a great fun for all generations! David Rauterberg, singer/guitarist, and Matthias Schneider on piano present the most beautiful songs to sing along – hits, evergreens, pop, and rock. Getting in tune is explicitly desired: "Singing is the most fun when you can sing loud and then with many others together!", explains Rauterberg. According to him, he was "tired of always singing alone in the bathtub". Together with Matthias Schneider, he has developed a program lasting about two hours. A projector shines the verses onto the screen, the singers are accompanied on the piano, and David Rauterberg charmingly and wittily guides from song to song. "Old treasures," the latest radio songs, timeless hits - everything is included, and the audience sings at the top of their lungs! Hits from A to Z from yesterday to today...

The Bonn group singing premiered at the Pantheon Theater in June 2014! Finally, the wait was over!
After the great success of group singing in over 30 cities in NRW and Lower Saxony with more than 4,000 group singers monthly, "group singing" finally arrived in Bonn.
And with the move of the Pantheon in 2016, there is of course group singing in the new Pantheon in Bonn-Beuel as well!

Thema Jean-Philippe Kindler, he has a new solo program, one must say something about it: „Klassentreffen“ springs from the stage genre of unrestrained mockery: It gets loud, it gets coarse, it gets irreconcilable. In Germany's media history, there has probably never before been a satirist who has been called a „hate-monger“ by both the BILD newspaper and some leftists. Fortunately, both sides are right, because Jean-Philippe Kindler wants one thing above all: to divide. The satire of the German cabaret prize winner wants not only to highlight societal divides but also to tear them wider so that they can no longer be overlooked.

„Klassentreffen“ is a tribute to irreconcilability: Whether in the WDR broadcasting council or in the run-down studio shared apartment - Kindler's content causes the feathers to fly, making one's Karl Marx face tattoo slip right off the temple. And in doing so, Kindler only wants one thing: to find the common ground in division. Rumor has it in capitalism that social classes no longer exist: Because if even large corporations advertise with diversity, then surely all people have the same chance - at least to be exploited. And yet, the good old class exists. The champagne Marxists. The Antifa folks. Pensioners without pensions. The tender radicals, the apprentices, and the students. Come to the class reunion, for a little detention against the status quo.

„The satirist Kindler manages to touch his audience with his own thoughts, without resorting to clichés. [...] Kindler is a fighter for justice, who loves words and language. And they love him back.“ (Jury Prix Pantheon, 2020)

„Jean-Phillipe Kindler's art addresses poverty and precarity with sensitive and un-cynical wit that exposes not the affected individuals, but the societal conditions.“ (Katja Kipping, Die Linke)

"[...] He is more Volker Pispers than a delicate comedian, just funnier. Comedians of this kind have become rare, Kindler gives hope." (Thomas Zimmer, Badische Neueste Nachrichten)

www.jeanphilippekindler.de/

www.facebook.com/jeanphilippekindler

Simon Slomma, the unpredictable stage giant from Bonn, combines the best elements of comedy, music, and improvisation.

Simon Slomma is the German answer to a question nobody asked. Any irritation you may feel is just as intentional. You are currently bathing your dogs in it.

www.instagram.com/jeanphilippekindler

www.youtube.com/watch?v=-T1ZVnj2LIA&t=10s

The pianistic get-together at the Bonn Pantheon

Several outstanding pianists from classical, contemporary music, jazz, and more will play a joint piano evening in a personal club atmosphere. With their solo repertoire choices, their interpretations, and their thematic reactions to each other, they create unique and unrepeatable piano evenings.
 
► Main program
Toni Ming Geiger, piano and electronics

Toni Ming Geiger will perform his own transcriptions of Franz Schubert's "Winterreise,"
as well as works by John Cage, Frédéric Chopin, Claude Debussy, Maurice Ravel, and Meredith Monk.

► Club program
Oliver Drechsel, piano
Stephan Eisel, piano
Magí Garcías, piano
Christine Gerwig, piano
Susanne Kessel, piano
Rolf Mautz, recitation
Rainer Nonnenmann, lecture
(Further participants of the club program will be announced shortly)

Following the main program with Toni Ming Geiger, the above-mentioned pianists will play a program of piano works from classical, contemporary music, jazz, and others that relate to the main program.

In response to the main program, further pianists in the "club program" will contribute their own piano solo pieces. In the Beethoven Piano Club, they are invited to engage in an equally exciting and unpredictable dialogue with their musical creativity and artistic horizons.

In a personal club atmosphere, the audience will witness how unique resonances develop in this musical exchange of devotion, pianistic originality, and the artistic free spirit of extraordinary musician personalities.

Alongside the pianists, lectures from guests in musicology, piano construction, and more enrich the concert evenings.

The Bonn composer and pianist Ludwig van Beethoven always has an honorary place in this club!

Included in the ticket price is a small snack.

www.beethoven-piano-club.com

In her new solo program, Christine Eixenberger talks about what it is like to no longer be solo. The relationship is stable, so is the housing shortage, which means her partner is moving in with her. From "Me and You" it becomes a "We" – with all the consequences.

But Chrissy has that fully under control. Well, almost. With tireless determination and enthusiasm, she not only defies the small crises in her fresh duo household but also the larger ones in this world, because she knows: The big is reflected in the small. And vice versa. Supply chain problems, artificial intelligence, and chip shortages? She encounters these as a trained primary school teacher with a robust handyman attitude and a biotech lab in the fridge.

In doing so, she, as a philosophically inclined offspring of Generation Y, always asks the question of "Why": Why is a balanced budget more important than a functioning education system? Why can the Austrians and Swiss operate a functional railway network despite topographical obstacles? And why, for heaven's sake, is there still a crumb from breakfast on the dining table, even though it's already afternoon?

In her fifth stage program "Volle Kontrolle," the sharp-tongued cabaret artist faces the challenges of advanced coupledom with a lot of humor in turbulent times - profound, entertaining, and very, very funny.

www.christine-eixenberger.de/

At her concerts, Marta Król takes the audience on a journey through various musical styles: Jazz, Soul, Pop, or Bossa Nova. Her singing is full of emotion, and her warm and deep voice creates a touching romantic atmosphere for the audience. Marta gives meaning to each song, and you can feel every emotion in her voice.
She sings both her own songs and classic melodies from the past written by famous composers such as Burt Bacharach, Stevie Wonder, Sting, Henry Mancini, and others.

Marta Król is a Polish jazz, soul, and pop singer, songwriter, educator, and vocal teacher.
She has released five solo albums: „The First Look“ (2011), „Thank God I’m a woman“ (2014), „Tribute To The Police“ with Paweł Tomaszewski and his band (2017), „All About Me“ (2021) and a vinyl album „Sentimental Journey“ (2022). For her debut album, she was nominated for significant music awards in Poland: „Mateusz 2011“ in the category of Debut of the Year and „Fryderyk 2012“ in the category of Jazz Phonograph Debut of the Year.
She was selected by Radio Trójka to perform at the debut concert during the 49th Polish Song Festival in Opole (2012). She is a prizewinner of national and international singing festivals, including: 1st prize at the national festival of young vocalists, Lublin 2005, special prize at the national festival of young vocalists, Lublin 2007, Grand Prix at the National English Language Song Festival, Brzeg 2007, special prize at the international jazz festival New Hope of Jazz, Łomża 2009.
She has collaborated with the most talented and leading Polish musicians, both singers and instrumentalists. In her singing, she focuses on emotional phrasing and interpretation.

Band members:
MARTA KRÓL – Vocals

ŁUKASZ FLAKUS – Piano/Keyboards

CLAUS SCHULTE – Drums 

JUAN CAMILO VILLA – Bass

DIMITRIJ MARKITANTOV - Saxophone
ALEXANDER RINK - Guitar

Whether jokes can be made about any topic has been hotly debated in recent years. But the much more interesting question is: Can one also not make jokes sometimes? How much emotional range can a comedy program handle? Helene Bockhorst tests this and dares to balance between humor and depth.

In her genre-busting one-woman freak show, she presents herself. Step right up, the stage is free! Take a seat in the most invigorating bath of emotions since feelings exist! Only here will you see the strongest woman in the world, the woman with the lower body and the tightrope act of German comedy. She balances on the fine line between secondhand embarrassment and enlightenment. She hops from the trapeze of good cheer and relies on the audience to catch her. And she accurately throws knives into the hearts of the viewers.

Don't worry, there will be lots of laughter and life will be celebrated this evening. But there will also be stories told, astonishment, and shared pain. Because in the end, we all want the same thing: to be loved - just as we are. In happy moments as well as in melancholic ones. And why should an artist settle for less?!

Short bio:

Helene Bockhorst (*1987) is a comedian and author. In January 2018, she won the Hamburger Comedy Prize - as the first (and so far only) woman in the history of the competition. Numerous TV appearances followed, e.g., at Pufpaffs Happy Hour, Pussy Terror TV, NDR Comedy Contest, Stand Up 3000, Quatsch Comedy Club, Mario Barth & Friends, at the Mitternachtsspitzen, and at Genial daneben. Her first solo programs - “The Fabulous World of Therapy” and “The Confessions of the Con Artist Helene Bockhorst” - were successfully performed in small theaters across the German-speaking world and were recorded for TV.

In 2022, she was awarded the Kleinkunstpreis Baden-Württemberg. “NIMM MICH ernst” is her third solo program.

Whether jokes can be made about any topic has been hotly debated in recent years. But the much more interesting question is: Can one also not make jokes sometimes? How much emotional range can a comedy program handle? Helene Bockhorst tests this and dares to balance between humor and depth.

In her genre-busting one-woman freak show, she presents herself. Step right up, the stage is free! Take a seat in the most invigorating bath of emotions since feelings exist! Only here will you see the strongest woman in the world, the woman with the lower body and the tightrope act of German comedy. She balances on the fine line between secondhand embarrassment and enlightenment. She hops from the trapeze of good cheer and relies on the audience to catch her. And she accurately throws knives into the hearts of the viewers.

Don't worry, there will be lots of laughter and life will be celebrated this evening. But there will also be stories told, astonishment, and shared pain. Because in the end, we all want the same thing: to be loved - just as we are. In happy moments as well as in melancholic ones. And why should an artist settle for less?!

Short bio:

Helene Bockhorst (*1987) is a comedian and author. In January 2018, she won the Hamburger Comedy Prize - as the first (and so far only) woman in the history of the competition. Numerous TV appearances followed, e.g., at Pufpaffs Happy Hour, Pussy Terror TV, NDR Comedy Contest, Stand Up 3000, Quatsch Comedy Club, Mario Barth & Friends, at the Mitternachtsspitzen, and at Genial daneben. Her first solo programs - “The Fabulous World of Therapy” and “The Confessions of the Con Artist Helene Bockhorst” - were successfully performed in small theaters across the German-speaking world and were recorded for TV.

In 2022, she was awarded the Kleinkunstpreis Baden-Württemberg. “NIMM MICH ernst” is her third solo program.

Sarcastic, biting, and charming, the well-known cabaret lady from TV shows ("Nuhr im Ersten", "Ladies Night", etc.), WDR radio columnist and single mother Barbara Ruscher once again tackles the burning issues of our time. Who really knows exactly who they are? Are you the type "Earth, Wind and Eggs" with a penchant for keeping your own chickens, but against wind turbines as soon as they stand in front of your own house? Where does social responsibility begin and where are the boundaries? Why is the neighbor a nature-loving stand-up paddling fetishist, but has a dreadful gravel garden in front of his house? We behave ambivalently and Mother Earth is slowly fed up. An evening about patchwork in a caravan, sustainability, partner portals, cancel culture, children, climate change, SUP, parental influence, racism, and the puppy flood from the Dognet. Because since the lockdown, everyone has a pet. Those without one have Alexa.

Barbara Ruscher is the magnificent cabaret beast in every sense – shamelessly tearing apart society while being the best friend of the audience. Let yourself be enchanted by sophisticated female satire at its finest. Delightfully wicked, self-ironic, and above all, unbelievably funny.

Let yourself be enchanted by sophisticated female satire at its finest. Delightfully wicked, self-ironic, and above all, unbelievably funny.

www.barbara-ruscher.de

www.youtube.com/watch?v=5qKPWHRzryo

Sven Pistor is storming the stages of football westerns again. His new program is a XXL love declaration to real football, the real fans, and all the football-obsessed people! The “Reinste Fussballerotik” is the highlight of true love for the game.

For one evening, WDR2 Liga Live presenter Sven Pistor celebrates football and its stories. His stage show is a wild ride on the edge of madness, past the abysses of FIFA, into the unmistakable joy of a wonderful football evening. The show is like life itself: insanely funny, quirky, sometimes even dead serious, and yes, of course, the tackle will also be unpacked!

What would a football evening with Sven Pistor be without a real know-it-all quiz? To keep everything in order, Sven brings his podcast buddy Constantin Kleine from WDR2 “Einfach Fussball” on tour. In other words: It can only get crazy.
Sven Pistor “Reinste Fussballerotik”: Show up, sit down, have fun!

SVENOMENAL
The new program starting autumn 2024
It will be SVENOMENAL! Musician, comedian, and entertainer Sven Bensmann has made a name for himself in the German comedy scene in recent years. In his new program, he once again captivates a wide audience with his friendly, charismatic stage presence. In SVENOMENAL, the urban village kid and Dino-Boy Sven, from whom a true Disney princess has gotten lost, brings hearty laughter once more. And when the punchlines (sometimes spoken, sometimes sung) narrowly brush against the waistband with a wide grin, they never threaten to fall short.
Sven brings the perfect mix of classic stand-up comedy, handmade music, a singing voice that sounds not only funny but also highly professional, and provides the audience with collective goosebumps on stage. To this comes a healthy dose of loving charisma that allows plenty of room for spectacular improvisations. Numbers like SINGING JOKES, DAILY DISNEY, and spot-on voice imitations a la Joe Cocker, Louis Armstrong, Elvis, or Herbert Grönemeyer have already made some visitors of Sven's shows float home in blissful happiness in the past. Because it takes nothing more than COMEDY, MUSIC & LOVE! Conveniently, all of this is Sven Bensmann – and what arises from it is SVENOMENAL!

Contrary to the current zeitgeist, Sven focuses on feel-good comedy in his new, full-length solo program "SVENOMENAL," because his jokes are meant to unite rather than divide. Instead, he humorously and interactively connects all people in the audience.

www.sven-bensmann.de/

www.youtube.com/c/svenbensmann

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

Regularly, it gets young, colorful, and loud in the lounge of the Bonn Pantheon when a lineup of talented emerging poets aged between 10 and 20 takes the microphone to captivate the audience and win their favor. Because only one can win the first U-20 slam of the region.

The program is hosted with wit and charm by the nationally renowned poetry slammer Jana Goller.

Experience young talents, exciting text premieres, and a competition of a special kind.

At the Rheinreden Poetry Slam, young poets compete against each other with their self-written texts. Their texts must all be presented without props, within a time limit of 6 minutes, and citations must be indicated. There are no thematic or formal requirements for the slam texts: they can be political, funny, personal, lyrical, prosaic, dadaistic, etc. The audience decides which performance they liked the most and who gets to fight for victory in the final. The location in the Pantheon is super cozy, with colorful armchairs and light bulbs hanging from the ceiling. In a living room atmosphere, the moderation leads through the colorful show with wit and authenticity. Spend your Sunday afternoon with us, treat yourself to delicious culture, and support the local small arts scene!

The theater is barrier-free, and we strive to create a safer space. So feel free to come as you are and where you feel comfortable!

www.instagram.com/rheinreden_slam/?hl=en

In his first solo program "The Love Algorithm," Andreas Langsch creates a picture of his generation and tries to convey: Between old and young. Between internet addicted and nature fanatic. Between love and the love algorithm.
Andreas belongs to Generation Y. These are the people who can't figure out what to do with their lives and stare at their phones all day long. After school, it's always a year in... right: Australia. And then? Study, start a business, work without a break, and jump into sabbatical or burnout.
The world is rushing by! Andreas tries to keep up. But the perfection on the internet, the perfect partnership, and the highly bred self-optimizers are driving him crazy. So, he sets out in search of a solution. How can one escape this stress?
After long walks in the park, during which he witnesses a murder that will probably never be solved, philosophical thoughts about superpowers, and an unintentional pen pal, he seems to have found a solution to everything...
What is it? You better see for yourself.
In early 2023, his program was awarded the Bielefeld Cabaret Prize (1st place + Audience Award). Additionally, in the same year, he won one of the highest-paid cabaret awards in Germany: The "St. Ingberter Pfanne" (Jury Prize + Audience Award).

www.andreaslangsch.de

www.youtube.com/watch?v=rbzwN_pZusY

The pianistic get-together at the Bonn Pantheon

Several outstanding pianists from classical music, contemporary music, jazz, and more will perform a joint piano evening in a personal club atmosphere. With their solo repertoire, interpretations, and substantive reactions to each other, they create unique and unrepeatable piano evenings.
 
► Main Program
Hanna Shybayeva, piano

► Club Program
Ratko Delorko, piano
Daniel Höhr, piano
Susanne Kessel, piano
Frank Zabel, piano and live electronics
(Further participants will be announced in due course)

Claude Debussy: Estampes or Suite Bergamasque (excerpts)
Keith Jarrett: The Köln Concert, part II
George Gershwin / Earl Wild: selection from Etudes after Gershwin
Vadim Neselovskyi: selection from ‘Odesa’ suite
Club Program:

Following the main program with Hanna Shybayeva, the above-mentioned pianists will perform a program featuring piano works from classical music, contemporary music, jazz, and others that relate to the main program.

In response to the main program, the pianists will contribute their own solo performances in the "Club Program." In the Beethoven Piano Club, they are invited to engage in an equally exciting and unpredictable dialogue with their musical creativity and artistic vision.

In a personal club atmosphere, the audience witnesses how exceptional musicians create unique resonances in this musical entertainment originating from devotion, pianistic originality, and artistic free spirit.

The Bonn composer and pianist Ludwig van Beethoven always holds an honorary place in this club!

A small snack is included in the ticket price.

www.beethoven-piano-club.com

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

The new program for the 42nd session of the 1. FKKVB n.V. 1983!

Pink Punk Pantheon has been a popular cabaret-style, alternative carnival revue with cult status for decades, far beyond the borders of the Rhineland.
The biting revue, which takes a jab at club bureaucracy and all current political, global, and Rhineland topics, takes place annually in the Bonn small arts temple Pantheon. Among the 16 participants are, of course, the local heroes from Bonn, Rainer Pause and Norbert Alich, in their roles as club president "Fritz Litzmann" and "Hermann Schwaderlappen" – possibly the smallest, but most combative council of eleven in the world!

Featuring:
Beate Bohr, Gabi Busch, Anne Katharina Müller, Maryam Yazdtschi, Norbert Alich, Ben Beracz, Gerti Beracz, Volker Büdts, Tunç Denizer, Kristaps Grasis, Wolfgang Molinski, Rainer Pause, Sangit W. Plyn, Hagen Range, Massimo Tuveri, Gerhard Vieluf.
Directed by: Stephan Ohm

www.facebook.com/Pink-Punk-Pantheon-1508374899209757/

www.instagram.com/pink_punk_pantheon

A Blind Date with EMMVEE as a Wing Man – The craziest live experience since dating began!
You will be there up close as EMMVEE sets up singles. Sounds good? It's spicy! Look forward to a live show with maximum audience interaction, unexpected twists, spontaneous and razor-sharp jokes, just like you know from EMMVEE, and his charm that captivates everyone. Who will EMMVEE send home as a couple? Be there live and treat yourself to this unique experience – for fun singles, humorous couples, and everyone in between!
The format is brought to the stage exclusively in Bonn in cooperation with the Pantheon Theater.

Links:
https://emmveecomedy.com
https://www.instagram.com/emmveecomedy/
https://www.tiktok.com/@emmveecomedy
https://www.youtube.com/channel/UCk_rMXGK3bLnGxIjj7t2JVw
https://www.endgame-entertainment.de
https://www.pantheon.de
https://meyer-konzerte.de

Tickets are available at all well-known ticket offices, by phone at 02405 / 40 8 60 or online at www.meyer-konzerte.de.

A Blind Date with EMMVEE as a Wing Man – The craziest live experience since dating began!
You will be there up close as EMMVEE sets up singles. Sounds good? It's spicy! Look forward to a live show with maximum audience interaction, unexpected twists, spontaneous and razor-sharp jokes, just like you know from EMMVEE, and his charm that captivates everyone. Who will EMMVEE send home as a couple? Be there live and treat yourself to this unique experience – for fun singles, humorous couples, and everyone in between!
The format is brought to the stage exclusively in Bonn in cooperation with the Pantheon Theater.

Links:
https://emmveecomedy.com
https://www.instagram.com/emmveecomedy/
https://www.tiktok.com/@emmveecomedy
https://www.youtube.com/channel/UCk_rMXGK3bLnGxIjj7t2JVw
https://www.endgame-entertainment.de
https://www.pantheon.de
https://meyer-konzerte.de

Tickets are available at all well-known ticket offices, by phone at 02405 / 40 8 60 or online at www.meyer-konzerte.de.

A Blind Date with EMMVEE as a Wing Man – The craziest live experience since dating began!
You will be there up close as EMMVEE sets up singles. Sounds good? It's spicy! Look forward to a live show with maximum audience interaction, unexpected twists, spontaneous and razor-sharp jokes, just like you know from EMMVEE, and his charm that captivates everyone. Who will EMMVEE send home as a couple? Be there live and treat yourself to this unique experience – for fun singles, humorous couples, and everyone in between!
The format is brought to the stage exclusively in Bonn in cooperation with the Pantheon Theater.

Links:
https://emmveecomedy.com
https://www.instagram.com/emmveecomedy/
https://www.tiktok.com/@emmveecomedy
https://www.youtube.com/channel/UCk_rMXGK3bLnGxIjj7t2JVw
https://www.endgame-entertainment.de
https://www.pantheon.de
https://meyer-konzerte.de

Tickets are available at all well-known ticket offices, by phone at 02405 / 40 8 60 or online at www.meyer-konzerte.de.

On political Ash Wednesday, the parties shower their political opponents with mockery and ridicule. The roots date back to the 16th century: in 1580, Bavarian farmers first met in Vilshofen on the Danube for a livestock and horse market, where they not only bargained over prices but also robustly discussed the topics of the day, including Bavarian royal politics since the 19th century (Source: Wikipedia). We can expect a final satirical flourish on Ash Wednesday, before it almost seamlessly transitions back into the next session!

PAUSE + ALICH: Fritz and Hermann, these are the two Bonn cabaret artists Rainer Pause and Norbert Alich. Since 1984, they have presided annually over the alternative Bonn carnival revue PINK PUNK PANTHEON, which is popular across the republic. They received the West Critic Prize (1993) in the Schmidttheater in Hamburg and the "Morenhovener Lupe" in the Rhineland, and didn't decline guest performances abroad (Geneva, Zurich). They have appeared in all relevant cabaret shows.

René Sydow: Sydow lets loose his sharp tongue and strikes. The cabaret prize winner questions our worldview with his unmistakable blend of dark humor, mockery, and poetry.

Matthias Deutschmann is a true figurehead of German cabaret. With a unique mix of a lot of wit, a depth of substance, and a proper pinch of musicality, Matthias Deutschmann has been delighting his audience for several decades.
Matthias Deutschmann – this name stands for intelligent cabaret away from the mainstream, for high-class entertainment, and of course for a man with many years of stage experience who knows exactly what matters.

Christl Sittenauer is an actress and cabaret artist. With her first cabaret performance, she won the prestigious St. Prosper Cabaret Prize in Erding in 2022. Since 2020, she has been a member of the ensemble of the Munich Laughter and Shooting Society and raises awareness of political issues at both macro and micro levels with her work. For over 20 years, Christl Sittenauer has passionately performed improv theater and is part of the ensemble "Bühnenpolka".

The 27-year-old Teresa Reichl from Simbach bei Landau an der Isar is a shooting star in the cabaret scene. In 2023, she was awarded the Rising Star Prize of the Bavarian Cabaret Prize. She regularly appears on the program "Schlachthof" on Bavarian Radio. Tens of thousands follow her on social media.

She is articulate, she is from Lower Bavaria, and she knows what she's doing. The cabaret artist Teresa Reichl provocatively claims that in the title of her debut program "Obacht, i kann wos!". And she keeps her word when she raises questions in connection with events from her life so far, dealing painfully with others, but above all with herself.

Why are all the poems read in German studies actually by men? Why do people still think that everyone in the village is related? What is it like to grow up in a village of 400 souls when EVERYONE knows the big brother and the parents? What if the village youth primarily turns one into: an excellent liar. When does the word "girl" stop functioning as an insult?

And what do famous bands think when their fans are ugly? Teresa Reichl interrogates herself and her audience without fear of not finding answers.

Because she has taken village life to the city, traditional gender roles into emancipation, and is figuring out how to live as a feminist, show-stealer, student, woman, and village child – and who actually has the right to impose anything on her?

Teresa Reichl's amusing inventory after almost a quarter of a century of women's life effortlessly bridges the gap between audience generations and introduces everyone to previously unknown or unpopular topics.

Anyone who has experienced an evening with her suddenly understands the dynamics behind religions (or even conspiracy theories); the balancing act is not an illusion, and feminism is no longer a dirty word.

www.teresareichl.com

www.youtube.com/watch?v=B_ulTUBH0I0

For the third time, Daria Assmus and Marcus Schinkel invite their audience to board their sonic spaceship and explore new musical spheres together.
In the first half of the concert, the Bonn native debuts with a series of her own songs - far removed from predictable radio pop, somewhere between Billie Eilish and Bilderbuch. In her German lyrics, she addresses major societal themes, served with edgy beats, driving bass lines, and snappy brass riffs.
In the second half, the Sonic Lake Collective literally takes off: the ship steers into the vastness of the cosmos of electronic music and unfolds a hypnotic sound universe. Techno and trip-hop elements meet jazz - a symbiosis that puts the audience into trance-like states. Dense synthesizer patterns collide with lyrical piano sounds, and catchy melodies weave into a sound carpet that appears both familiar and innovative.
Daria Assmus' multifaceted voice gently guides through places of longing and grounds again and again with powerful soul timbre. Some may already know her from "Daria Assmus and the Heavy Soulband," "Daria and the Groove Foundation," or her global pop band "RasgaRasga." In 2018, she already captivated audiences with Brasssonanz in the Elbphilharmonie.
The renowned boundary-crossing pianist Marcus Schinkel moves masterfully between the genres of jazz, rock, and classical. In Bonn, he is no stranger with his programs "Crossover Beethoven" or "Classic meets Gipsy" alongside guitarist Joscho Stephan.
Alongside them, driving beats from drummer Wim de Vries, Armin Mey on synthesizer, and Florian Hertel on trombone create an exhilarating sound experience. Once again, they promise further exciting musical surprise guests!

Be there when acts are performed for the first and sometimes even the last time.

Let yourself be inspired for two hours by at least six different artists who may come from all areas of small arts. Everything that fits on our stage can be represented, from cabaret, comedy, magic, music, theater to poetry slam.

Together we experience the "Rhenish" version of our talent forge at the Bonn Pantheon.
Here, what originally started in the Bergisches Land continues, and now regularly delights the audience in Bonn: A surprise bag of small arts, open to everything and everyone.

Artists can apply up to a month before the show. More information at:
www.dieoffenebuehne.de

Spontaneous short performances are possible:
At the beginning of the show, those who want to perform will be asked.

Everyone is allowed to participate! (If there are too many entries, a draw will decide)
Either it goes straight to the stage, or after the break (if, for example, instruments & props need to be set up).

The whole thing is casually moderated by Florian D. Schulz.

Since 2012 - then still in the smaller Casino - the "OB" now also exists in the Rhenish edition. (It was previously founded in 2009 in the Bergisch Land and brought over by the artistic director of the Pantheon, Martina Steimer from Wuppertal.)

What happens is a complete surprise every time - as well as in the almost 500 performances by hundreds of different artists of comedy, music, magic, and acrobatics. Always gladly with Bonn residents who spontaneously try themselves on stage for 5 minutes according to the concept:
"Open to everything & everyone - who is open to everything & everyone"

KlassikSlam!
Can the Queen of the Night sing already in the early evening?
Can you play "Für Elise" on the ukulele?
How much rock is in baroque?

Young musicians present their favorite works - authentic, virtuosic, touching, and you vote for which music, which interpretation, which moderation, and perhaps which humor you liked the most. This time, 5 ensembles or soloists are also participating. And every vote counts.

Classical music on new paths straight to the heart!
For example, like this: www.youtube.com/shorts/el9k6F7CyZk

Patron: Steven Walter (Artistic Director of the Beethovenfest)
Moderation and idea: Tobias Krampen
Realization and direction: Solveig Palm (Network Ludwig van B)
Prize donor: Klavierhaus Klavins
Partner and sponsor: Lions Club Bonn-Beethoven
Information and application: here

Network Ludwig van B. e.V: here

Report on the student radio bonn.fm: bonn.fm/klassikslam-interview/

www.youtube.com/shorts/el9k6F7CyZk

Patron Steven Walter (Artistic Director of the Beethovenfest)
Moderation and idea: Tobias Krampen
Realization and direction: Solveig Palm (Network Ludwig van B)
Prize donor: Klavierhaus Klavins
Partner and sponsor: Lions Club Bonn-Beethoven

Link to the Network Young Bonn Classical e.V. Ludwig van B.:

lvb-klassikslam.blogspot.com/

Report on the student radio bonn.fm:

bonn.fm/klassikslam-interview/

Homepage KlassikSlam

tobiaskrampen.de/klassikslam/

When Christoph Fritz meets his mother, they shake hands to greet each other. Sometimes he longs for closeness so much that he is delighted by receiving spam emails or the letters addressed to the previous tenant.

But since one shouldn't respond to spam emails and secretly opening someone else's letters over steam is known not to be a lasting solution, he embarks on a search for intimacy, which he finds in places he would not have expected.

Thus, a remote road in France, a nighttime garden in Lower Austria, or the office of a urologist become settings for unexpected tenderness.

“In his second solo performance ‘Tenderness’, Christoph Fritz touches heart and brain. With minimalist art, he plays himself into absurd heights with fabulous encounters. […] The dry humor is captivating.”
Die Presse

“Absurd-philosophical thought games and new possibilities of clever failing.”
Salzburger Nachrichten

“An unconditional recommendation”
Falter

“Christoph Fritz impresses with radical shyness. His sentences sound gentle and hesitant, sometimes stuttering, yet they carry a defiance that leaves the audience bewildered.”
Der Standard

“With his new program called ‘Tenderness’, he underlines his talent for both dark and bitter humor.”
Kurier

“Christoph Fritz creates great, exciting narrative arcs in his new program.”
Ö1

“Great linguistic talent.”
APA

“This young man before us is a genius, who has a lot hidden behind his ears.”
Ticket Magazin

After Serdar Somuncu said goodbye to the cabaret stage in 2023, he is now returning to his roots. With his new program "Songs and Stories," Serdar Somuncu will be back on German stages starting in spring 2025.
But this time there will be no cabaret, rather a colorful evening of music and stories. As provocatively as ever, Somuncu shares stories from his life and takes us on a journey through his
musical development.
Somuncu's musical roots lie in soul and R&B; however, the stylistic range of the trained musician varies on his new tour from punk to funk and at times even sounds like the gothic rockers. In this program, Somuncu again speaks his mind.
You can look forward to a varied evening.

Concert of the Local Ambassadors
as part of the Over-the-Border Festival 2025

Since 2016, the Local Ambassadors have been a central part of the Over-the-Border Festival in Bonn. Every year, this unique project presents a completely new line-up that brings together local musicians with international artists. The aim is to overcome cultural boundaries through joint rehearsals and performances, and to set a sign for recognition, understanding, and against exclusion.

In March, the Local Ambassadors invite you to an exhilarating concert at the Pantheon Theater. Under the musical direction of the virtuosic pianist Marcus Schinkel, who masterfully blends classical, jazz, and world music, a varied program will be presented. The instrumental backbone of the ensemble consists of:

Bob Vogston (Guitar): Inspiring guitarist, composer, and producer (Lipaka Studio) with a distinctive fusion of jazz and rock.
Felix Lehrmann (Drums): One of the most sought-after drummers in Germany, known for his precision and energy.
Pape Seck (Percussion): hails from the prestigious Senegalese Griot family Seck and is among the most sought-after percussionists for African music.
Ben Jud (Bass): known as "The Singing Bassist" with a wide stylistic range from funk to jazz.
Florian Hertel (Trombone): Creative trombonist and composer known for his expressive playing style. Band leader at Druckluft.
Fixi (Accordion, Arrangements): from Paris, who delights with innovative accordion arrangements, blending styles like hip-hop, musette, reggae, and afrobeat. Musical director: L‘Ultrabal
Maïa Barouh (Vocals, Flute): Multi-talented artist with Japanese roots, who combines traditional sounds with modern influences.
Rema Diop (Vocals): new great voice from Senegal, shining in both West African and European styles. In Africa, she is taking off with her songs.
Gal Tamir (Vocals): as the founder and lead singer of the ensemble Al’Fado, he connects Ladino-Sephardic music with Fado and Flamenco.
Gergana Dimitrova (Vocals): One of the renowned voices of “Le Mystere des Voix Bulgares,” she creates a unique musical universe with her solo project.

The line-up of the Local Ambassadors will be complemented by a Very Special Guest, whose name will not be revealed yet. Get ready to be surprised and look forward to another musical highlight that will make this special evening unforgettable!

A renewed summit of small arts at the Pantheon!
Line-up:
Tobias Mann (moderation)
Philipp Weber
and others.

www.wdr5.de/sendungen/unterhaltungamwochenende/unterhaltungamwochenende_index100.html

Tobias Mann is an tireless wanderer between the worlds of cabaret and comedy, a punchline explosion master, verbal sprinter, fun rocker, nonsense bard, and humor secret weapon of WDR. Furthermore, he is the recipient of the German Small Arts Prize 2017 and the Prix Pantheon.

www.tobiasmann.de

Philipp Weber - cabaret artist, author, universal scholar
Esteemed audience! In times where representatives of the people and misrepresentatives repetitively invoke the crisis of bourgeois society, I practice with you - my esteemed guests - in the theater of your choice the most valuable democratic virtue: humor. For are not comic, wit, and esprit the most dazzling weapons of a resilient democracy? And those who can mock their thoughts and actions with the necessary irony will not fall victim to their own narrow-mindedness. Thus, true democrats primarily laugh about one thing: themselves. So laugh along and protect democracy.

The roles are clearly defined: Pigor sings. Benedikt Eichhorn has to accompany. Since 1995, this division of labor has worked wonders for the audience. For the many award-winning experts of elegant spoken song, not always, but the small war on stage is also part of the program. Thomas Pigor and Benedikt Eichhorn cannot afford to take feelings into account when they comment on current politics, everyday idiocy, and the spirit of the times with brains, charm, and their self-invented, stylistically colorful salon hip-hop.

Fee Brembeck is an artistic surprise package: The cabaret artist, author, aspiring opera singer, and poetry slammer fuels her audience with sharp parodies, rhymed bursts of laughter, or belted truths in a soprano voice.

Infection or injection – for some, no longer an issue, for others, everything has changed since then. Two of them are on stage today to talk about it.
Those hoping for a strenuous evening will be bitterly disappointed: Actresses Felicia Binger and Christine Prayon may have as many symptoms as Karl Lauterbach has TV appearances, but as clowns, they still work wonderfully.
They can still read just well enough: Prayon's new book “Absence Note” is a fictional account about Long Covid and Long Vaccination and the question of who or what is actually ill.
And if the two of them don’t forget to take their high-dose vitamins during the break, there will also be a nice discussion in the second part. Analog. Together. Maybe even with everyone.
For all those who also have some Long Something and think they are alone with it. Or for all those who want to endure the madness of this time only with humor. Presented by mRNA Entertainment.
Felicia Binger is an actress and activist. At this point, the awards and films that would have followed the promising start of her acting career would actually be listed. In May 2021, however, at the age of 27, she got vaccinated against Corona and became seriously ill as a result. She ultimately made her illness public against the well-meaning advice of management and casters. Numerous press and media reports followed. Since then, she has been fighting against stigmatization and for the care of those affected who are long-helpess.
Christine Prayon is a cabaret artist and actress. She has received numerous awards for her stage programs, including the German Cabaret Prize and the Dieter Hildebrandt Prize. From 2011 to 2022, she was regularly seen as “Birte Schneider” on the ZDF heute-show. Since being vaccinated against and infected with you-know-what, she has not been symptom-free for a single day.

If you watch the news these days, you can't shake the feeling that the end of the world is imminent. Good reason for Sebastian 23, award-winning author, comedian, and incorrigible optimist, to take a closer look at the apocalypse in his new program and ask: How should the world actually end? Oil? Milk? Gender asterisk? “The end is nigh” – has been said for millennia. But humanity's efforts for its own elimination have never been so intense as they are today. On the other hand, there have never been so many spectacular countermeasures – never before have so many people fought for climate protection, social justice, fries, and world peace. There is so much good to report and utopias that have long become reality. Perhaps Sebastian 23 will even reveal in his program how everything can turn out well. His current book bears the cheeky title “Everything will be alright – Saving the world in 5712 simple steps.” So wait a moment before you too eagerly pass the baton that the dinosaurs handed to us over to the cockroaches. Rather, come and watch Sebastian 23's solo show! Then this time, the world will not end, but perhaps even begin anew.

sebastian23.org

www.youtube.com/watch?v=T2ujzZRHXDY

www.youtube.com/watch?v=8FuNwXmpIUg&t=1s

The world is full of disaster reports, and it is right and important for someone to play against the madness. In a world of doom scenarios, Sieber makes it clear: Hope dies last. In the end, humor prevails. Giving up is not an option.

Many called out to him at the end of his last program: Mr. Sieber, please continue! And he always just said: I can't do otherwise. What else do we have but to keep going?

In "Weitermachen," it's about us. About societal errors and confusions, about cohesion and what separates us.

As always, Christoph Sieber garnishes current political cabaret with the big topics of our time: football, politics, society, and the question of why naked mole rats rarely go shopping.

All this adorned with singing, dancing, and a whole range of characters drawn from real life. There will be a reunion with baker Häberle, Charity-Dieter, and finally, Sieber's long-lost brother will also have his say.

Not only those who appreciate Sieber from television should experience him live. Because nothing defines political cabaret more than laughing, complaining, crying together, and then having a beer in the foyer knowing: It goes on.

Life is too serious not to laugh about it. True to the motto: One must laugh so that it can stick in their throat. And who, if not Sieber, could counter the general doomsday murmurs with his vision: The world rising!

“The man who always brings my smile back when I believe I have already lost it.”
(Comment on Facebook)

www.christoph-sieber.de

An enticing voice, a lively bass, a swinging piano. This is music that makes the feet want to dance – and so do the brushes! And they actually do: Live before the astonished viewers, they conjure up a joyfully dancing couple on the white canvas to the rhythm.

The brushes are expertly guided by Robert Nippoldt and are not the only drawing tools that make an appearance in this unique interplay of music and art. In a matter of moments, chalk, pencil, and ink are used to reconstruct the Berlin City Palace, and the Memorial Church gets its roof back. Thanks to cameras and large projections, the audience is right up close – to every stroke that the artist's hand brings to the paper with casual elegance.

Moreover, the drawings projected onto the canvas during the show are just part of the diverse repertoire. In a perfect symbiosis of sound, acting, and image, a silhouette production of Brecht's "Pirate Jenny" emerges impressively. The Comedian Harmonists dismantle a concert grand piano in visible and audible ecstasy. One strolls with keen eyes through the capital, and a slapstick number pays tribute to the beginnings of sound films. It is also amazing how one can meet all the chancellors of the Weimar Republic in just three minutes.

All of this is brought to life, commented on, and inspired by the three fabulous musicians of the Trio Grössenwahn, who breathe new life into the classics of that time with verve and humor. Even an original antique keyboard instrument experiences a surprising renaissance under the nimble hands of singer Lotta Stein.

It is the feeling of life in a special city between the world wars that these four stylishly dressed artists dedicate themselves to this evening. A Berlin that has not lost any of its charm and welcomes us with open arms. If we follow this invitation, by the end of this enjoyable excursion, we will have a glimpse of what it might have felt like back then – in the roaring twenties.

ein-raetselhafter-schimmer.de

ROBERT NIPPOLDT
(Live drawings, silhouettes, animations, brush performance, graphic whimsy)
The illustrator and book artist became known through his award-winning book trilogy "Gangster," "Jazz," and "Hollywood," about America in the 1920s and 30s, as well as through his illustrations for The New Yorker and Time Magazine. He is currently working on a book about the night in 1920s Berlin. www.nippoldt.de
Favorite film: City Lights (1931) by Charlie Chaplin
What he doesn’t like at all: cucumbers and wasps in his throat
Dark secret: Although he makes books himself, he never reads them

TRIO GRÖSSENWAHN
(Vocals, piano, double bass)
Lotta Stein (vocals), Christian Manchen (piano), and Christoph Kopp (double bass) have been successfully active in the music scene with various formations for years. As the Trio Grössenwahn, they are entirely dedicated to the 20s and 30s. They carry the classics of that time into today with their lively interpretations, as virtuously as they respect them.

www.youtube.com/watch?v=9rhNy_xnc2w

Julian & Roman Wasserfuhr

„Safe Place“ – The new chapter of the Wasserfuhr brothers
With their new album „Safe Place“, Julian and Roman Wasserfuhr present another milestone in their impressive career. Since their debut „Remember Chet“ in 2006, they have developed into fixed stars in the German jazz scene and gained international recognition. Their music captivates with a blend of virtuosity, sensitivity, and a fine sense for melodies, making them a distinctive voice of contemporary jazz.
„Julian & Roman Wasserfuhr belong to the best that young German jazz has to offer,“ praises the Rheinische Post. Their works are marked by a unique mix of emotional depth and technical perfection. The Frankfurter Allgemeine Zeitung describes Julian Wasserfuhr as „one of the best in his field worldwide“, who impresses with his „insane virtuosity“ and „magical tone“.
„Safe Place“ is a work that leaves the hustle and bustle of everyday life behind and focuses on the essentials – the power of music to transport emotions directly. In close collaboration with cellist Jörg Brinkmann, the brothers have created an album that is vibrant, multi-faceted, and deeply moving. Their music takes the audience on a journey through the entire spectrum of human emotions – from subtle melancholy to euphoric highs.
Julian & Roman Wasserfuhr stand for music that transcends boundaries while remaining authentic. With their latest work, they continue to develop their own „Wasserfuhr sound“ and demonstrate how innovative and diverse their musical language has become.

Julian Wasserfuhr – Trumpet
Roman Wasserfuhr – Piano
Jörg Brinkmann – Cello

Special Guest:
Paul Heller – Sax
www.wasserfuhr-jazz.com/

Do you know, do you know? Drawers? Those square things full of prejudices and clichés? Do you know?
Lennard Rosar wants to abolish them. At least in people's minds.
And so he prefers to watch Shopping Queen rather than Bundesliga, passionately irons his laundry to Heavy Metal
and wonders whether his view of people is not itself full of prejudices.
But how can one navigate the world without prejudices? When everything is rapidly divided into ones and zeros? System whore vs. Corona denier, climate glue vs. car lobby, left vs. right. Can one really do without the countless drawers in the head? Huh!

“The 29-year-old, heavily tattooed man with a full beard and many rings on his well-manicured fingers fits into no category. With satirical tales from everyday life and poetic short stories, the Cologne native playfully and extremely humorously points out today's societal problems and also provides food for thought for changes.” So this could be written by the feuilleton about him.

In his first program “Schildmaid,” Lennard not only reconsiders various clichés, but also poses simple questions to his own consumer self and develops solutions for all the many sensitivities of Ulla and Otto Average Consumer: From rating systems for misleading advertising slogans to free scooter concerts on the rooftops of all atheists in direct proximity to active church towers, all the way to the legalization of electric shock devices in the workplace, everything is included. Moreover, it naturally also concerns sexism: Where does equality begin and where does it especially end again? Do we really need Catholic female priests who inappropriately touch altar girls to bring down the patriarchy?

Many questions, a large heap of absurd ideas, and in between always a combative Huh! With this, he already reached the final of the Nightwash Talent Award 2020 and the Hot Shots of the Quatsch Comedy Club 2023, as well as the Hamburger Comedy Pokal 2022, read at the Frankfurt Book Fair (and got paid for it!) and is a regular guest at formats like the Quatsch Comedy Club, Nightwash, or the Komische Nacht.

Voices:
A multi-talent that you should definitely not miss.”
- Marlene Krursel, Choices Cologne.

“Finer tones, on the other hand, are struck by Lennard Rosar from Cologne. In the young man with a man bun, tattoos, and beard, stand-up comedian, Viking, and cabaret artist are united.”
- Hessische/Niedersächsische Allgemeine

www.lennardrosar.de

www.youtube.com/watch?v=XqnRdChHT18

The Berliner with Syrian roots, Abdel Boudii, presents his first solo program "Kulturschock" in a mix of stand-up comedy and parodies.
In 2020, Abdel begins his unique journey from Uber driver to the world of entertainment. In no time, Abdel wins the hearts of the audience and secures the top spot in the newcomer competition "Quatsch Comedy Club Hot Shot."
Since then, he has showcased his extraordinary talent on all stages in the German-speaking area, highlighting the absurdities of life in his own way and allowing his audience to forget the worries of everyday life for a moment.
Abdel, who developed a knack for mimicking voices in his childhood, manages to bring his passion to the stage and mesmerizes the audience with his everyday comedy.
His performances are a varied show of humorous anecdotes, witty
everyday situations, and surprising parodies of the typical German-Turkish family man Hakan Dündük, the loving world improver Malte, and the loud Berliner original Carsten Stahl.
Abdel's versatility is not only evident in his brilliant characters, but also in his ability to interact with different personalities and create spontaneous dialogues with the audience. He does this in his unmistakable way and demonstrates unparalleled diversity with one, no, all accents!
Convince yourselves and be there live at the next performance
– because "DIT MACHT WAS MIT DIR!"
 

The legendary Bosnian singer
Božo Vrećo & Band

Božo Vrećo started his singing career in 2013 as the frontman of the band "Halka", with which he quickly achieved a steep breakthrough and toured across Europe, including Munich, Frankfurt, Copenhagen, Oslo, Brussels, Belgrade, Vienna, Zurich, etc. They brought Sevdalinka, the traditional Bosnian song, back to the world stage, and Božo left his unmistakable mark on it, which possesses both male and female components. ARTE broadcast a concert of the band in their program. At the same time, he embarked on solo paths, firstly with a cappella interpretations, and then with his own compositions. By now, one could not assign him to any specific genre, as he skillfully, mystically yet playfully weaves Sevdah with other music styles. For years, he has been riding a wave of unbroken success, with his fanbase extending far beyond Europe; sold-out concerts in Canada, the USA, and Australia are a testament to this. The New York Times called him an "artist with an angelic voice who heals souls and opens hearts." His audience would attest to this without hesitation after every performance.
www.vrecobozo.com

The MARION & SOBO BAND returns for the third time to the Bonner Pantheon, bringing a truckload of new songs! The German-French-Polish band creates its own modern style from global music and vocal jazz, proving that handmade, acoustic music can be not only delicate, contemplative, and colorful but also high-energy and powerful even without drums. The Bonn ensemble, featuring the multilingual singer Marion Lenfant-Preus and guitarist Alexander „Sobo“ Sobocinski, presents their third studio album „gomera“, dedicated to the landscape and cultural diversity of the Canary Island, where the two have spent many winters and gathered many song ideas. Stylistically colorful with Gypsy Jazz, Rumba, Balkan and Chanson sounds. Linguistically diverse with songs (in French and also in English, Spanish, German, and Romani) that invite dancing and dreaming.

Marion Lenfant-Preus / Vocals, Guitar
Alexander Sobocinski, Guitar
Stefan Berger, Double Bass
Frank Brempel, Violin

PRESS RESPONSES to the program „gomera“ 2024/2025

„Gomera“ Album of the Week at WDR3

„Music that roots in nearly a hundred-year-old Jazz Manouche but alters and refreshes it with new influences.“ -- Jazzthetik

„Bringing the sound of Django Reinhardt into the 21st century, the Marion & Sobo Band achieves this effortlessly on their third album „Gomera“. Although the famous Gypsy Swing is their foundation, one never gets the idea of listening to music from the past.“ -- FAZ

„The Marion & Sobo Band is a group that virtuously juggles languages and effortlessly brings jazz pearls to shine. The audience was thrilled.“ -- Die Rheinpfalz

„Alexander Sobocinski, together with frontwoman Marion Lenfant-Preus, humorously and charmingly guided the program. From the first beat, the Franco-American singer captivated the audience with her relaxed and energetic style, taking them on a turbulent journey through the band's original compositions, pieces from older albums, and songs from the new album „gomera“, French chansons, new interpretations of jazz standards, and more, which invited some viewers to stand up early from their seats and let the music sweep them away.“ -- Hersbrucker Schweiz

marionandsobo.com

Video: "Epina Swing" - live @ Bardentreffen, Nuremberg
www.youtube.com/watch?v=HqW_7YdWqO8

Video: Putting on the Ritz // Insta-Reel
www.instagram.com/reel/CiIpspvDGbK/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

On March 30, the Bonn Pantheon will become the venue for a special musical experience: Jupiter & Okwess, the legendary band from Congo, will finally give their long-awaited concert. Planned four years ago, the performance had to be postponed due to the Corona pandemic.

Na Kozonga, the latest album by Jupiter and his band Okwess, is a burst of energy that captivates the body and nourishes the spirit. The “General of the Rebels” and his musical pyrotechnicians draw from all the rhythms of Congo and connect them with the superpowers of rock and funk. Their music is an invitation to encounters and journeys: From Damon Albarn (Blur, Gorillaz) to Money Mark (Beastie Boys) to collaborations on the third album with samba from Rogê, rap from Marcelo D2, the brass of New Orleans, and the voice of Chilean singer and activist Ana Tijoux – Jupiter & Okwess are unafraid of wild adventures. They have conquered Latin America and reinvented the triangular trade of sounds. “We all have ancestors in Africa,” Jupiter reminds us, “who also made music. And if Africa is like a gun, then its trigger… is in Congo.”

The concert in Bonn promises an evening full of danceable grooves and untamed energy. From Kinshasa, Jupiter & Okwess signal another journey around the world. Follow their burning star and be there when the Pantheon becomes the stage for this unique musical spectacle.
www.youtube.com/watch?v=5Xz8TjsbtU4

The pianistic get-together in Bonn's Pantheon

Several outstanding pianists from classical, contemporary music, jazz, and more will perform a joint piano evening in a personal club atmosphere. With their solo repertoire selection, their interpretations, and their responses to each other, they create unique and unrepeatable piano evenings.
 
► Main Program
Dmitry Batalov, piano

► Club Program
Nageeb Gardizi, piano
Susanne Kessel, piano
Michael Klevenhaus, vocals
Christoph Maria Wagner, piano
Jan Kopp, lecture

(Other participants in the club program will be announced shortly)

Main Program:
Luciano Berio: Sonata (2001)
Frédéric Chopin: 24 Preludes op.28

Club Program:

Following the main program with Dmitry Batalov, the aforementioned pianists will perform a program featuring piano works from classical, contemporary music, jazz, and others, which relate to the main program.

In response to the main program, the pianists in the "Club Program" will present their own pianistic solo contributions. In the Beethoven Piano Club, they are invited to engage in a dialogue that is both exciting and unpredictable with their musical creativity and artistic horizons.

In a personal club atmosphere, the audience witnesses how, in this musical interaction of dedication, pianistic originality, and the artistic free spirit of extraordinary musical personalities, unique resonances develop.

The Bonn composer and pianist Ludwig van Beethoven always has a place of honor in this club!

The ticket price includes a small snack.

www.beethoven-piano-club.com

The day after All Souls' Day, which each year so painfully interrupts the session cheerfully heralded on November 11, the Cologne local historian Martin Stankowski and the elder president of the local association Rhenania Fritz Litzmann, aka Rainer Pause, take advantage of the moment to give meaning to the day, to pause once again and reflect on death and dying, before we drown in the Christmas hustle and bustle of Santa Clauses, tinsel, and Jingle Bells.

For 30 years, Pause & Stankowski have been dealing with the history of funeral practices across times and cultures. Now they are once again lecturing and debating in their profoundly unconventional style under the motto "Those who know nothing must believe anything" about dying, death and the afterlife, burial rites and cult of the dead, and what all this has to do with people's lives. From prehistoric times through the Romans and the Middle Ages to the present day. Coffin and urn lose their terror, becoming part of everyday life.
And the by no means surprising conclusion: Life ends with death, but only in principle, not in the Rheinland.

Regarding this, Elke Heidenreich wrote:

"In this review, in this most intelligent and only form in which cabaret is still bearable today, it is about the exploration of the theme 'Death in the Rheinland', from the Romans to today.... Herewith I submit an application for admission to the local association 'Rhenania'. I am willing to pay the contributions on time. In return, I expect pleasure until death and beyond...!"

This unique and highly amusing cultural-historical lesson should not be missed. A modern variant of the old cultural technique of Memento Mori.

"This is, with all the cabaret spice, a solidly researched compendium of 2000 years of death culture in this country!" (Kölnische Rundschau)

"The audience was enthusiastic in the sold-out crematorium (how else to put it)!" (Express)