Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Andreas Neumann presents his Heinz Erhardt evening

In a uniquely successful way, the parodist Andreas Neumann brings the popular comedians, humorists, and film stars of the economic miracle years back to life, and he does it so skillfully that Heinz Erhardt's daughter, Grit Berthold, approvingly noted, "When I heard Andreas Neumann, I thought my father was alive again." One truly believes in an incarnation of the economic miracle comedian who passed away in 1979! The press writes, "The best Heinz Erhardt since Heinz Erhardt."
Andreas Neumann will also present other prominent guests on stage because as a professional parodist, one should have more than one voice available. For the parodist, particularly fruitful personalities such as Heinz Rühmann, Hans Moser, Theo Lingen, and Jürgen von Mangers Tegtmeier, Neumann lends his versatile voice, as well as Marcel Reich-Ranicki, Inge Meysel, Ekel Alfred, and others have their say, often at a speed that makes one think there are several people on stage. One for ALL - all at once, the motto of the parodist.

Particularly noteworthy is that Neumann has written new texts for his program, so the audience always experiences something new with old acquaintances!

In addition, our gastronomy partners will serve you select regional delicacies - an impressive journey through time that you will not soon forget!
Included in the ticket price:
- Seat reservation
- Aperitif
- 3-course menu
- Uniquely entertaining entertainment

No admission before 6:00 p.m. / Start at 6:30 p.m.

Your chatbot broke up with you today? Your debt counseling is insolvent? The diagnosis from proctology is "Yikes, what is that"?
None of that matters anymore because now you are here. You are with Nektarios Vlachopoulos. The award-winning entertainer and turbo-humanist takes you by the hand, gently slaps you with a velvet glove, and lovingly whispers: "This is still the best day the world has to offer today."
Let your wounded soul be pampered with elaborate nonsense and satirical balm. Nektarios speaks, reads, and sings an entire evening just for you, because all the others don't matter to him.
Nektarios gently and safely guides you out of depression DIRECTLY INTO MANIA! Because he has been to all these places and he has made a program out of it. So come along on a wonderful hike through the most beautiful abysses of human consciousness.
Relax, let go of all your anger, and let Nektarios tell you that you shouldn't let anyone tell you what to do. Because this is your time! Now is your place! And today is: THE BEST DAY IN THE WORLD!

Content Warning
This program is intended for entertainment. To help you enjoy the evening, we would like to prepare you for the fact that personal experiences of the artist will be mentioned, which may be distressing for some people. This includes the death of a family member and a mental crisis.

Doors open at 7:30 PM

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Admission: 7:00 PM

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Based on the bestselling children's books by Hendrikje Balsmeyer and Peter Maffay

Text: Georg Veit & Hendrikje Balsmeyer, Music: Peter Maffay & Friends

Discover with ANOUK the new and highly anticipated children's musical for the whole family. Based on the beloved children's books by Hendrikje Balsmeyer and Peter Maffay, an impressive production is currently being created for children aged four and up.

ANOUK - The children's musical takes small and large explorers into a imaginative world full of adventures, where everything seems possible. With its characters and fascinating settings, the stage adaptation sparks the imagination and strengthens the belief in the power of dreams.
The playbook is penned by Georg Veit and Hendrikje Balsmeyer, while Peter Maffay and his team are responsible for the musical design. At the heart of the musical will be ten captivating and high-quality children's songs by Peter Maffay & Friends, most of which will be specifically composed for this production and contribute to the unique atmosphere.
The audience will be taken into a world full of fantasy and adventure, where friendship, courage, and tolerance are at the center.

Doors open: 3:00 PM

NEW PROGRAM

Germany: this is daily big cinema, unfortunately of the disaster film kind. At least with high entertainment value. Incompetence, megalomania, double standards – there’s something for everyone in German politics. A great thinker once said: We can do it. What has become of that: they are doing us in. A country in the final game against itself. In these strange times, the soul needs hope and reliability.

That’s why Simone Solga guarantees, just like the great thinker once did: You know me! For her new program, she gets out of her legendary YouTube bed to delight the audience with her usual and beloved bluntness. Simone Solga also dares to take the biggest risk on stage right now. She tells it like it is. And she does so with unrestrained cheerfulness and audacity, commensurate with the gravity of the situation. Simone Solga goes where it hurts. Initially out of despair, but once she gets going, it only hurts from laughing. Treat yourself to this rare happiness. And tell the powerful, together with Simone Solga: You know me. And you can have me.

Photo: Dominic Rechenbach

Entry: 7 PM

Alte Bekannte undoubtedly belong to the most extraordinary phenomena in the concert scene. The quintet celebrates their German-language A-Cappella songs with an unparalleled authenticity, where EVERYTHING! is generated exclusively with human voices, including the rhythmic accompaniment. At the same time, Alte Bekannte continue a long-standing tradition since their successful start in 2018 as the legitimate successors of the disbanded Wise Guys, as two original Wise Guys singers, Daniel 'Dän' Dickopf and Björn Sterzenbach, are also founding members of Alte Bekannte.

The stage is for Alte Bekannte what one would call "their natural habitat," a place where the musicians feel particularly at home. This feeling automatically transfers to the audience, as the band's concerts are experiences for all the senses. Alte Bekannte deliver a highly emotional show that goes far beyond mere music listening and turns every performance into a communal experience between the band and the audience.

Since the end of the lockdown in July 2021, Alte Bekannte have played well over 160 concerts. Their successful 2023 tour (motto: 'Nix geht über LIVE!') will be continued in 2024 with unchanged high intensity. In their shows, they present a multitude of their own songs – currently focusing on the new fourth album 'Stabil' (2023; 23rd place in the German album charts) – as well as some unforgettable Wise Guys classics.

Dän Dickopf has happily recovered from his illness. In December 2021, the popular singer suffered a severe stroke, spent two months in the hospital followed by rehabilitation, and fought his way back to the stage with iron will. "The music and my colleagues have given me a lot of support and strength," reflects the musician on those difficult days. Seeing Dän Dickopf after this encouraging recovery with Alte Bekannte on the extensive 2024 tour fits what Björn Sterzenbach reveals about the atmosphere of the current program: "There is music and lyrics to dream about, to think about, sometimes to shed tears over, and in the end, everyone in the hall will dance without restraint! Concerts by Alte Bekannte are a play of music, close communication between us and our fans, including a shared good time for everyone present!" Anyone who wants to see this for themselves should definitely visit the band on their 'Nix geht über live!' tour – because on stage, Alte Bekannte is the ultimate concert experience! In addition to their favorite task of live concerts, Alte Bekannte are enthusiastically dedicating this year to recording two new albums! In the fall, the long-awaited Christmas album will finally be released, and just in time for the start of the new live program at the beginning of 2025, the band's fifth studio album is set to be released.

Doors open at 7:00 PM.

Yes, the title needs to be read twice. But anyone who has made it this far in times of Tik Tok & Co. and attention spans of a maximum of four seconds should be congratulated!

Automatically, you qualify for Lars Redlich's brand new solo program, which guarantees an unstoppable storm of laughter that is unmatched in the comedy landscape.

With clever wit instead of loudness, with intelligent punchlines instead of verbal incontinence, and above all, with skill instead of posturing, the likeable Berliner not only convinces the press and audience but has also been awarded various cabaret and comedy prizes.

A pinch of Willy Astor, a little of Bernd Stelter, a spark of Rainald Grebe, even a touch of Freddie Mercury – Redlich remains unmistakably Redlich, swirling across the stage, skillfully mixing parody and irony, wordplay and poetic art, making music, acting, and improvising without pause.
And as if that weren't enough, “Unaufhaltsam Unterhaltsam!” also brings interactive elements into play, directly involving the audience in the action, especially the almost traditional group singing at the end of the show!

PLEWKA & SCHMEDTJE
Between the Lights

With "Between the Bars" and "Between the 80’s," Plewka and Schmedtje have already enchanted their audience in numerous sold-out shows over the past years. At the beginning of 2026, the two will return with "Between the Lights," featuring a new program including an EP.
In terms of content, they deal with songs about death. Tracks like Killing Me Softly, The End, or Wonderful Life guide the listener through an emotional journey of their own existence. Of course, they also celebrate the cheerful moments in between.
An evening that approaches farewell in an emotional way, sometimes in major and sometimes in minor. There will be pulling, healing, crying & laughing. In the end, it is an invitation to life.
Singing along is encouraged!

Doors open at 7:30 PM, seating.

INGRID KÜHNE SOLO PROGRAM "Ja, aber ohne mich!"
Yes, but without me! It quickly becomes clear what the Niederrhein native Ingrid Kühne wants to express in her 4th solo program. Much is changing in the world, and she takes a clear stance by throwing out the sentence: "Yes, but without me!" Then we also have to discuss things, like why suddenly bottle caps have to stay attached, or why she doesn't even touch on the topic of politics. As a mayor, she would much rather celebrate people’s birthdays than argue about something in the council. This time, it won't be loud, angry, or cursing, but as always - simply funny. She looks forward to her audience, which hopefully says: Yes, of course with me!

Doors open: 7:00 PM

The permanent exhibition on the life and work of Erich Maria Remarque offers a detailed look into the life, work, and thoughts of the famous writer through numerous photographs, documents, and manuscripts. The exhibition is bilingual, presented in German and English throughout.

Divided into seven sections covering his youth in Osnabrück (1898–1921), the years in Hanover and Berlin (1922–1928), the discussion around All Quiet on the Western Front (1928–1930), his exile in Europe (1931–1939) and the USA (1939–1948), his political works in the 1950s, and the 1960s leading up to his death on September 25, 1970 in Locarno, the exhibition attempts to highlight the ruptures, contradictions, and controversies in Remarque's life while emphasizing their productivity for his work. It illustrates Remarque's numerous psychological conflicts, aiming to resolve the apparent contradiction between the "bon vivant" and the "militant pacifist," and provides insight into his acquaintances, friendships, and marriages. Numerous originals such as the death mask or Remarque's original desk complement the presentation.

Another focus of the exhibition is the worldwide, often highly controversial reception of Remarque's works, which have been translated into at least 60 languages and continue to attract a global audience of millions.

An information terminal allows visitors to delve deeper into specific questions about Remarque's life and work. Another terminal provides access to over 2,000 photographs spanning all stages of Remarque's life, his residences, contacts, and the film adaptations of his works.

The exhibition is open for free visits on Tuesdays to Fridays from 10 am to 1 pm and from 3 pm to 5 pm, and on Saturdays and Sundays from 11 am to 5 pm. Guided tours for school classes and other interest groups can also be arranged outside regular opening hours. Tours can be scheduled with Mr. Martin Siemsen (siemsen.m@osnabrueck.de) by phone at 0541/323-2109 or fax at 0541/323-4355.

A shop on-site offers materials related to Remarque's life and work for sale.

The castle with a lot to offer: "HerrschaftsZeiten! Erlebnis Cadolzburg" from June 24, 2017 at the Cadolzburg - the new highlight of the Nuremberg Metropolitan Region

A powerful castle - the setting of the illustrious history of a ruling family that has achieved great success: this was and is the Cadolzburg. The rulers were the Hohenzollern family, who ruled over Franken and later Brandenburg, also gaining electoral dignity in the 15th century. Later on, they even became Prussian kings and German emperors.

The Cadolzburg derives its radiance not only from its role as the starting point of a significant career in the Holy Roman Empire - the impressive structure itself reflects this golden era of the Hohenzollerns. The new museum "HerrschaftsZeiten! Erlebnis Cadolzburg" of the Bavarian Administration of State Castles will make this time - the late Middle Ages - exciting and informative for visitors through innovative communication concepts. While walking through the castle, visitors can learn not only about the architectural history, wars and peace, daily life, and governing tasks of the princely castle residents. There is much to discover here through interactive and sensory means:

Visitors can experience the castle through their sense of smell, there are tactile stations, sounds and dialogues, vivid models, and invitations to try things out. Exciting or challenging games, medieval Hohenzollerns in their own words, and the jester Contz who guides visitors through the castle bring the Middle Ages to life. Visitors can also expect to see several original medieval artifacts such as swords, maces, or a magnificent treasure chest. Other objects were specially crafted for the museum based on extensive research in historical techniques, such as the gilded armor of the famous General Albrecht Achilles, or textiles dyed according to original recipes. The Bavarian Administration of State Castles also made significant contributions to experimental historical research, like creating a breastplate from boiled leather, in line with the ambition of creating one of Germany's most important castle museums.

The cultural communication of the Bavarian Administration of State Castles also offers a diverse program of accompanying events, making this exciting history even more intriguing - for the young nobleman as well as the castle enthusiast.

Not only the Middle Ages but also the Cadolzburg itself now comes back to life. After the extensive damage of World War II, original medieval rooms and successful architectural creations of the 21st century can now be experienced. The modern buildings completed in 2017 bridge the medieval era with our present time.

You can expect very special experiences here - it truly is THE CASTLE WITH A LOT TO OFFER.

 

 

On this special evening, all guests are invited to dress entirely in white and blue – whether stylish, elegant, or extravagant. In front of the majestic castle backdrop, an unforgettable summer experience unfolds, merging music, emotion, and atmosphere into a unique Gesamtkunstwerk.

This year's musical line-up promises to be a true highlight: Gestört aber GeiL will take the stage as headliners, conquering it with their distinctive mix of house, pop, and emotion, sending the audience into ecstasy.

Another highlight is BIG TIM, one of the most exciting acts in the German dance scene, who will create an explosive atmosphere with his fresh sound and charismatic performance. Gabriel Wittner – a staple of the Stuttgart club scene – and Nate Sebsibe, DJ and saxophonist, will bring pulsating sounds and captivating vibes to the castle stage. Alongside them, Ludvic & Keano Lee will provide goosebump moments with their high-energy beats and impressive live singing.

Following the successful premiere of “Just White & Blue” in 2025, visitors can look forward to a continuation with even more shine, energy, and star power.

Entrance: approx. 5:00 PM

The Romantic era was a particularly brilliant period for portrait miniatures, reaching its peak and at the same time signaling the end of this special painting technique. Countless artists created portraits with great empathy and astonishing technical perfection. More people than ever collected small portraits of their loved ones to carry with them or to gather at home as a pictorial family album. 142 masterpieces from the renowned Tansey collection illuminate the heyday of an art that had to make way for photography during the 19th century.

Accompanying the exhibition is a catalog that, in addition to the annotated reproduction of all works, is distinguished by essays by various experts on aspects of miniature painting during this time. Hirmer Verlag, bilingual German/English, 432 pages, 208 color illustrations.

Tue - Sun 11am-5pm

Whoever has experienced him live will inevitably declare Beppo their favorite Calzone! The cabaret artist knows how to deliver a comedy night of superlatives. The most unpredictable, craziest, and funniest SHOW in just ONE night!
The young star from Bavaria - an entertainer, guitarist, singer, cabaret artist, showman... You can label him however you want, but for this lively and unique show, there is no category - and we are PROUD of that!
His wit, the unmistakable self-written songs, combined with his spontaneity on stage, excite his audience!! “It suddenly felt like a huge celebration and Beppo connected ALL the guests together! Incredible!” ~ reported a viewer after the show.
23 years young, full of life, and simply authentic!
A guy with a lot of energy, a huge HEART, and probably the most interactive show ever!
You can't describe it; you have to experience it!

His rapidly growing fanbase is enormous and diverse across all age groups.
An experience for EVERYONE: That's why we have the family ticket exclusively with us!

Haven't seen a CALZINGER show yet?! Then off you go... secure your tickets! It's worth it, we promise!

Doors open: 6:00 PM

Experience Living Theory, the ultimate tribute band that brings the greatest hits of Linkin Park to the stage in an explosive live show! From In the End to Numb – a must for all fans of Chester Bennington and Co.

BEFORE THE THEATER FUN, WE RECOMMEND:
DINING AT THE SCHARFRICHTER RESTAURANT OR IN THE ROMANTIC ARCADIAN COURTYARD. TUESDAY TO SATURDAY FROM 5 PM
TABLE RESERVATION REQUESTED AT 0851 - 35 900

© Photo: Simon Büttner, Inka Meyer

The Homo digitalis and his analog monkeys
Yesterday is today's tomorrow, right. But how quickly is today yesterday's tomorrow? Digitization, genetic engineering, artificial intelligence: Humanity races into the future. But instead of looking ahead, everyone stares at their smartphones. The Homo digitalis stumbles into the next millennium hunched over, so much so that he soon forgets how to walk upright. Creepy! For years, the Stasi bugged Uncle Heinz's apartment, and today he buys Alexa. Is humanity being replaced by machines – or liberated? Is the "end of work" coming? Great, then we finally have time for something meaningful! But when has humanity ever done something meaningful just because it has time? Or have we long been robots dreaming of being human? Paranoid Humanoid! And what happened to the promises of the future? Where is the clean fusion energy, the time machine, the beer for download? We will soon fly to Mars; that's great! But what do we want to do there? It is a dull, empty, and terribly boring place. To land on such a planet, humanity will soon need to take no more steps. One really wants to scream in horror from their tree as an analog monkey: "Oh God, human! Where are you actually trying to go?"
But there is hope! Because in the future, someone is waiting for you: Philipp Weber. With his program "KI: Künstliche Idioten!" he has become one of the prophets. He is already considered the comedic reissue of the Oracle of Delphi – only funnier. Where seers only see doom, Philipp Weber brings you to fearless laughter. Because the most important tool for everything to come was, is, and will always be: humor!

Doors open: 7:00 PM