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Festkonzert am 3 .Oktober - Beethovens Fünfte

Saturday, 10/3/2026 at 5:00 PM

Source: Organizer

Festkonzert am 3 .Oktober - Beethovens Fünfte

Saturday, 10/3/2026
at 5:00 PM

More in Villingen-Schwenningen

Tickets

€ 23.00 to € 32.00

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„The Wonderful Secret of Musical Art - Beethoven's Fifth“
Festkonzert on Saturday, October 3, 2026, at 5:00 PM
Introduction Music in Conversation at 4:30 PM

Achim Fiedler, Conductor
Eva Garet, Piano

Ernst Theodor Amadeus Hoffmann: Overture to the Romantic Opera The Elixir of Immortality
Ludwig van Beethoven: Piano Concerto No. 4 in G Major, Op. 58
Ludwig van Beethoven: Symphony No. 5 in C Minor, Op. 67

Experience a festive concert evening with masterpieces of Romanticism and Classicism. To celebrate the 250th birthday of E.T.A. Hoffmann, his rarely performed overture The Elixir of Immortality opens the program. Following this, the award-winning young pianist Eva Garet interprets Beethoven's poetic 4th Piano Concerto. The crowning conclusion is Beethoven's world-famous 5th Symphony – an impressive musical journey from darkness to light.

Admission: 4:30 PM

Event data provided by: Reservix

Große Reihe | Beethoven 5

Beethoven 5

Julia Fischer | Violin
Alain Altinoglu | Conductor

Beethoven 200

Esteban Benzecry | Latinthoven V (Commissioned work by hr – World Premiere)
Henryk Wieniawski | Violin Concerto No. 1
Ludwig van Beethoven | Symphony No. 5

His most famous work opens the season, which marks the 200th anniversary of Ludwig van Beethoven's death. The first notes: nothing less than the signature tune of classical music! This is complemented by a violin concerto that also occupies a top position – namely in terms of virtuosity. For hardly anyone demands more bravura and dexterity from the soloist than Henryk Wieniawski in his F-sharp minor concerto. »Wieniawski's Violin Concerto No. 1 is one of the most technically challenging concertos, along with the Paganini concertos,« Julia Fischer confirms. »In fact, I have never played this concerto before, so it will be a premiere with the Frankfurt Radio Symphony Orchestra – which I am very much looking forward to.« Esteban Benzecry refers to Beethoven, and specifically his Fifth Symphony, with »Latinthoven V«. In it, »certain unmistakably Beethovenian motifs reappear«, says the Lisbon-born Argentine-French composer about his latest orchestral work, »transformed and transposed into a different soundscape: a lush, rhythmic tropical jungle, as if Beethoven himself were taking an imaginary journey through America.«

Concert introduction: 6 pm
Concert duration: about 120 minutes – including break
___________

House opens: 5:30 pm Concert introduction: 6:00 pm No admission guarantee after the concert begins.

Große Reihe | Beethoven 5

Beethoven 5

Julia Fischer | Violin
Alain Altinoglu | Conductor

Beethoven 200

Esteban Benzecry | Latinthoven V (commissioned work of the hr – world premiere)
Henryk Wieniawski | Violin Concerto No. 1
Ludwig van Beethoven | Symphony No. 5

His most famous work opens the season, which marks the 200th anniversary of Ludwig van Beethoven's death. The first notes: nothing less than the signature tune of classical music! This is complemented by a violin concerto that also occupies a top position – namely in terms of virtuosity. For hardly anyone demands more bravura and dexterity from the soloist than Henryk Wieniawski in his F-sharp minor concerto. »Wieniawski's Violin Concerto No. 1 is one of the most technically challenging concertos, along with the Paganini concertos,« Julia Fischer confirms. »In fact, I have never played this concerto before, so it will be a premiere with the Frankfurt Radio Symphony Orchestra – which I am very much looking forward to.« Esteban Benzecry refers to Beethoven, and specifically his Fifth Symphony, with »Latinthoven V« In it, »certain unmistakably Beethovenian motifs reappear«, says the Lisbon-born Argentine-French composer about his latest orchestral work, »transformed and transposed into a different soundscape: a lush, rhythmic tropical jungle, as if Beethoven himself were taking an imaginary journey through America.«

Concert introduction: 7 pm
Concert duration: about 120 minutes – including break
___________
House opens: 6:30 pm Concert introduction: 7:00 pm After the concert begins, there is no entitlement to enter the hall.

Aris Quartett: Beethoven von früh bis spät

Expressive, dynamic, virtuosic: The Aris Quartett belongs to the world's top tier of chamber music. Founded almost twenty years ago in Frankfurt am Main, it has played in unchanged formation to this day. On this evening, the quartet presents a work by Beethoven that is "full of expressiveness and unleashed wildness." Anyone thinking of the youthful master is mistaken. Beethoven composed the Great Fugue Op. 133 a year before his death, leaving behind a work that some found "as incomprehensible as Chinese," while others "were delighted" by it. To set the mood, Beethoven's String Quartet Op. 18.4, composed 26 years earlier, will be played. Finally, Brahms will be heard with the romantic String Quartet Op. 51.2.

Doors open: 19:00h

20 Jahre Herrmann Frommhold

For Hermann Frommhold: 20 years chairman of the Society of Friends of the Schlosskonzerte Bad Krozingen e.V.

Franz Schubert: Piano Trio in B-flat Major D 28
Ludwig van Beethoven: Piano Trios in D Major op. 70 No. 1 "Ghost Trio" and E-flat Major op. 70 No. 2

While Beethoven was working on his symphonies No. 5 and 6, he was staying in Floridsdorf at the estate of Countess Marie Erdödy. In gratitude for her hospitality, he dedicated the two piano trios op. 70, which were created around the same time, to her. They were performed in winter 1808 with the composer at the piano in the house of the countess. His piano trios are among Beethoven's most original compositions. The evening will commence with the single-movement piano trio in B-flat Major D 28, where the fifteen-year-old Franz Schubert first engaged with the instrumental combination of piano and strings.

Gottfried von der Goltz, Violin
Annekatrin Beller, Cello
Sebastian Wienand, Fortepiano

Musikherbst 2026

Bach: Suite in D minor, BWV 1008

Beethoven: Pathetique Sonata, Op. 13

Weber: Andante and Rondo Op. 35

Gershwin: Preludes for piano

Koechlin: Sonata Op. 71

The flair of the imperial city is exuded by the Vienna Instrumental Soloists. Passionate with Beethoven's Pathetique Sonata, elegant and cosmopolitan with Gershwin.

Entrance: 5:30 PM

Sächsische Staatskapelle Dresden

Glory of old gold – The imposing Semperoper Dresden is undoubtedly one of the most beautiful homes an orchestra could wish for. How delightful that the Saxon Elbe florence regularly sends its prestigious orchestra founded in 1548, whose "glory of old gold" Herbert von Karajan praised, to other renowned concert venues. Thus, the Albert Concert Hall cycle opens with one of the world's most traditional sound bodies. Daniele Gatti, since the 2024/25 season chief conductor of the Sächsische Staatskapelle Dresden, first stood at the podium of the orchestra in 2000 – at the invitation of Giuseppe Sinopoli and also with music by Johannes Brahms. While Brahms' 1st Symphony had to carve its way laboriously over many years, the Second was completed after just a few months. Pastoral and yearning, dance-like and profound, it remains to this day the undisputed audience favorite among Brahms' symphonic works.

Before that, Ludwig van Beethoven's Violin Concerto from 1806 will be heard, a work without whose pioneering character Brahms’ later Violin Concerto would hardly be imaginable. Beethoven's exuberant creativity demanded forms that not only challenged but sometimes even overwhelmed the listening habits of his time. The dimensions of the concerto already make it clear that the solo violin does not take on a decorative role here but asserts its equal voice across the dimensions of a veritable symphony. In star violinist Augustin Hadelich, this work finds an ideal interpreter. With "the certainty of a dreamwalker who merely smiles at difficulties" (Neue Zürcher Zeitung), the Tuscany-raised American with German roots meets every delicate technical cliff with sovereign calmness.

Program:
Beethoven, Violin Concerto in D Major op. 61
Brahms, Symphony No. 2 in D Major op. 73

Cast:
Augustin Hadelich, violin
Daniele Gatti, conductor
Sächsische Staatskapelle Dresden

EUR 135,- / 123,- / 103,- / 76,- / 57,- including fees
In the subscription: EUR 106.50 / 102.20 / 87.70 / 64.90 / 49.90

Daniele Gatti | Photo © Anne Dokter
Augustin Hadelich | Photo © Luca Valenta

Doors open at 18:45

2. Festkonzert 60 Jahre Philharmonischer Chor Nürnberg - Himmlische Klänge - zwischen Tradition und Moderne

Himmelsklänge - between tradition and modernity

Elisabeth Fußeder
ver-such - for mixed choir a cappella

Elisabeth Fußeder
LUE - for choir and orchestra (premiere)

Ludwig van Beethoven
Mass in C major op. 86

Soloists of the Nürnberg University of Music (HfM)
Philharmonic Choir Nürnberg
Nürnberger Symphoniker

Conductor: Gordian Teupke

Truly heavenly sounds will be heard by the audience in the Meistersingerhalle this evening!

In the first part of the evening, we will get to know the young composer Elisabeth Fußeder, who has already composed remarkable works for renowned choirs and ensembles and has received multiple awards for her contributions. For those interested, we have provided an excerpt from her biography on our website.

We will begin the evening with ver-such, a setting of the poem "Verleih uns Frieden gnädiglich," for mixed choir a cappella, which she composed at the request of the 1300th anniversary of the Archdiocese of Munich/Freising. After this, the composer will introduce herself to the audience in the Meistersingerhalle in a brief conversation with choir board member Rainer Ostermeyer. Before the intermission, we will premiere Elisabeth Fußeder's work LUE - for mixed choir and orchestra, a commissioned composition by the Philharmonic Choir on the occasion of its 60th choir anniversary.

The second part of the concert evening is dedicated to Ludwig van Beethoven's magnificent Mass in C major op. 86. It was premiered in 1807 in Eisenstadt. At that time, Beethoven was under the influence of his teacher Joseph Haydn, and in Beethoven's sketches for the Gloria, there are two passages from Haydn's Creation Mass. Beethoven distanced himself from traditional mass settings in the Mass in C major, treating the text, according to his own statement, "as it had been treated little so far." The mass is known for its modern and innovative musical language and significantly influenced the development of mass composition in the 19th century. The constant dramatic change between vocal and instrumental passages in this mass presents enormous challenges, particularly for the choir (Source: Wikipedia).

For Beethoven's mass, singers from the Nürnberg University of Music will take on the solo parts.
Joining us for our concert evening, which connects tradition and modernity, are our experienced orchestral partners, the Nürnberger Symphoniker, led by Gordian Teupke, the artistic director of the Philharmonic Choir Nürnberg.

Copyright Photo: Philharmonic Choir Nürnberg

Admission: 16:00 Uhr

Alle 5 Beethovensonaten

In the Beethoven year:
All five sonatas for piano and cello

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