Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Welcome to the realm of knowledge in the Baroque era: Stepping onto creaking floorboards into the quiet grandeur of our historical library hall, one is immediately enveloped by the collective knowledge of the Early Modern period. Like stage sets in a Baroque theater, the original bookshelves jut into the space, housing around 50,000 books from all fields of knowledge. Behind unassuming book spines lie remarkable treasures, such as the first German Bible printed in America.

At the end of the 17th century, the orphanage's library was established as one of the first public libraries in Germany. Primarily through donations, book exchanges, and their own publications, the library grew so rapidly that within a few years, it was comparable to significant German university libraries. In 1728, it received its own building, which is considered the oldest surviving secular library structure in Germany. Not only in recent times has the library been visited by guests and researchers from around the world: Albrecht von Haller, Johann Joachim Winckelmann, and Johann Wolfgang von Goethe all admired its bibliophilic treasures. We present a selection of them for you in rotating cabinet exhibitions in the former reading room of the library.

10 am - 5 pm

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

The permanent exhibition on the life and work of Erich Maria Remarque offers a detailed look into the life, work, and thoughts of the famous writer through numerous photographs, documents, and manuscripts. The exhibition is bilingual, presented in German and English throughout.

Divided into seven sections covering his youth in Osnabrück (1898–1921), the years in Hanover and Berlin (1922–1928), the discussion around All Quiet on the Western Front (1928–1930), his exile in Europe (1931–1939) and the USA (1939–1948), his political works in the 1950s, and the 1960s leading up to his death on September 25, 1970 in Locarno, the exhibition attempts to highlight the ruptures, contradictions, and controversies in Remarque's life while emphasizing their productivity for his work. It illustrates Remarque's numerous psychological conflicts, aiming to resolve the apparent contradiction between the "bon vivant" and the "militant pacifist," and provides insight into his acquaintances, friendships, and marriages. Numerous originals such as the death mask or Remarque's original desk complement the presentation.

Another focus of the exhibition is the worldwide, often highly controversial reception of Remarque's works, which have been translated into at least 60 languages and continue to attract a global audience of millions.

An information terminal allows visitors to delve deeper into specific questions about Remarque's life and work. Another terminal provides access to over 2,000 photographs spanning all stages of Remarque's life, his residences, contacts, and the film adaptations of his works.

The exhibition is open for free visits on Tuesdays to Fridays from 10 am to 1 pm and from 3 pm to 5 pm, and on Saturdays and Sundays from 11 am to 5 pm. Guided tours for school classes and other interest groups can also be arranged outside regular opening hours. Tours can be scheduled with Mr. Martin Siemsen (siemsen.m@osnabrueck.de) by phone at 0541/323-2109 or fax at 0541/323-4355.

A shop on-site offers materials related to Remarque's life and work for sale.

The castle with a lot to offer: "HerrschaftsZeiten! Erlebnis Cadolzburg" from June 24, 2017 at the Cadolzburg - the new highlight of the Nuremberg Metropolitan Region

A powerful castle - the setting of the illustrious history of a ruling family that has achieved great success: this was and is the Cadolzburg. The rulers were the Hohenzollern family, who ruled over Franken and later Brandenburg, also gaining electoral dignity in the 15th century. Later on, they even became Prussian kings and German emperors.

The Cadolzburg derives its radiance not only from its role as the starting point of a significant career in the Holy Roman Empire - the impressive structure itself reflects this golden era of the Hohenzollerns. The new museum "HerrschaftsZeiten! Erlebnis Cadolzburg" of the Bavarian Administration of State Castles will make this time - the late Middle Ages - exciting and informative for visitors through innovative communication concepts. While walking through the castle, visitors can learn not only about the architectural history, wars and peace, daily life, and governing tasks of the princely castle residents. There is much to discover here through interactive and sensory means:

Visitors can experience the castle through their sense of smell, there are tactile stations, sounds and dialogues, vivid models, and invitations to try things out. Exciting or challenging games, medieval Hohenzollerns in their own words, and the jester Contz who guides visitors through the castle bring the Middle Ages to life. Visitors can also expect to see several original medieval artifacts such as swords, maces, or a magnificent treasure chest. Other objects were specially crafted for the museum based on extensive research in historical techniques, such as the gilded armor of the famous General Albrecht Achilles, or textiles dyed according to original recipes. The Bavarian Administration of State Castles also made significant contributions to experimental historical research, like creating a breastplate from boiled leather, in line with the ambition of creating one of Germany's most important castle museums.

The cultural communication of the Bavarian Administration of State Castles also offers a diverse program of accompanying events, making this exciting history even more intriguing - for the young nobleman as well as the castle enthusiast.

Not only the Middle Ages but also the Cadolzburg itself now comes back to life. After the extensive damage of World War II, original medieval rooms and successful architectural creations of the 21st century can now be experienced. The modern buildings completed in 2017 bridge the medieval era with our present time.

You can expect very special experiences here - it truly is THE CASTLE WITH A LOT TO OFFER.

On September 7, 2025, the Schulzentrum Am Spalterhals will open its doors for the seventh time for the Gesundheitsmesse Barsinghausen. An event that focuses on central themes related to health, prevention, and well-being across generations. Experts, volunteers, and companies from Barsinghausen and the region invite for exchange and provide practical insights into modern health solutions.

Visitors can expect a diverse range of offerings that address current challenges from everyday life and provide individual solutions.
Central topics include burnout and stress management, circulation disorders, support for physical and mental illnesses, thyroid and intestinal problems, sports injuries, hearing loss, vitamin deficiencies, and poor nutrition among others.

“Am I actually healthy?” – This question is asked by many, but a precise answer often remains elusive. The Althea Support Association, a network of health experts, offers an individual assessment. Under the motto “Health – Do it yourself,” a tailored vitality concept is developed through a wellness analysis. The experts explain how conventional medical measures can be sensibly integrated into everyday life to promote one's health. Sebastian Ziß and Bastian Szymanski will provide exciting insights into the working methods of the health network in their keynote speech at 12:00 PM.
Many people suffer from performance loss and chronic diseases as they age. A possible cause could be cell blockages. At Sascha Hauck's booth, visitors will learn how to reactivate cells. Various tests will determine which type of cells need to be targeted. After the test results, visitors will receive an individual training program for home. In his lecture at 2:15 PM, he will provide insights into his cell reactivation concept. 
Prevention and vitality begin in everyday life with a balance of movement and relaxation. At the TSV Egestorf booth, various health sports will be presented for every age group. Alternatively, personal trainer Bernat Montoya Salvado will share insights into his personal online training program and help regain strength after surgeries and restore athletic performance.
Furthermore, performance can also be influenced by poor circulation. A Liechtenstein company has developed various treatment devices that stimulate blood circulation through physical vascular therapies. Visitors have the opportunity to try a full-body treatment with various modules for better circulation. At 11:15 AM, Thomas Ruminski will inform about the secrets of microcirculation in his opening lecture.

Ilona Radtke pursues a holistic approach to assessing general health status between professional and private life. The goal is to learn how to cope with stress and achieve a healthy work-life balance. One of her methods is heart rate variability measurement (HRV), which captures the fluctuations between individual heartbeats and provides insights into the state of the autonomic nervous system and stress resilience. She shares her knowledge in the areas of burnout, intestinal health, addiction prevention, and stress management.

Additionally, visitors will gain insights into alternative healing methods and self-help offerings that can be meaningfully combined with conventional medical approaches. The topic of care is also represented with various aspects, such as outpatient care, wound management, barrier-free living, technical daily living aids, and individual advice for seniors. Many experts also provide practical tips and advice ranging from simple recipes to gentle food preparation, sensible use of dietary supplements, and drinking water treatment.

Furthermore, the Lower Saxony Ministry for Social Affairs, Labor, Health, and Equality will provide information on central topics such as prevention, hospital funding, patient protection, as well as programs for securing skilled labor and equality. The state patient protection commissioner will also be introduced. She advocates independently for the rights of patients and people in need of care. 

Anyone interested in networking with others about health can get information about the "Healthy Coffee Club Hannover" on the booth of Daniela Ptak and Yvonne Hillig at the fair.

The first 20 visitors can look forward to a surprise bag filled with vouchers, product samples, and practical everyday helpers.

Event: Gesundheitsmesse Barsinghausen
Venue: Schulzentrum “Am Spalterhals”
Address: Am Spalterhals 12, 30890 Barsinghausen
Date: September 7, 2025
Opening hours: 11:00 AM - 5:00 PM    
Admission: free
Info: www.gesundheitsmessen24.de/gesundheitsmesse-barsinghausen/

The Romantic era was a particularly brilliant period for portrait miniatures, reaching its peak and at the same time signaling the end of this special painting technique. Countless artists created portraits with great empathy and astonishing technical perfection. More people than ever collected small portraits of their loved ones to carry with them or to gather at home as a pictorial family album. 142 masterpieces from the renowned Tansey collection illuminate the heyday of an art that had to make way for photography during the 19th century.

Accompanying the exhibition is a catalog that, in addition to the annotated reproduction of all works, is distinguished by essays by various experts on aspects of miniature painting during this time. Hirmer Verlag, bilingual German/English, 432 pages, 208 color illustrations.

Tue - Sun 11am-5pm

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.

Valéry Haumont (vocals and percussion)
This French singer has participated in many jazz projects in France (in the clubs: “Duc des Lombards”, “Sunset”, “Baiser Salé”, “Pannonica”, “Café universel”, “Café Laurent”, “Autour de midi et minuit”? l in the Festivals: “Jazz au fil de l'Oise”, “Jazz à Vitré”, “Jazz à l'Ouest”, “Jazz au coeur et guitare à l'ame”, “Jazz en Rè”, “Jazz de Mars”, “Jazz sur Lie”, “Dixie Days”, “Touches de Jazz, ‘Les Rendez-vous de l'Erdre’ . ...), but also throughout Europe as for example in Switzerland (“Montreux jazz festival”, “Luzerne Festival”...), in Germany (the clubs: , “A-Trane”, “Be-Bop” in Berlin), or in Holland (The “Pater” club, the auditorium of the “Royal Conservatory” in Den Haag...).
Valery has sung with many musicians of the French and European jazz scene: Tony Rabeson, Jean-Philippe Viret, Ludovic de Preissac, Damien Schmitt, Georges Brown, Oliver Von Essen, Benjamin Moussay, Ninine Garcia, Patrick Saussois, Andrea Michelutti, Franck Avitabile, Yoni Zelnik, Pier Paolo Pozzi, Ahmet Gulbay, Georges Paczynski, Armel Dupas...
With a pure and clean voice, he proposes a universal jazz, based on his roots and his ability to move.