The Day of Judgment. Archangel Michael with a flaming sword and helper angel Ludwig have a mission. On orders from above, they are to erase the population of the village of Iflingen. This should actually be done in a quarter of an hour, but - No people. The spot in front of the television is empty. The divine plan seems to be flawed, it can't be? What to do when the apocalypse is in danger of failing?

Perhaps the local wildlife can provide information about the mysterious whereabouts of the villagers. Michael and Ludwig encounter a very busy hedgehog, a swift with a longing for weightlessness, and a forgotten pig. But where have all the humans gone?

"A heavenly theater evening, and in the double sense of the word, a clever play of thoughts about a world without humans (…) a fireworks display of great scenic ideas, wonderful slapstick, and marvelous pantomime" (Barbara Reitter, Donaukurier)

"An absurd fantasy of surrealism and everyday realism with witty dialogues, malicious and cynical. (…) intense physical theater with a lot of situational comedy (…) a delightfully satirical apocalyptic vision with the question of life's purpose" (Gabriella Lorenz, Münchner Feuilleton)

"A wonderful parable about the world and life." (Peter Eidenberger, IN München)

with: Robert Erby, Arno Friedrich, Sarah Schuchardt, Verena Richter

Director: Collective; Set design: Claudia Karpfinger, Katharina Schmidt; Live music: Verena Richter; Lighting & Technical setup: Max Reitmayer; Dramaturgy & Assistance: Kalinca Vicente, Hannah Remmel; Photos: Franz Kimmel; Graphics/Poster: Arno Friedrich

Rights by S. Fischer VerlagA production of theater VIEL LÄRM UM NICHTS

The Day of Judgment. Archangel Michael with a flaming sword and helper angel Ludwig have a mission. On orders from above, they are to erase the population of the village of Iflingen. This should actually be done in a quarter of an hour, but - No people. The spot in front of the television is empty. The divine plan seems to be flawed, it can't be? What to do when the apocalypse is in danger of failing?

Perhaps the local wildlife can provide information about the mysterious whereabouts of the villagers. Michael and Ludwig encounter a very busy hedgehog, a swift with a longing for weightlessness, and a forgotten pig. But where have all the humans gone?

"A heavenly theater evening, and in the double sense of the word, a clever play of thoughts about a world without humans (…) a fireworks display of great scenic ideas, wonderful slapstick, and marvelous pantomime" (Barbara Reitter, Donaukurier)

"An absurd fantasy of surrealism and everyday realism with witty dialogues, malicious and cynical. (…) intense physical theater with a lot of situational comedy (…) a delightfully satirical apocalyptic vision with the question of life's purpose" (Gabriella Lorenz, Münchner Feuilleton)

"A wonderful parable about the world and life." (Peter Eidenberger, IN München)

with: Robert Erby, Arno Friedrich, Sarah Schuchardt, Verena Richter

Director: Collective; Set design: Claudia Karpfinger, Katharina Schmidt; Live music: Verena Richter; Lighting & Technical setup: Max Reitmayer; Dramaturgy & Assistance: Kalinca Vicente, Hannah Remmel; Photos: Franz Kimmel; Graphics/Poster: Arno Friedrich

Rights by S. Fischer VerlagA production of theater VIEL LÄRM UM NICHTS

The Day of Judgment. Archangel Michael with a flaming sword and helper angel Ludwig have a mission. On orders from above, they are to erase the population of the village of Iflingen. This should actually be done in a quarter of an hour, but - No people. The spot in front of the television is empty. The divine plan seems to be flawed, it can't be? What to do when the apocalypse is in danger of failing?

Perhaps the local wildlife can provide information about the mysterious whereabouts of the villagers. Michael and Ludwig encounter a very busy hedgehog, a swift with a longing for weightlessness, and a forgotten pig. But where have all the humans gone?

"A heavenly theater evening, and in the double sense of the word, a clever play of thoughts about a world without humans (…) a fireworks display of great scenic ideas, wonderful slapstick, and marvelous pantomime" (Barbara Reitter, Donaukurier)

"An absurd fantasy of surrealism and everyday realism with witty dialogues, malicious and cynical. (…) intense physical theater with a lot of situational comedy (…) a delightfully satirical apocalyptic vision with the question of life's purpose" (Gabriella Lorenz, Münchner Feuilleton)

"A wonderful parable about the world and life." (Peter Eidenberger, IN München)

with: Robert Erby, Arno Friedrich, Sarah Schuchardt, Verena Richter

Director: Collective; Set design: Claudia Karpfinger, Katharina Schmidt; Live music: Verena Richter; Lighting & Technical setup: Max Reitmayer; Dramaturgy & Assistance: Kalinca Vicente, Hannah Remmel; Photos: Franz Kimmel; Graphics/Poster: Arno Friedrich

Rights by S. Fischer VerlagA production of theater VIEL LÄRM UM NICHTS

The Day of Judgment. Archangel Michael with a flaming sword and helper angel Ludwig have a mission. On orders from above, they are to erase the population of the village of Iflingen. This should actually be done in a quarter of an hour, but - No people. The spot in front of the television is empty. The divine plan seems to be flawed, it can't be? What to do when the apocalypse is in danger of failing?

Perhaps the local wildlife can provide information about the mysterious whereabouts of the villagers. Michael and Ludwig encounter a very busy hedgehog, a swift with a longing for weightlessness, and a forgotten pig. But where have all the humans gone?

"A heavenly theater evening, and in the double sense of the word, a clever play of thoughts about a world without humans (…) a fireworks display of great scenic ideas, wonderful slapstick, and marvelous pantomime" (Barbara Reitter, Donaukurier)

"An absurd fantasy of surrealism and everyday realism with witty dialogues, malicious and cynical. (…) intense physical theater with a lot of situational comedy (…) a delightfully satirical apocalyptic vision with the question of life's purpose" (Gabriella Lorenz, Münchner Feuilleton)

"A wonderful parable about the world and life." (Peter Eidenberger, IN München)

with: Robert Erby, Arno Friedrich, Sarah Schuchardt, Verena Richter

Director: Collective; Set design: Claudia Karpfinger, Katharina Schmidt; Live music: Verena Richter; Lighting & Technical setup: Max Reitmayer; Dramaturgy & Assistance: Kalinca Vicente, Hannah Remmel; Photos: Franz Kimmel; Graphics/Poster: Arno Friedrich

Rights by S. Fischer VerlagA production of theater VIEL LÄRM UM NICHTS

The Day of Judgment. Archangel Michael with a flaming sword and helper angel Ludwig have a mission. On orders from above, they are to erase the population of the village of Iflingen. This should actually be done in a quarter of an hour, but - No people. The spot in front of the television is empty. The divine plan seems to be flawed, it can't be? What to do when the apocalypse is in danger of failing?

Perhaps the local wildlife can provide information about the mysterious whereabouts of the villagers. Michael and Ludwig encounter a very busy hedgehog, a swift with a longing for weightlessness, and a forgotten pig. But where have all the humans gone?

"A heavenly theater evening, and in the double sense of the word, a clever play of thoughts about a world without humans (…) a fireworks display of great scenic ideas, wonderful slapstick, and marvelous pantomime" (Barbara Reitter, Donaukurier)

"An absurd fantasy of surrealism and everyday realism with witty dialogues, malicious and cynical. (…) intense physical theater with a lot of situational comedy (…) a delightfully satirical apocalyptic vision with the question of life's purpose" (Gabriella Lorenz, Münchner Feuilleton)

"A wonderful parable about the world and life." (Peter Eidenberger, IN München)

with: Robert Erby, Arno Friedrich, Sarah Schuchardt, Verena Richter

Director: Collective; Set design: Claudia Karpfinger, Katharina Schmidt; Live music: Verena Richter; Lighting & Technical setup: Max Reitmayer; Dramaturgy & Assistance: Kalinca Vicente, Hannah Remmel; Photos: Franz Kimmel; Graphics/Poster: Arno Friedrich

Rights by S. Fischer VerlagA production of theater VIEL LÄRM UM NICHTS

The Day of Judgment. Archangel Michael with a flaming sword and helper angel Ludwig have a mission. On orders from above, they are to erase the population of the village of Iflingen. This should actually be done in a quarter of an hour, but - No people. The spot in front of the television is empty. The divine plan seems to be flawed, it can't be? What to do when the apocalypse is in danger of failing?

Perhaps the local wildlife can provide information about the mysterious whereabouts of the villagers. Michael and Ludwig encounter a very busy hedgehog, a swift with a longing for weightlessness, and a forgotten pig. But where have all the humans gone?

"A heavenly theater evening, and in the double sense of the word, a clever play of thoughts about a world without humans (…) a fireworks display of great scenic ideas, wonderful slapstick, and marvelous pantomime" (Barbara Reitter, Donaukurier)

"An absurd fantasy of surrealism and everyday realism with witty dialogues, malicious and cynical. (…) intense physical theater with a lot of situational comedy (…) a delightfully satirical apocalyptic vision with the question of life's purpose" (Gabriella Lorenz, Münchner Feuilleton)

"A wonderful parable about the world and life." (Peter Eidenberger, IN München)

with: Robert Erby, Arno Friedrich, Sarah Schuchardt, Verena Richter

Director: Collective; Set design: Claudia Karpfinger, Katharina Schmidt; Live music: Verena Richter; Lighting & Technical setup: Max Reitmayer; Dramaturgy & Assistance: Kalinca Vicente, Hannah Remmel; Photos: Franz Kimmel; Graphics/Poster: Arno Friedrich

Rights by S. Fischer VerlagA production of theater VIEL LÄRM UM NICHTS

The Day of Judgment. Archangel Michael with a flaming sword and helper angel Ludwig have a mission. On orders from above, they are to erase the population of the village of Iflingen. This should actually be done in a quarter of an hour, but - No people. The spot in front of the television is empty. The divine plan seems to be flawed, it can't be? What to do when the apocalypse is in danger of failing?

Perhaps the local wildlife can provide information about the mysterious whereabouts of the villagers. Michael and Ludwig encounter a very busy hedgehog, a swift with a longing for weightlessness, and a forgotten pig. But where have all the humans gone?

"A heavenly theater evening, and in the double sense of the word, a clever play of thoughts about a world without humans (…) a fireworks display of great scenic ideas, wonderful slapstick, and marvelous pantomime" (Barbara Reitter, Donaukurier)

"An absurd fantasy of surrealism and everyday realism with witty dialogues, malicious and cynical. (…) intense physical theater with a lot of situational comedy (…) a delightfully satirical apocalyptic vision with the question of life's purpose" (Gabriella Lorenz, Münchner Feuilleton)

"A wonderful parable about the world and life." (Peter Eidenberger, IN München)

with: Robert Erby, Arno Friedrich, Sarah Schuchardt, Verena Richter

Director: Collective; Set design: Claudia Karpfinger, Katharina Schmidt; Live music: Verena Richter; Lighting & Technical setup: Max Reitmayer; Dramaturgy & Assistance: Kalinca Vicente, Hannah Remmel; Photos: Franz Kimmel; Graphics/Poster: Arno Friedrich

Rights by S. Fischer VerlagA production of theater VIEL LÄRM UM NICHTS

The Day of Judgment. Archangel Michael with a flaming sword and helper angel Ludwig have a mission. On orders from above, they are to erase the population of the village of Iflingen. This should actually be done in a quarter of an hour, but - No people. The spot in front of the television is empty. The divine plan seems to be flawed, it can't be? What to do when the apocalypse is in danger of failing?

Perhaps the local wildlife can provide information about the mysterious whereabouts of the villagers. Michael and Ludwig encounter a very busy hedgehog, a swift with a longing for weightlessness, and a forgotten pig. But where have all the humans gone?

"A heavenly theater evening, and in the double sense of the word, a clever play of thoughts about a world without humans (…) a fireworks display of great scenic ideas, wonderful slapstick, and marvelous pantomime" (Barbara Reitter, Donaukurier)

"An absurd fantasy of surrealism and everyday realism with witty dialogues, malicious and cynical. (…) intense physical theater with a lot of situational comedy (…) a delightfully satirical apocalyptic vision with the question of life's purpose" (Gabriella Lorenz, Münchner Feuilleton)

"A wonderful parable about the world and life." (Peter Eidenberger, IN München)

with: Robert Erby, Arno Friedrich, Sarah Schuchardt, Verena Richter

Director: Collective; Set design: Claudia Karpfinger, Katharina Schmidt; Live music: Verena Richter; Lighting & Technical setup: Max Reitmayer; Dramaturgy & Assistance: Kalinca Vicente, Hannah Remmel; Photos: Franz Kimmel; Graphics/Poster: Arno Friedrich

Rights by S. Fischer VerlagA production of theater VIEL LÄRM UM NICHTS

The Day of Judgment. Archangel Michael with a flaming sword and helper angel Ludwig have a mission. On orders from above, they are to erase the population of the village of Iflingen. This should actually be done in a quarter of an hour, but - No people. The spot in front of the television is empty. The divine plan seems to be flawed, it can't be? What to do when the apocalypse is in danger of failing?

Perhaps the local wildlife can provide information about the mysterious whereabouts of the villagers. Michael and Ludwig encounter a very busy hedgehog, a swift with a longing for weightlessness, and a forgotten pig. But where have all the humans gone?

"A heavenly theater evening, and in the double sense of the word, a clever play of thoughts about a world without humans (…) a fireworks display of great scenic ideas, wonderful slapstick, and marvelous pantomime" (Barbara Reitter, Donaukurier)

"An absurd fantasy of surrealism and everyday realism with witty dialogues, malicious and cynical. (…) intense physical theater with a lot of situational comedy (…) a delightfully satirical apocalyptic vision with the question of life's purpose" (Gabriella Lorenz, Münchner Feuilleton)

"A wonderful parable about the world and life." (Peter Eidenberger, IN München)

with: Robert Erby, Arno Friedrich, Sarah Schuchardt, Verena Richter

Director: Collective; Set design: Claudia Karpfinger, Katharina Schmidt; Live music: Verena Richter; Lighting & Technical setup: Max Reitmayer; Dramaturgy & Assistance: Kalinca Vicente, Hannah Remmel; Photos: Franz Kimmel; Graphics/Poster: Arno Friedrich

Rights by S. Fischer VerlagA production of theater VIEL LÄRM UM NICHTS

One evening, late, in the future.

A man: Krapp.

ON THE SEARCH:

For bananas that he has hidden from himself.

Amidst boxes.

And tape reels.

On which he has recorded his life.

"What is a year today?

Bitter rumination and rock-hard stool."

The Elder on the trail of the Younger.

ON THE SEARCH:

For THE moment.

"Box three, reel five.

FAREWELL TO LOVE.

I said it again, I would find it hopeless

and misguided to go on…

I asked her to look at me…

Her eyes were just slits, because of the glaring sun.

I leaned over her, so that they would be in the shade,

and they opened up. Let me in."

"Everything was in there,

the whole old dirty ball,

all light and dark,

all famine and gluttony

of the centuries! Indeed!"

"Indulged in the word reel. REEEL!

Happiest moment of the last five hundred thousand."

*

»A great acting portrait, drawn with love and not least with the essential feel for the subtle humor in Beckett's piece« SZ

»Beyond time and space« AZ

»An absolute must for Beckett fans. Such a thing only happens once a decade.« theaterkritiken.com

»A grand, finely-tuned shaggy dog ... Great applause.« in MÜNCHEN

Andreas Seyferth as Krapp 

Directed by: Matthias Grundig

Lighting design: Jo Hübner

A production of theater VIEL LÄRM UM NICHTS

One evening, late, in the future.

A man: Krapp.

ON THE SEARCH:

For bananas that he has hidden from himself.

Amidst boxes.

And tape reels.

On which he has recorded his life.

"What is a year today?

Bitter rumination and rock-hard stool."

The Elder on the trail of the Younger.

ON THE SEARCH:

For THE moment.

"Box three, reel five.

FAREWELL TO LOVE.

I said it again, I would find it hopeless

and misguided to go on…

I asked her to look at me…

Her eyes were just slits, because of the glaring sun.

I leaned over her, so that they would be in the shade,

and they opened up. Let me in."

"Everything was in there,

the whole old dirty ball,

all light and dark,

all famine and gluttony

of the centuries! Indeed!"

"Indulged in the word reel. REEEL!

Happiest moment of the last five hundred thousand."

*

»A great acting portrait, drawn with love and not least with the essential feel for the subtle humor in Beckett's piece« SZ

»Beyond time and space« AZ

»An absolute must for Beckett fans. Such a thing only happens once a decade.« theaterkritiken.com

»A grand, finely-tuned shaggy dog ... Great applause.« in MÜNCHEN

Andreas Seyferth as Krapp 

Directed by: Matthias Grundig

Lighting design: Jo Hübner

A production of theater VIEL LÄRM UM NICHTS

One evening, late, in the future.

A man: Krapp.

ON THE SEARCH:

For bananas that he has hidden from himself.

Amidst boxes.

And tape reels.

On which he has recorded his life.

"What is a year today?

Bitter rumination and rock-hard stool."

The Elder on the trail of the Younger.

ON THE SEARCH:

For THE moment.

"Box three, reel five.

FAREWELL TO LOVE.

I said it again, I would find it hopeless

and misguided to go on…

I asked her to look at me…

Her eyes were just slits, because of the glaring sun.

I leaned over her, so that they would be in the shade,

and they opened up. Let me in."

"Everything was in there,

the whole old dirty ball,

all light and dark,

all famine and gluttony

of the centuries! Indeed!"

"Indulged in the word reel. REEEL!

Happiest moment of the last five hundred thousand."

*

»A great acting portrait, drawn with love and not least with the essential feel for the subtle humor in Beckett's piece« SZ

»Beyond time and space« AZ

»An absolute must for Beckett fans. Such a thing only happens once a decade.« theaterkritiken.com

»A grand, finely-tuned shaggy dog ... Great applause.« in MÜNCHEN

Andreas Seyferth as Krapp 

Directed by: Matthias Grundig

Lighting design: Jo Hübner

A production of theater VIEL LÄRM UM NICHTS

One evening, late, in the future.

A man: Krapp.

ON THE SEARCH:

For bananas that he has hidden from himself.

Amidst boxes.

And tape reels.

On which he has recorded his life.

"What is a year today?

Bitter rumination and rock-hard stool."

The Elder on the trail of the Younger.

ON THE SEARCH:

For THE moment.

"Box three, reel five.

FAREWELL TO LOVE.

I said it again, I would find it hopeless

and misguided to go on…

I asked her to look at me…

Her eyes were just slits, because of the glaring sun.

I leaned over her, so that they would be in the shade,

and they opened up. Let me in."

"Everything was in there,

the whole old dirty ball,

all light and dark,

all famine and gluttony

of the centuries! Indeed!"

"Indulged in the word reel. REEEL!

Happiest moment of the last five hundred thousand."

*

»A great acting portrait, drawn with love and not least with the essential feel for the subtle humor in Beckett's piece« SZ

»Beyond time and space« AZ

»An absolute must for Beckett fans. Such a thing only happens once a decade.« theaterkritiken.com

»A grand, finely-tuned shaggy dog ... Great applause.« in MÜNCHEN

Andreas Seyferth as Krapp 

Directed by: Matthias Grundig

Lighting design: Jo Hübner

A production of theater VIEL LÄRM UM NICHTS

One evening, late, in the future.

A man: Krapp.

ON THE SEARCH:

For bananas that he has hidden from himself.

Amidst boxes.

And tape reels.

On which he has recorded his life.

"What is a year today?

Bitter rumination and rock-hard stool."

The Elder on the trail of the Younger.

ON THE SEARCH:

For THE moment.

"Box three, reel five.

FAREWELL TO LOVE.

I said it again, I would find it hopeless

and misguided to go on…

I asked her to look at me…

Her eyes were just slits, because of the glaring sun.

I leaned over her, so that they would be in the shade,

and they opened up. Let me in."

"Everything was in there,

the whole old dirty ball,

all light and dark,

all famine and gluttony

of the centuries! Indeed!"

"Indulged in the word reel. REEEL!

Happiest moment of the last five hundred thousand."

*

»A great acting portrait, drawn with love and not least with the essential feel for the subtle humor in Beckett's piece« SZ

»Beyond time and space« AZ

»An absolute must for Beckett fans. Such a thing only happens once a decade.« theaterkritiken.com

»A grand, finely-tuned shaggy dog ... Great applause.« in MÜNCHEN

Andreas Seyferth as Krapp 

Directed by: Matthias Grundig

Lighting design: Jo Hübner

A production of theater VIEL LÄRM UM NICHTS

One evening, late, in the future.

A man: Krapp.

ON THE SEARCH:

For bananas that he has hidden from himself.

Amidst boxes.

And tape reels.

On which he has recorded his life.

"What is a year today?

Bitter rumination and rock-hard stool."

The Elder on the trail of the Younger.

ON THE SEARCH:

For THE moment.

"Box three, reel five.

FAREWELL TO LOVE.

I said it again, I would find it hopeless

and misguided to go on…

I asked her to look at me…

Her eyes were just slits, because of the glaring sun.

I leaned over her, so that they would be in the shade,

and they opened up. Let me in."

"Everything was in there,

the whole old dirty ball,

all light and dark,

all famine and gluttony

of the centuries! Indeed!"

"Indulged in the word reel. REEEL!

Happiest moment of the last five hundred thousand."

*

»A great acting portrait, drawn with love and not least with the essential feel for the subtle humor in Beckett's piece« SZ

»Beyond time and space« AZ

»An absolute must for Beckett fans. Such a thing only happens once a decade.« theaterkritiken.com

»A grand, finely-tuned shaggy dog ... Great applause.« in MÜNCHEN

Andreas Seyferth as Krapp 

Directed by: Matthias Grundig

Lighting design: Jo Hübner

A production of theater VIEL LÄRM UM NICHTS

One evening, late, in the future.

A man: Krapp.

ON THE SEARCH:

For bananas that he has hidden from himself.

Amidst boxes.

And tape reels.

On which he has recorded his life.

"What is a year today?

Bitter rumination and rock-hard stool."

The Elder on the trail of the Younger.

ON THE SEARCH:

For THE moment.

"Box three, reel five.

FAREWELL TO LOVE.

I said it again, I would find it hopeless

and misguided to go on…

I asked her to look at me…

Her eyes were just slits, because of the glaring sun.

I leaned over her, so that they would be in the shade,

and they opened up. Let me in."

"Everything was in there,

the whole old dirty ball,

all light and dark,

all famine and gluttony

of the centuries! Indeed!"

"Indulged in the word reel. REEEL!

Happiest moment of the last five hundred thousand."

*

»A great acting portrait, drawn with love and not least with the essential feel for the subtle humor in Beckett's piece« SZ

»Beyond time and space« AZ

»An absolute must for Beckett fans. Such a thing only happens once a decade.« theaterkritiken.com

»A grand, finely-tuned shaggy dog ... Great applause.« in MÜNCHEN

Andreas Seyferth as Krapp 

Directed by: Matthias Grundig

Lighting design: Jo Hübner

A production of theater VIEL LÄRM UM NICHTS

One evening, late, in the future.

A man: Krapp.

ON THE SEARCH:

For bananas that he has hidden from himself.

Amidst boxes.

And tape reels.

On which he has recorded his life.

"What is a year today?

Bitter rumination and rock-hard stool."

The Elder on the trail of the Younger.

ON THE SEARCH:

For THE moment.

"Box three, reel five.

FAREWELL TO LOVE.

I said it again, I would find it hopeless

and misguided to go on…

I asked her to look at me…

Her eyes were just slits, because of the glaring sun.

I leaned over her, so that they would be in the shade,

and they opened up. Let me in."

"Everything was in there,

the whole old dirty ball,

all light and dark,

all famine and gluttony

of the centuries! Indeed!"

"Indulged in the word reel. REEEL!

Happiest moment of the last five hundred thousand."

*

»A great acting portrait, drawn with love and not least with the essential feel for the subtle humor in Beckett's piece« SZ

»Beyond time and space« AZ

»An absolute must for Beckett fans. Such a thing only happens once a decade.« theaterkritiken.com

»A grand, finely-tuned shaggy dog ... Great applause.« in MÜNCHEN

Andreas Seyferth as Krapp 

Directed by: Matthias Grundig

Lighting design: Jo Hübner

A production of theater VIEL LÄRM UM NICHTS

One evening, late, in the future.

A man: Krapp.

ON THE SEARCH:

For bananas that he has hidden from himself.

Amidst boxes.

And tape reels.

On which he has recorded his life.

"What is a year today?

Bitter rumination and rock-hard stool."

The Elder on the trail of the Younger.

ON THE SEARCH:

For THE moment.

"Box three, reel five.

FAREWELL TO LOVE.

I said it again, I would find it hopeless

and misguided to go on…

I asked her to look at me…

Her eyes were just slits, because of the glaring sun.

I leaned over her, so that they would be in the shade,

and they opened up. Let me in."

"Everything was in there,

the whole old dirty ball,

all light and dark,

all famine and gluttony

of the centuries! Indeed!"

"Indulged in the word reel. REEEL!

Happiest moment of the last five hundred thousand."

*

»A great acting portrait, drawn with love and not least with the essential feel for the subtle humor in Beckett's piece« SZ

»Beyond time and space« AZ

»An absolute must for Beckett fans. Such a thing only happens once a decade.« theaterkritiken.com

»A grand, finely-tuned shaggy dog ... Great applause.« in MÜNCHEN

Andreas Seyferth as Krapp 

Directed by: Matthias Grundig

Lighting design: Jo Hübner

A production of theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS

»I do not understand why people do not stop in the street and laugh at each other in the face. I mean, they should laugh out of the windows and at the graves, and the sky should burst, and the earth should roll with laughter.«

PALAIS ROYAL is a montage of texts and motifs from Georg Büchner's 200-year-old complete works. Rethought and questioned for applicability to an atomized society. A community emerges, for which old certainties have collapsed, but a perspective for the future is still not recognizable. Everywhere work, restless automatons in the firm grip of an all-encompassing production compulsion, but it is not enough for us!

»We are missing something, I have no name for it!«

Featuring: Leonce and Lena, Danton's Death, Woyzeck, letters, Lenz, cranial nerves and barbels, forms of life and state, modern working conditions, people and objects, music and the question of the whereabouts of social equality and possibilities for love. A funny and poetic evening of theater about the creaking and failure of obsolete models, but also about the dreams of the young and well-oiled machines.

»Oh, the world is horrible! To think of a wandering prince is out of the question.«  -  »The play is what holds us. Shall we build a theater?«

With Denis Fink, Danielle Green, Klara Pfeiffer, Leon Sandner

Direction Arno Friedrich Stage + Costume Claudia Karpfinger, Katharina Schmidt Light Jo Hübner Assistance Christian Schnmitz-Linnartz Technical Setup Max Reitmayer

A production by theater VIEL LÄRM UM NICHTS