Welcome to the realm of knowledge in the Baroque era: Stepping onto creaking floorboards into the quiet grandeur of our historical library hall, one is immediately enveloped by the collective knowledge of the Early Modern period. Like stage sets in a Baroque theater, the original bookshelves jut into the space, housing around 50,000 books from all fields of knowledge. Behind unassuming book spines lie remarkable treasures, such as the first German Bible printed in America.

At the end of the 17th century, the orphanage's library was established as one of the first public libraries in Germany. Primarily through donations, book exchanges, and their own publications, the library grew so rapidly that within a few years, it was comparable to significant German university libraries. In 1728, it received its own building, which is considered the oldest surviving secular library structure in Germany. Not only in recent times has the library been visited by guests and researchers from around the world: Albrecht von Haller, Johann Joachim Winckelmann, and Johann Wolfgang von Goethe all admired its bibliophilic treasures. We present a selection of them for you in rotating cabinet exhibitions in the former reading room of the library.

10 am - 5 pm

Palace-like, the orphanage rises on Franckeplatz. Then as now, it is the centerpiece of the Francke Foundations. Erected in 1698 as the first building of the school city, it represents a new facet of European Baroque, combining confident representation without extravagant ornamentation and setting the tone for orphanage architecture.

Today, the orphanage is our museum and cultural center. Right from the start, two permanent exhibitions guide you through the history of the foundation and the global impact of Pietism. On the first floor, the former prayer and singing hall surprises with its bright architecture. Today, it enjoys an excellent reputation as a concert hall due to its fantastic acoustics. In the adjacent conference rooms, a photo exhibition showcases the impressive renovation work since the foundations were reestablished in 1991. The second floor is reserved for our changing special exhibitions, which provide insight into important themes of the foundation's history from both a historical and contemporary perspective. Passing through the art and natural history collections in the attic, you reach the balcony via a narrow wooden staircase. Here, a wide view opens up over the impressive ensemble with school buildings from three centuries. There is also a splendid panorama of the Old Town of Halle from here. In the basement, children can explore their own paths in the Krokoseum.

10:00 AM - 5:00 PM

What power does the word have? For Halleschen Pietismus, the word was of central importance. On the ground floor of the Historical Orphanage, we show you how August Hermann Francke's reform movement could spread around the world.

Francke developed central reformative goals of Martin Luther's with Halleschen Pietismus. His approach was as clear as it was revolutionary: Every person should find God through their own Bible reading. However, for this to happen, everyone - boys and girls alike - had to learn to read, everyone should be able to afford their own Bible and it should be printed in their own native language. Therefore, Francke established schools for all social classes, printed millions of German-language People's Bibles, and created an international network through which the Bible was translated into many other languages. His educational initiative allowed a broad population to engage with the word. In the 18th-century evangelical parsonages, the authors of the Romantic and Enlightenment periods were highly regarded. A culture of self-reflection spread in Pietism, which was reflected in diaries and personal testimonies, giving us remarkable insights into the spiritual life of people of that time. Symbolically, the power of the word is also evident in the meticulously restored pulpit from the Church of St. Ulrich in Halle, where Francke preached from 1715 and which you can admire in the exhibition.

10:00 am - 5:00 pm

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Ten Years of Meissen Porcelain Foundation
Exhibition at the Museum of the Meissen Porcelain Foundation, March 21, 2025 to February 22, 2026

Collecting fascinates. The Meissen Porcelain Foundation was founded at the end of 2014, and it began its work in 2015. It preserves the cultural heritage of Meissen porcelain. One of the foundation's tasks is the care of the historical collection of the Meissen porcelain manufactory.

Manufacturer founder Augustus the Strong referred to his passion for porcelain as “Maladie.” This literally means “disease,” but stands for his boundless longing for the precious white gold. This fascination is shared to this day by generations of collectors – and artists. Their porcelains showcase the invention, production, and collection of the white treasures. Porcelain craftsmen provide insight into their art. Happy collectors cherish their treasures. Artists play with the term porcelain and transform centuries-old tools into contemporary porcelain art.

The exhibition provides insight into the work of the foundation and showcases Meissen porcelains around the theme of collecting.

„Fly with me! Fly with me!“, calls Albi, the Alpine swift, who nests under the roof of the Linden Museum during the summer months. On your flight through the permanent exhibitions, you will encounter the transparent kangaroo, hear about an extinct bird, and can listen to the conversation with Seraa, the elephant. Whether in pictures or clothing, made from wood, ceramics, and stone – the animals and their representations tell of the coexistence of humans and animals. This relationship is not always straightforward. On one hand, many animals are admired, revered, and appreciated as companions or domestic and farm animals, while on the other hand, their habitats are also destroyed and they are hunted or displaced.

In the exhibition, illustrator Promina Shrestha brings the animals on the objects to life through her images. During the listening and stamping rally, you will discover together with Albi what the animals have to say, solve puzzles, and collect stamps.

€ 4/3 including permanent exhibitions
Children up to 18 years free

Tue to Sat 10 AM - 5 PM / Sun and holidays 10 AM - 6 PM / Closed on Dec 24, 25, and 31

Welcome to the realm of knowledge in the Baroque era: Stepping onto creaking floorboards into the quiet grandeur of our historical library hall, one is immediately enveloped by the collective knowledge of the Early Modern period. Like stage sets in a Baroque theater, the original bookshelves jut into the space, housing around 50,000 books from all fields of knowledge. Behind unassuming book spines lie remarkable treasures, such as the first German Bible printed in America.

At the end of the 17th century, the orphanage's library was established as one of the first public libraries in Germany. Primarily through donations, book exchanges, and their own publications, the library grew so rapidly that within a few years, it was comparable to significant German university libraries. In 1728, it received its own building, which is considered the oldest surviving secular library structure in Germany. Not only in recent times has the library been visited by guests and researchers from around the world: Albrecht von Haller, Johann Joachim Winckelmann, and Johann Wolfgang von Goethe all admired its bibliophilic treasures. We present a selection of them for you in rotating cabinet exhibitions in the former reading room of the library.

10 am - 5 pm

Whether hat, bag or jewelry, completely extravagant, fashionable or classically simple: The desire to adorn oneself has been present since time immemorial. Accessories seem to have no limits. They are subject to constantly changing fashion trends, and many items are worn differently today than in the past or not at all. However, for people in the past centuries, there were indispensable items that complemented clothing and were part of everyday attire.
The exhibition „alltagsschick & sonntagsfein“ in the Bergfried „Dicker Wilhelm“ therefore focuses on various accessories from old to new. It mainly presents objects from the museum's collection. These primarily date from the 19th and early 20th centuries and also reflect the daily life of the people in the region. Many of the pieces are donations from Freyburg and the surrounding area. This is complemented by selected loans.

For certain occasions, corresponding accessories were worn, and rules determined the type of personal decoration. However, they all share the intention of emphasizing both the individuality and the social belonging of their wearers. Whether for the dance ball, theater, or the Sunday stroll, such as to Neuenburg and its charming surroundings.
As early as the 19th century, Neuenburg Castle was a travel destination for interested visitors from near and far. This is evidenced by the oldest surviving guestbook from 1840, which was available in the Bergfried. However, the oldest entry in the guestbook dates back to October 5, 1828: none other than the father of gymnastics, Friedrich Ludwig Jahn (1778–1852), described his view from the „Dicker Wilhelm“ 197 years ago. But what accessories did he wear when he dared to make the ascent? At the very least, he must have been dressed either alltagschick or sonntagsfein.

Tuesday to Sunday from 10 am to 6 pm; last admission at 5:30 pm

Welcome to the realm of knowledge in the Baroque era: Stepping onto creaking floorboards into the quiet grandeur of our historical library hall, one is immediately enveloped by the collective knowledge of the Early Modern period. Like stage sets in a Baroque theater, the original bookshelves jut into the space, housing around 50,000 books from all fields of knowledge. Behind unassuming book spines lie remarkable treasures, such as the first German Bible printed in America.

At the end of the 17th century, the orphanage's library was established as one of the first public libraries in Germany. Primarily through donations, book exchanges, and their own publications, the library grew so rapidly that within a few years, it was comparable to significant German university libraries. In 1728, it received its own building, which is considered the oldest surviving secular library structure in Germany. Not only in recent times has the library been visited by guests and researchers from around the world: Albrecht von Haller, Johann Joachim Winckelmann, and Johann Wolfgang von Goethe all admired its bibliophilic treasures. We present a selection of them for you in rotating cabinet exhibitions in the former reading room of the library.

10 am - 5 pm

Palace-like, the orphanage rises on Franckeplatz. Then as now, it is the centerpiece of the Francke Foundations. Erected in 1698 as the first building of the school city, it represents a new facet of European Baroque, combining confident representation without extravagant ornamentation and setting the tone for orphanage architecture.

Today, the orphanage is our museum and cultural center. Right from the start, two permanent exhibitions guide you through the history of the foundation and the global impact of Pietism. On the first floor, the former prayer and singing hall surprises with its bright architecture. Today, it enjoys an excellent reputation as a concert hall due to its fantastic acoustics. In the adjacent conference rooms, a photo exhibition showcases the impressive renovation work since the foundations were reestablished in 1991. The second floor is reserved for our changing special exhibitions, which provide insight into important themes of the foundation's history from both a historical and contemporary perspective. Passing through the art and natural history collections in the attic, you reach the balcony via a narrow wooden staircase. Here, a wide view opens up over the impressive ensemble with school buildings from three centuries. There is also a splendid panorama of the Old Town of Halle from here. In the basement, children can explore their own paths in the Krokoseum.

10:00 AM - 5:00 PM

Musical early education for children from 6 to 18 months with their parents in Harburg

The discovery of one's own voice, the development of body awareness, and satisfied babies are the top priorities in this parent-child music course. We sing together and explore familiar and unfamiliar melodies and songs, which we accompany with small instruments.

This card is valid for the following 8 dates:
August 20 | August 27 | September 3 | September 10 | September 17 | September 24 | October 1 | October 15 |

If individual dates are canceled, they will be rescheduled on October 22 and/or October 29 if possible.

Course Dore | 6 - 18 months | Wednesdays 10:15 - 10:45 AM

Musical early education for children aged 1 to 2.5 years with their parents in Harburg

Simple motor skills are practiced in dances, movement songs, and the joint action between parents, children, and the group. This allows children to discover their own voice and body without performance expectations. Shakers, drums, and bells are used in the process.

This card is valid for the following 8 dates:
August 20 | August 27 | September 3 | September 10 | September 17 | September 24 | October 1 | October 15 |

If individual dates are missed, they will be made up on October 22 and/or October 29 if possible.

Course Dore/Mifa | | 1 - 2.5 years | Wednesdays 11:00 - 11:30 AM

4 talers and 16 groschen are considered the founding capital of the Francke Foundations. How an unparalleled school city grew from this unexpected donation to a simple pastor in Glaucha can be discovered on the ground floor of the Historical Orphanage. A multimedia installation and numerous extraordinary objects will transport you into the fascinating founding and impact history of Francke's work. Because what began with a school for the poor and an orphanage, developed in a few decades into a true reform project that was based on education: Over 2,000 students learned in various schools, specially constructed economic buildings, a hospital, and a pharmacy guaranteed the care of over 3,000 people on the premises, unique cultural-historical collections in the library and chamber of wonders were established, and Francke's ideas were spread within and outside Europe. August Hermann Francke wanted nothing less than a "world change through personal change." Discover everything he set in motion through this.

10:00 am - 5:00 pm

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Sold out!

Starting from Marcus Aurelius, the City Museum Simeonstift shows how the ideas of "Good Governance" have changed throughout history.

Rulers, political theorists, philosophers, and artists have referred to Marcus Aurelius and his "Meditations" for centuries. Based on this history of reception, the City Museum Simeonstift illustrates with high-quality exhibition pieces how artistic representations of good governance have evolved over time: When is a rule considered good and just? What resonance do these ideas find in art? The paintings, sculptures, caricatures, and media from eight centuries shed light on this question as a fascinating constant in human history with great relevance today.

Tuesday to Sunday, Public holidays 10:00 AM to 6:00 PM

Currently unavailable

What power does the word have? For Halleschen Pietismus, the word was of central importance. On the ground floor of the Historical Orphanage, we show you how August Hermann Francke's reform movement could spread around the world.

Francke developed central reformative goals of Martin Luther's with Halleschen Pietismus. His approach was as clear as it was revolutionary: Every person should find God through their own Bible reading. However, for this to happen, everyone - boys and girls alike - had to learn to read, everyone should be able to afford their own Bible and it should be printed in their own native language. Therefore, Francke established schools for all social classes, printed millions of German-language People's Bibles, and created an international network through which the Bible was translated into many other languages. His educational initiative allowed a broad population to engage with the word. In the 18th-century evangelical parsonages, the authors of the Romantic and Enlightenment periods were highly regarded. A culture of self-reflection spread in Pietism, which was reflected in diaries and personal testimonies, giving us remarkable insights into the spiritual life of people of that time. Symbolically, the power of the word is also evident in the meticulously restored pulpit from the Church of St. Ulrich in Halle, where Francke preached from 1715 and which you can admire in the exhibition.

10:00 am - 5:00 pm

The Art and Natural History Chamber is considered the oldest German museum room. It was established by August Hermann Francke for educational purposes and is now once again set up according to the original museum concept of the 18th century in its historical location in the attic of the Historical Orphanage.

Eighteen richly decorated collection cabinets house approximately 3000 natural specimens, curiosities, and artifacts. They provide a unique impression of a Baroque cabinet of curiosities. Unlike modern museums, the chamber follows an encyclopedic collecting approach. A distinction is made between natural specimens and artifacts. The natural specimens are divided into rocks, plants, and animals, while the artifacts are categorized into visual arts, calligraphy, coins, everyday culture, and clothing. The goal was to create a mirror image of the world: a microcosm that made the macrocosm as the wonderful creation of God tangible.

In a series of events, art projects take place around the Art and Natural History Chamber. In the so-called "Contemporary Reflections on the Art and Natural History Chamber," foundations invite artists to engage in an artistic dialogue with the chamber.

Detailed information

Tue-Sun 10am-5pm