eventsTODAY - Victoria Pohl - Christmasjazz on 12/14/2024 in Nürnberg

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Victoria Pohl - Christmasjazz

Saturday, 12/14/2024 at 8:00 PM

Victoria Pohl - Christmasjazz

Saturday, 12/14/2024
at 8:00 PM

More on 12/14/2024

Theaterkneipe LOFT
Austraße 70
90429 Nürnberg

More in Nürnberg

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Every year again, there is the finest Christmas jazz from the Nuremberg pianist Christmas angel Victoria Pohl. Alongside tastefully arranged Christmas hits, entertainment and humor are also not overlooked. An amusing, cozy, and relaxed Advent Saturday evening is thus guaranteed.

Event data provided by: Reservix

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Both storylines will be recounted when KARIN RABHANSL and ALJOSHA KONTER go on tour together for the first time. A wonderfully buoyant rural excursion under the title "Guck nicht so: Ich hab´s auch nicht leicht mit mir!".

Dialect riot versus lover-Pop - presented by two stage-hardened solo entertainers who will throw songs and stories at each other in this duo - for the amusement of the audience, especially when KARIN RABHANSL starts her thwarted hit "Cool" and ALJOSHA KONTER casually counters with his "Ganz Cool".

Resistance is futile in this songwriter double strike. In this sense: "Please follow the white rabbit!"

About ALJOSHA KONTER:

Of course, one could say that Aljosha Konter has played more than 600 concerts. That he has been seen several times on German television and is also occasionally heard on the radio. One could also add that he wrote a title song for a German film and lent his voice to an advertising campaign. Surely one could also emphasize that he declined "The Voice of Germany" because he does not want to identify with those casting shows at all...

But all of that would surely be uncomfortable for the likable resident of Stuttgart, who titles his own music genre as lover-pop. Because what really makes him happy is standing in front of a handful of people and doing so in genuine singer-songwriter fashion.

http://www.aljoshakonter.de

ALJOSHA KONTER - I still like you
https://youtu.be/UdJGxQh1EDI

ALJOSHA KONTER - Again and again
https://youtu.be/l2zjOY7XDsQ

About KARIN RABHANSL:

Songwriters from Bavaria strike back!

She is considered one of the least influential artists of her generation... and has made a name for herself as "the no-hit wonder from the Bavarian Forest": The fearless KARIN RABHANSL creates darkly colorful singer-songwriter music in High German and Lower Bavarian, and sometimes in English if urgency demands it.

Lyrically, it’s about winners and losers, monsters and superheroes, loneliness, farewells, and betrayed dreams. It’s about the ride of life and the understanding that the world is not inherently good or bad, but often just a tricky place – strange and beautiful yet filled with pitfalls and shallows.

The keyword is: DIALECT RIOT! "I am a guitar girl," says the Lower Bavarian girl with the colorful striped stockings, who refuses to be pigeonholed stylistically yet knows exactly where she comes from and what she wants. No worries: Despite the sometimes dark undertones, we can envision KARIN RABHANSL as a happy person.

http://www.karinrabhansl.de

KARIN RABHANSL - Spiderman
https://youtu.be/rkgD3zY6UIY

KARIN RABHANSL - Anett
https://youtu.be/hb03ZMOVtSU

Nürnberg

3/15/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

3/20/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

3/21/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

3/22/2025
8:00 PM

Fiebriges Verlangen

In the shady alleys of Gostenhof stands a clinic, whose corridors are filled not only with viruses, plagues, and bacteria, but also with destinies, longings, and the ultra-resistant germ of passion. Romances and hidden secrets make hearts beat faster, while the staff battles against their own inner demons. In the 4th season of the Gostner soap opera "Feverish Desire," gripping stories, dark machinations, and surprising twists are guaranteed.

Nürnberg

3/25/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

3/26/2025
8:00 PM

Gostner Deep Dive: Wenn die Tauben singen

The theater collective äöü invites you to a musical evening about the city pigeon. Playful, greedy, sympathetic, and sometimes with melancholy and digestive complaints, it allows us an unusual glimpse into ourselves and our world of life. Yes, it is not the lark whose chirping will soon reach your ear, nor the nightingale with its melody.

The "Gostner Deep Dive" invites an in-depth engagement with the respective piece. The introduction before the performance offers insights into the conceptual background of the production. The subsequent discussion provides space for dialogue and exchange with those involved in the production.

Registration via BZ Nürnberg: https://bz.nuernberg.de/programm/gesellschaft-und-kultur/theater-und-theater-spielen/theater-aktuell/gostner-deep-dive-theaterbesuche-mit-einfuehrung-32009-20242

Registration through the Educational Center Nuremberg

Nürnberg

3/27/2025
7:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

3/27/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

3/28/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

3/29/2025
8:00 PM

Gostners SuppKultur - #30

Loose texts, prose miniatures, melancholic introspection, and detailed nature writing: SuppKultur brings Nuremberg's last Prague scholarship holder Anna Hofmann to the loft, where she prepares an evening together with the Bamberg duo Pantone. Anna Hofmann studied photography at the AdbK with Jürgen Teller before moving to the Leipzig Literary Institute. For SuppKultur, she recently created the evening "Speaking about Writing" together with Mina Reischer. She has published texts in various anthologies and magazines and is working on her first novel – for SuppKultur, she brings the smaller formats that resonate in a special way with the music of the duo Pantone on stage. Dominik Schramm and Justus Böhm met at the Salzburg Mozarteum. Since then, they have formed an unusual duo with guitar and double bass, playing jazz infused with world music and classical elements. The complex music and the thoughtful and emotional texts will find each other on stage, creating an intimate, undoubtedly somewhat melancholic program with three special artists from our region.

Suppkultur (Stephan Goldbach, musician, and Andreas Thamm, author) brings text, music, and soup to the loft. Monthly, Thamm, Goldbach, and their guests negotiate the silliest and the big themes of our time, always conceptually thought out, almost with ambition, and always surprising, never the same.

Nürnberg

4/1/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

4/2/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

4/3/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

4/4/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

4/5/2025
8:00 PM

Im LOFT mit GYMMICK

Nürnberg

4/8/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

4/9/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

4/10/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

4/10/2025
10:00 AM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

4/11/2025
8:00 PM

Wenn die Tauben singen - Stückentwicklung

>"Grru-guruú-u" (Dove during courtship dance)
She is grey.
She is disliked.
She poops on everything dear to us.
She likes to walk, even though she is actually a flying artist. With her red feet, she walks with a wobbling head between us and almost merges with the tar and concrete of our city—as if she were an indispensable building block of our everyday life. And she is everywhere: a true city dweller. From the curb or from a windowsill, her brightly orange eyes gaze at us from mostly strange perspectives: Rarely at eye level. She prefers to tilt her head as if she wanted to ask something.
"Grúu gruu gruu
Grúu gruu gruu"
Let's listen closely to what she has to tell us. About her life? About the city? About neighborhood, work, and heartache? And about us?
"When the doves sing" finally brings her onto the stage and hands her the microphone. The theater collective äöü invites you to a musical evening about the city dove. Playful, voracious, likeable, and sometimes with melancholy and digestive problems, she allows us an unusual glimpse of ourselves and our world. Yes, it is not the lark whose chirping will immediately reach your ear, not the nightingale with its melody.
"Grúu gruu gruu
Grúu gruu gruu"

Nürnberg

4/12/2025
8:00 PM

Fiebriges Verlangen

In the shady alleys of Gostenhof stands a clinic, whose corridors are filled not only with viruses, plagues, and bacteria, but also with destinies, longings, and the ultra-resistant germ of passion. Romances and hidden secrets make hearts beat faster, while the staff battles against their own inner demons. In the 4th season of the Gostner soap opera "Feverish Desire," gripping stories, dark machinations, and surprising twists are guaranteed.

Nürnberg

4/29/2025
8:00 PM

Gostners SuppKultur - #31

Loose texts, prose miniatures, melancholic introspection, and detailed nature writing: SuppKultur brings Nuremberg's last Prague scholarship holder Anna Hofmann to the loft, where she prepares an evening together with the Bamberg duo Pantone. Anna Hofmann studied photography at the AdbK with Jürgen Teller before moving to the Leipzig Literary Institute. For SuppKultur, she recently created the evening "Speaking about Writing" together with Mina Reischer. She has published texts in various anthologies and magazines and is working on her first novel – for SuppKultur, she brings the smaller formats that resonate in a special way with the music of the duo Pantone on stage. Dominik Schramm and Justus Böhm met at the Salzburg Mozarteum. Since then, they have formed an unusual duo with guitar and double bass, playing jazz infused with world music and classical elements. The complex music and the thoughtful and emotional texts will find each other on stage, creating an intimate, undoubtedly somewhat melancholic program with three special artists from our region.

Suppkultur (Stephan Goldbach, musician, and Andreas Thamm, author) brings text, music, and soup to the loft. Monthly, Thamm, Goldbach, and their guests negotiate the silliest and the big themes of our time, always conceptually thought out, almost with ambition, and always surprising, never the same.

Nürnberg

5/6/2025
8:00 PM

Im LOFT mit GYMMICK

Nürnberg

5/13/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/15/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/16/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/17/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/21/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/22/2025
8:00 PM

Gostner Deep Dive: Die Zornigen

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped keeping their emotions in check, and stopped doing care work? What if they no longer tried? Using the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and wrath, director Johanna Heusser explores how the image of women has been nourished and shaped throughout history and what alternatives exist.

The "Gostner Deep Dive" invites an in-depth engagement with the respective piece. The introduction before the performance offers insights into the conceptual backgrounds of the production. The subsequent discussion provides space for dialogue and exchange with those involved in the production.

Registration through the BZ Nürnberg: https://bz.nuernberg.de/programm/gesellschaft-und-kultur/theater-und-theater-spielen/theater-aktuell/gostner-deep-dive-theaterbesuche-mit-einfuehrung-32011-20242

Registration through the Educational Center Nürnberg

Nürnberg

5/22/2025
7:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/23/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/24/2025
8:00 PM

Fiebriges Verlangen

In the shady alleys of Gostenhof stands a clinic, whose corridors are filled not only with viruses, plagues, and bacteria, but also with destinies, longings, and the ultra-resistant germ of passion. Romances and hidden secrets make hearts beat faster, while the staff battles against their own inner demons. In the 4th season of the Gostner soap opera "Feverish Desire," gripping stories, dark machinations, and surprising twists are guaranteed.

Nürnberg

5/27/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/28/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/29/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/30/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

5/31/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

6/4/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

6/5/2025
10:00 AM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

6/5/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

6/6/2025
8:00 PM

Die Zornigen - Stückentwicklung

»If you’re not angry, you’re not paying attention.«

What if women simply surrendered to the seven deadly sins? What if they stopped wanting to please, stopped having their feelings in check, and stopped doing care work? What if they stopped trying? In an artificial space, four women meet. Together, they grapple with the seven sins. They sway and run, they struggle for togetherness and are sometimes alone. They let themselves go, behave badly, and stop making an effort.
Why do women always strive to be good enough? Socially desirable behaviors have been inscribed and archived in women’s bodies for generations. Based on the seven biblical deadly sins of sloth, envy, pride, gluttony, greed, lust, and anger, director Johanna Heusser examines how the image of women has been nurtured and shaped throughout history and what possible escapes exist. Inspired by Peter Handke's play "The Hour When We Knew Nothing of Each Other," in which people encounter each other without a single word being spoken, Johanna Heusser stages a choreographed theater piece without words in many images.

Nürnberg

6/7/2025
8:00 PM

Egersdörfer & Fast zu Fürth - »Bitte ruf mich nie wieder an«

This can happen, that you receive a call from this person. You are careless and answer the call. You chat carefully as if you are serving twelve long-stemmed champagne glasses while walking over three sleeping shepherd dogs. Afterwards, this person claims you said things that, God knows, you have never even considered in your dreams. Now you can either immediately involve a lawyer or throw a kitchen buffet out the window. In the case of Fast zu Fürth, a distress call rings out, which can only be heard by the authorized. Shortly after, these four men meet and create a song that gives the sorrow a melody and manages to put the terrible heartache into words. Tilo Heider taps out a light foundation on which the swinging minuet is built with his drums.

Lothar Gröschel pulls and tugs at his accordion in inwardly bubbling serenity. The noble Robert Stephan blows and organises a framework of insanity and fervently ignites a fire in the attic. And on the chimney stands Egersdörfer, singing and speaking until he loses his mind, and where the power of words ends, he begins to dance like a tipsy squirrel. The listeners sit with their mouths agape, marveling at how beautifully these four men shatter the world's grief in their holy wrath and flower-scented devotion. This is undoubtedly true.

PS: Forget the old advertising slogan of Deutsche Post pleading for sincere sympathy: "Why not give us a call!"

Nürnberg

10/31/2025
8:00 PM

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