Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Friends of Egerländer and Bohemian brass music, pay attention!

Hardly any brass music is as well known as the Bohemian. The unmistakable sound embodies Bohemian way of life and Egerländer tradition. The sophisticated music pieces indulge in boundless joy of life, but also convey melancholy and nostalgia for the lost homeland.

The Golden Egerländer is a true insider tip. Since its foundation, the passionate musicians have been filling halls and concert halls all over Germany. This is particularly due to the enormous quality of the orchestra and their music. It's no wonder that the professional musicians have played or are playing nationwide in military or police orchestras, such as the Bands of the German Armed Forces, the Berlin Federal Police Orchestra, and the former Berlin Air Force Band.

Since October 2022, the Golden Egerländer have been led by Edi Sagert, former musician with Ernst Mosch and former conductor of the Original Kapelle Egerland.

With their entertaining, authentic and temperamental style, but also with a lot of feeling, the orchestra shapes their stage performances, of course, in their original Egerländer attire.

Just as the motto of "Favorite melodies from the Egerland" suggests, the focus of the musical performances is on the interpretation of the most beautiful Egerländer sounds, including those from ERNST MOSCH and his Original Egerländer Musikanten. When, for example, the "Rauschenden Birken" resounds, the audience sings along to "Wir sind Kinder von der Eger," or when the "Böhmische Wind" blows softly through the concert hall, every friend of Egerländer brass music gets their money's worth.

Experience a unique concert highlight at the highest level - Fine Egerländer brass music!

Many know her from the ARD Ladies Night as well as from the tours with Gerburg Jahnke: Frieda Braun has gained fans in many regions of Germany. Now the quirky Sauerland native presents her solo program "Sprechpause".
Frieda and her "Splittergruppe" – a total of 11 accomplished women – have decided to spend seven days in a hostel this year instead of going on a city tour. And they will do so in silence!
However, the silence seminar, meant for inner reflection, turns out to be a test of nerves for Frieda. Even the too-healthy breakfast with goat cheese and mysterious "seed mix" raises eyebrows. When loud stomach noises break the silence during the subsequent meditation, concentration comes to an end.

Burst: Thekla's Rendezvous
Frieda's friend Thekla uses the silence week to process a personal disappointment: During a concert of the adored star violinist André Rieu, she fell in love with a stranger from the audience.
But the tender bond is abruptly severed when "Horst" throws himself into an armchair that turns out to be an inferior imitation from China under this strain.

Confiscated: Wichbert's Driver's License
While their women dedicate themselves to silence, Erwin and the other left-behind husbands take advantage of the free time to pursue their hobbies.
Wichbert, who had his driver's license revoked after a "two-component error" in traffic, is driven by the desire to bring more mobility into the house. He even tampered with the Christmas crib.

Erotic: An Evening with Viola
Viola, Frieda's new neighbor, takes the erotic film "Fifty Shades of Grey" as an opportunity to surprise Frieda and her unsuspecting friends with a hot evening. One thing is clear to the women: "Our men must not find out about this."
Frieda also approaches the topic of eroticism in her program Sprechpause with her own delicious mix of curiosity, embarrassment, and indignation.

Delicious look at everyday situations
Big feet and disastrous haircuts, sticky magnetic field soles and curious vacuum robot cleaners, men in lingerie stores and women caught in the grip of skillful saleswomen: Frieda Braun's program "Sprechpause" is an entertaining and varied stroll through (only sometimes exaggerated) everyday situations. Delicious!

Admission: 18:00 Uhr

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

The great lady of seafaring - that was the Cap San Diego when she sailed under the flag of Hamburg Süd. A symbol of proud merchant shipping, exclusive designs, and modern technical equipment. The Cap San Diego and her sister ships were known as the 'White Swans of the South Atlantic' and riding on these ships was something truly special for both passengers and crew. In 2020, the shipping company Hamburg Süd was dissolved and sold to the Maersk shipping company. Many Hamburg Süd fans and employees were heartbroken. We call back the past of the glorious days of Hamburg Süd aboard with us = in memory and sail in the style of old shipping company tradition.

During the entire trip, the Cap San Diego can be visited at all stations, and every maneuver can be experienced up close in the engine room as well as on the bridge. Our volunteer crew is available for all questions and is always up for a nautical chat. Our "guys" can tell stories, as they have already sailed the world's oceans when the Cap San Diego was still an active cargo ship. Today, the Cap San Diego is unique worldwide. Nowhere else can you find a larger, seagoing ship of this class from the era of general cargo vessels.

Itinerary:
Boarding Hamburg (Overseas Bridge): from 09:00 AM
Departure Hamburg (Overseas Bridge): 10:00 AM
Arrival Hamburg (Overseas Bridge): approx. 5:00 PM

Services:
Welcome snack
Lunch
Unlimited coffee and tea

Live music
Access to all stations
Art exhibition in the hatches
Travel moderation

Boarding from 09:00 AM

The permanent exhibition on the life and work of Erich Maria Remarque offers a detailed look into the life, work, and thoughts of the famous writer through numerous photographs, documents, and manuscripts. The exhibition is bilingual, presented in German and English throughout.

Divided into seven sections covering his youth in Osnabrück (1898–1921), the years in Hanover and Berlin (1922–1928), the discussion around All Quiet on the Western Front (1928–1930), his exile in Europe (1931–1939) and the USA (1939–1948), his political works in the 1950s, and the 1960s leading up to his death on September 25, 1970 in Locarno, the exhibition attempts to highlight the ruptures, contradictions, and controversies in Remarque's life while emphasizing their productivity for his work. It illustrates Remarque's numerous psychological conflicts, aiming to resolve the apparent contradiction between the "bon vivant" and the "militant pacifist," and provides insight into his acquaintances, friendships, and marriages. Numerous originals such as the death mask or Remarque's original desk complement the presentation.

Another focus of the exhibition is the worldwide, often highly controversial reception of Remarque's works, which have been translated into at least 60 languages and continue to attract a global audience of millions.

An information terminal allows visitors to delve deeper into specific questions about Remarque's life and work. Another terminal provides access to over 2,000 photographs spanning all stages of Remarque's life, his residences, contacts, and the film adaptations of his works.

The exhibition is open for free visits on Tuesdays to Fridays from 10 am to 1 pm and from 3 pm to 5 pm, and on Saturdays and Sundays from 11 am to 5 pm. Guided tours for school classes and other interest groups can also be arranged outside regular opening hours. Tours can be scheduled with Mr. Martin Siemsen (siemsen.m@osnabrueck.de) by phone at 0541/323-2109 or fax at 0541/323-4355.

A shop on-site offers materials related to Remarque's life and work for sale.

The castle with a lot to offer: "HerrschaftsZeiten! Erlebnis Cadolzburg" from June 24, 2017 at the Cadolzburg - the new highlight of the Nuremberg Metropolitan Region

A powerful castle - the setting of the illustrious history of a ruling family that has achieved great success: this was and is the Cadolzburg. The rulers were the Hohenzollern family, who ruled over Franken and later Brandenburg, also gaining electoral dignity in the 15th century. Later on, they even became Prussian kings and German emperors.

The Cadolzburg derives its radiance not only from its role as the starting point of a significant career in the Holy Roman Empire - the impressive structure itself reflects this golden era of the Hohenzollerns. The new museum "HerrschaftsZeiten! Erlebnis Cadolzburg" of the Bavarian Administration of State Castles will make this time - the late Middle Ages - exciting and informative for visitors through innovative communication concepts. While walking through the castle, visitors can learn not only about the architectural history, wars and peace, daily life, and governing tasks of the princely castle residents. There is much to discover here through interactive and sensory means:

Visitors can experience the castle through their sense of smell, there are tactile stations, sounds and dialogues, vivid models, and invitations to try things out. Exciting or challenging games, medieval Hohenzollerns in their own words, and the jester Contz who guides visitors through the castle bring the Middle Ages to life. Visitors can also expect to see several original medieval artifacts such as swords, maces, or a magnificent treasure chest. Other objects were specially crafted for the museum based on extensive research in historical techniques, such as the gilded armor of the famous General Albrecht Achilles, or textiles dyed according to original recipes. The Bavarian Administration of State Castles also made significant contributions to experimental historical research, like creating a breastplate from boiled leather, in line with the ambition of creating one of Germany's most important castle museums.

The cultural communication of the Bavarian Administration of State Castles also offers a diverse program of accompanying events, making this exciting history even more intriguing - for the young nobleman as well as the castle enthusiast.

Not only the Middle Ages but also the Cadolzburg itself now comes back to life. After the extensive damage of World War II, original medieval rooms and successful architectural creations of the 21st century can now be experienced. The modern buildings completed in 2017 bridge the medieval era with our present time.

You can expect very special experiences here - it truly is THE CASTLE WITH A LOT TO OFFER.

 

 

The Romantic era was a particularly brilliant period for portrait miniatures, reaching its peak and at the same time signaling the end of this special painting technique. Countless artists created portraits with great empathy and astonishing technical perfection. More people than ever collected small portraits of their loved ones to carry with them or to gather at home as a pictorial family album. 142 masterpieces from the renowned Tansey collection illuminate the heyday of an art that had to make way for photography during the 19th century.

Accompanying the exhibition is a catalog that, in addition to the annotated reproduction of all works, is distinguished by essays by various experts on aspects of miniature painting during this time. Hirmer Verlag, bilingual German/English, 432 pages, 208 color illustrations.

Tue - Sun 11am-5pm

»Sometimes I think the sky is made up of uninterrupted, never-tiring reading.«
(Virginia Woolf)

Due to high demand, we will again offer the popular 5+1 subscription starting August 1, 2024.

This also applies to discounted tickets (discounts are available upon proof for students, refugees, people with disabilities, and Munich Pass holders). Pay the price for 5 events and attend 6 (Euro 50.- instead of Euro 60.- for 6 events).*

With the promotional code included in the 5+1 subscription, you can then book 6 events of your choice (of course, already sold-out events are excluded). / The code can be redeemed for a maximum of 6 selected events (also in several stages if desired). / PLEASE NOTE that you can only use the code once per event, as the subscription is valid for one person only. / A service fee of 2.- EURO will be charged for each online booking with the promotional code via Reservix.

*This currently only applies to events with an admission price of EURO 16.- (regular price) as well as reduced EURO 10.-.

With the exhibition »The Story That Never Ends. The Collection of the ZKM«, the ZKM | Karlsruhe provides a comprehensive insight into its own collection, which, with around 12,000 works, is among the largest and most significant collections of media art in the world. The exhibition tells not only of the intertwined stories of art and technology but also of the challenges that fast-paced technological media bring to museums worldwide.

The history of media art from the 1950s to the present

Electrification and digitalization have changed the world. This transformation has not only affected our daily lives but has also impacted artistic creation. 

Since the beginning of the 20th century, artists have been using these rapidly evolving technologies and constantly expanding the expressive possibilities of art: The spectrum ranges from video, light, and sound works to motor-driven kinetic objects, as well as computer-based interactive installations or works created with the help of artificial intelligence. 

With about 100 works, »The Story That Never Ends« traces these developmental lines of the apparatus arts and their openness to the categories of space, time, and movement as well as interaction and participation – from the 1950s to the present. A selection of important key works that represent significant moments and milestones of media art illustrates the diversity and impact of these technological developments. Marie-Jo Lafontaine's monumental video sculpture »Les larmes d’acier« (1987), which ironizes the complex conceptual constellations of "man, machine, power, and sexuality," as well as Bill Viola's video-sound installation »Stations« (1994), which unites central aspects of his artistic work along with fundamental themes of human existence, or Jeffrey Shaw's »Virtual Sculpture« (1981), representing early experiments in augmented reality, form a small selection of examples here. 

At the same time, the exhibition also makes the socio-political context in which the works were created comprehensible, allowing for deductions and connections to the pressing questions of our time: Feminist works by earlier (media art) pioneers, such as pezoldo (aka Friederike Pezold), Lynn Hershman Leeson, Kirsten Geisler, or Rebecca Horn, are just as noteworthy as works reflecting the impacts of mass media like television (Nam June Paik, Wolf Vostell), the connection between technology and the military, borders and surveillance, or violence in the digital space (Paul Garrin, Hanna Haaslahti, David Rokeby) or natural ecosystems (Justine Emard, Claudia González Godoy). Artists repeatedly question the possibilities and effects of new media, rethink and redesign them, thus bringing forth new social and cultural narratives that shape the discourse about our relationship with technology. 

We perceive art, as the exhibition title suggests, as a story that will never end as long as there are people. The fact that we do not know what form it will take in the future is something it shares with technology. Our knowledge of the past and present influences how we shape the future and value what is yet to come.

The restoration of media art

„The Story That Never Ends“ not only refers to artistic development but also to the challenges museums face when collecting media artworks: Technical devices are not made for eternity, data carriers deteriorate, software standards become obsolete very quickly, and media formats are no longer readable after a few years. This means that works must continuously be monitored and technically updated by conservators. What impact does this have on art and our cultural memory? What skills do we need to develop to not only have a future but also a past?

The ZKM has an internationally recognized expertise in the conservation and restoration of media art. However, since these conservation and restoration activities mostly happen behind the scenes, »The Story That Never Ends« takes a radical step: The decision about which key works from the collection are shown in the exhibition has been entrusted to the conservators of the ZKM. In doing so, they bring hidden treasures to light that have, due to elaborate preservation measures, often not been publicly visible for decades. Since the works themselves do not necessarily reveal the complexity of their technology and the challenges of their preservation, the exhibition also provides an introduction to the history of technology and conservation strategies for this type of works.

The view from the past into the future

»The Story That Never Ends« thus not only tells the fascinating story of media art through the unique collection of the ZKM. It also highlights the fragility of our electrified and digitalized civilization. The exhibition allows for an in-depth insight into the art and technology history of the 20th and 21st centuries and shows how history sharpens the view of the present and stimulates the imagination of possible futures.

Wed to Fri: 10 am to 6 pm
Sat, Sun: 11 am to 6 pm

New York in the 50s. Jenny is a housewife, enthusiastic about ready-made meals, and is married to the editor-in-chief of an influential newspaper. Additionally, she is having a secret affair with an employee of her husband.
Tonight, her lover is supposed to finally murder her husband during a joint dinner. But Jenny's husband unexpectedly brings home his new secretary, and the murder turns out to be unexpectedly complicated...

Copyright: AI-generated

Entry 4:55 PM

Marie Giroux, Joseph Schnurr, and Jenny Schäuffelen offer you an unforgettable musical journey through several centuries and humorously follow the traces of love secrets in the world of opera and operetta.
A mezzo-soprano, a tenor, and their pianist have selected the most beautiful duets and arias for you, embellished with wit and fine anecdotes. It’s not just about infatuation, but also about passion, jealousy, and pain, as dramas—whether grand or small—naturally belong to opera and love!
The whole will be sprinkled with little sketches about love and guarantees a lively evening full of highlights. For example, you will decide as a referee whether a Carmen, Judita, or Rosina has more attractiveness and later, because love goes through the stomach, be initiated into the culinary skills of composer Giaccomo Rossini.
Musically, you will hear Mozart, Verdi, Rossini, Bizet, Léhar, and much more. We will administer a musical love potion that you can enjoy without hesitation or restrictions.

Admission: 16:00

Works by Felix Mendelssohn Bartholdy, Max Reger, and others.

Choir of the Frauenkirche
Conductor Frauenkirchenkantor Matthias Grünert
Spiritual word, prayer, and blessing Frauenkirchenpfarrer Markus Engelhardt

The romantic choral music of Felix Mendelssohn or Max Reger seeks answers in floating harmonies, flowing lines, and devotional depth. The choir of the Frauenkirche dedicates itself to this autumnally warm music, which creates touching impressions for both musical rediscoverers and experienced connoisseurs alike, now for over twenty years: with intensity and great expressiveness.

Artist encounter with Matthias Grünert following the concert – with beer tapping at the Augustiner

Doors open: 15:30

Pour L’Amour - 25th Anniversary

Anniversary concert for the 25th anniversary
A quarter of a century on stage together – not even every married couple can achieve that! Sabine Roth and Kai Thomsen are celebrating and inviting you to a special concert at CD-Kaserne Celle on September 12, 2026, at 8:00 PM. For 25 years, the chanson duo Pour L’Amour has been celebrating the great emotions of life – sometimes melancholic, sometimes humorous, but always with passion and their unmistakable charm.

And because an anniversary celebration is only half as enjoyable without friends, Sabine and Kai have invited some high-profile musical guests:
Kosho (Guitar)
Peter Schwebs (Bass)
Konstantinos Raptis (Bandoneon & Accordion)

Let’s celebrate 25 years of Pour L’Amour together – with music, emotions, and guaranteed without a marital crisis!

At the events in the CD-Kaserne, a diverse selection of beverages and snacks (pretzels, peanuts, etc.) will be available.

Admission on Saturday starts at 7 PM.
Admission on Sunday starts at 6 PM.

Evening box office price: to be announced (if tickets are still available)

The CD-Kaserne gGmbH is supported by Sparkasse Celle-Gifhorn-Wolfsburg.

Admission from 6 PM

Admission: 6:30 pm

Known from radio and television, Hiltrud Stoll and Franz Auber are touring the region with their new program "Ächde Älbler":

Ächde Älbler live very close to home! For Hillus Herzdropfa, the simple formula by Thaddäus Troll applies: "A Swabian is anyone who speaks Swabian." Our Swabian region is not one of the federal states defined by politicians, but rather a "cultural space," an area where people share a common culture:
*This includes the Swabian frugality: Scraping the salt off the pretzel, so that the visitor doesn't get thirsty!
*And of course Spätzle: Kässchbätzla, Krautschbätzla, Leisa with Spätzle, Kartoffelschbätzla, Spätzle with sauce...
*Maultaschen are a must on every Swabian menu: Maultaschen gschmelzt, Maultaschen endr Briah, Maultaschen with egg... Maultaschen VEGAN (no one is disgusted by anything)
*Along with a glass of cider: "A good cider heals every pain, it is the Swabian's pearl. The wine delights a person's heart, the cider delights everyone!" (source unknown)

What else belongs to a true Älbler, you will learn in this program! Hillus Herzdropfa (themselves true Älblers) know everything about this highlander and what else is brought from the Alb! Speaking in dialect is a matter of honor for them! A small excerpt from their Albschwaben dialect: Zirengga? Schdriggjäggle? Aurawai? Soidawieschd?

Admission from 5 PM

Disillusion announce their LIVE SPRING 2026 tour.

Between two album productions, the Leipzig progressive metal visionaries DISILLUSION take time in spring 2026 to unleash their incomparable stage energy live again – in Germany and Europe.

In addition to songs from the current album AYAM, the 20th anniversary of GLORIA is also highlighted in the setlist – a work that, even two decades after its release, has lost none of its timeless luminosity. And since the gentlemen are by no means idle… a new track?

After the successful, often sold-out tour in 2024, which included performances in Germany, France, and the USA, fans can now look forward to a new intense live experience – emotional, epic, and uncompromising.

19:00

Welcome to 'Friburgum in Summa - Culture, History, and Attractions' – your exclusive invitation to a compact historical journey through the charming Freiburg.
This tour provides the perfect overview of the historic old town and city history for visitors, tourists, newcomers, and the interested!

Our tour takes you to the most fascinating attractions, offers deep insights into the culture and history of the city, and allows you to experience the vibrant atmosphere up close.

Dive into the heart of Freiburg at the historic Rathausplatz, where you will marvel at the splendor of the Old Town Hall and feel the lively history of this central place. Together, we will head to the Colombischlössle, an architectural gem and the site of the Archaeological Museum.

We stroll through the Bermuda Triangle nightlife district, where the lively atmosphere and culinary delights excite the senses. Enjoy the unique blend of tradition and modern lifestyle in this vibrant neighborhood.

The Martinstor awaits us as an impressive city gate before we reach the majestic Freiburg Cathedral. Admire the Gothic splendor of this architectural masterpiece and learn why it is the city's landmark.

On the way to the picturesque Schlossberg, without a climb, you will experience the green oasis of the city and discover interesting facts about its role in the history of Freiburg. Through the charming Konviktstraße, we return and leave you with amusing anecdotes and deep insights into the Freiburg way of life.

Book 'Friburgum in Summa' today and let our enthusiasm for Freiburg's rich history and vibrant culture inspire you. Experience the city in all its diversity – compact, informative, and unforgettable!

Please note: Participation in all our city tours is only for those aged 18 and above. Persons under 18 cannot participate, even when accompanied by guardians or supervisors.

Entry: 10 minutes prior

DICKE LUFT UND KEIN VERKEHR - Frauentausch

Let’s be honest: Doesn’t everyone secretly dream of a wife swap from time to time? Whether that’s worth it can be checked out at CLACK. SHE says: Should I cook us something nice? - And HE grumbles: Shouldn’t we first try it nicely?
If you’re already raising your eyebrows about: Misogynistic!, you should quickly place them back down. One can only respond to that with a healthy dose of self-irony. Because if you can’t laugh at yourself, others will do it for you.
Those expecting the usual man-woman banter will find it in this program. Because with women, you never know. By the way, the same goes for men. And that’s what makes it so complicated. Everything played in this program is eavesdropped from real life. One or another will ask: "How do they know that? Did they sneak in our visitor’s seating?" Two on stage going through the same thing as us. But everything is wrapped in humor to show: Don’t take it too hard, we’re all in this together.
The fact that the two of them in their program are neither cynical nor condescending is because they’ve only hit the age mark calendar-wise.
And when some stories are pulled out from under Hempel’s sofa, the two humor specialists from CLACK invite you to an amusing town hall, garnishing everything with the finest barbs since the marriage vow exists.
Because as it is: The simplest thing in the world is the hardest of all things.

A comedy back-and-forth with Sabine Kühne-Londa and Ralph Richter
Directed by: Stefan Schneegaß
Text contributions: Philipp Schaller

Playing time about 2.5 hours including intermission • Tickets are generally excluded from return and exchange.