Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

20 years ago, it all started on small, rugged stages. Now, The BossHoss are bringing their exclusive release tour for the newly released studio album (release date: September 19, 2025) directly back to the roots - in the clubs where it all began. The pure authenticity of the band, paired with sweat-inducing rock and their unmistakable rugged charm, is what captivates the crowd! Back to the Roots. Back to the Clubs, BACK TO THE BOOTS!
Since the album release club tour in 2025 is already completely sold out, in summer 2026, the popular country rock’n’rollers will say, “I’ll be back!” - at selected festivals and open airs to tear the stages apart!

With western boots on their feet and cowboy hats on their heads, a group of Berlin musicians set out in 2004 to give the previously underestimated country genre in Germany a new image. And this image rocks massively! The BossHoss initially take well-known chart songs and give them their country stamp. In 2005, they present themselves to the wider public with their interpretation of the OutKast classic “Hey Ya!” and the debut album “Internashville Urban Hymns” – and send Germany into a country fever. Since then, every new BossHoss album sells like hot cakes. “Dos Bros” (2015) and “Black Is Beautiful” (2018) even reach #1 on the German album charts ten and thirteen years after their debut.

Live on stage, The BossHoss provide an unforgettable, explosively energetic experience – pure power that sweeps you away! When the seven charismatic capital city cowboys, led by the two frontmen Alec “Boss Burns” Völkel and Sascha “Hoss Power” Vollmer, take the stage, rock’n’roll fans get their money’s worth. With the sound of the brand-new album “Back To The Boots”, they also return live to their musical roots: raw, unrefined, more honest than ever. Coupled with their greatest hits like “Don’t Gimme That”, “Dos Bros”, “Do It”, “Jolene” and many more, the band leaves no wishes unfulfilled. Here, live rock happens without compromises!

“Back To The Boots” is a tribute to their own beginnings: musically, stylistically, and live. Their sound: modern, internationally inspired country-rock at the heart of the current genre revival, which acts like Beyoncé, Post Malone, or Shaboozey are currently celebrating worldwide. The BossHoss authentically and joyfully ride at the forefront of this wave, bringing their unmistakable mix of country, Americana, and Southern rock. Of course, including the spectacular single “I’ll Be Back” featuring Arnold Schwarzenegger.

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

A special treat not only for fans of string music is the program of the two musicians Werner Acker and Ignaz Netzer. As a novelty in German jazz history, the university lecturer for delicate jazz guitar meets the well-grounded gospel and bluesman. This results in a high-class music cocktail of various genres, framed by balladesque original compositions, about which the "Heilbronner Stimme" recently wrote: “The duo achieves harmony between virtuosity, musicality, and creativity. Their musical cosmos seems to know no boundaries.”

Ignaz Netzer has been on stage since 1971 and looks back on approximately 2700 concerts in many countries of Europe. The singer, guitarist, and harmonica player has released 16 recordings. His authentic interpretation of black music earned him the attributes "Blues magician" (Süddeutsche Zeitung) and "Grandmaster of classic blues" (Jazz Podium). In 2015, he won the German Blues Award, and his solo CD was also nominated in 2015 for the Prize of the German Record Critique.

Werner Acker is a lecturer at the Stuttgart University of Music for guitar (Jazz/Pop) and is at home in many musical styles. This explains why he has been spotted on various large stages in concert halls and festivals (as a guitarist, of course), for example, with the Karl Frierson Soulprint Band, with Helen Schneider, with Wolfgang Dauner, with the SWR Big Band, the Swing Legends, or on musical and theater stages, e.g., with Ute Lemper.

Entrance: 7:00 PM

The theater adventure for the whole family - on the open-air stage in Waren (Müritz)!

Exciting stories full of love, action, and humor! An enthralling journey into the past of the Müritz region with thrilling battles, horses, historical costumes, and specially composed stage music. Located in the midst of greenery, just a few minutes' walk from the historic city center, is the dreamlike backdrop of the open-air stage in Waren (Müritz) on the wooded Mühlenberg.

Admission from 30 minutes before the start of the event

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

A theater project for people aged 13 and over

It is a drama of a special kind when reality becomes unreal and the unreal becomes real.

A terrible Sandman is roaming around, sprinkling sand in our eyes to force us into sleep with horrifying dreams. Is it just a dream or is it really happening? Young student Nathanael’s reality blurs before his eyes. He experiences the unbelievable: dark figures haunt him, he burns with love for a strange apparition, an artificial being full of beauty and emptiness – Olimpia.

Does the young student find his way out of the artificial worlds back into the clarity of reality? Or is he entrapped in the magical image worlds of madness?

The staging of this profoundly romantic tale from 1816 poses questions that concern all of us today. How do we deal with the seductive images of artificial intelligence, what happens to us when we lose ourselves in simulated worlds and our vision of the truths of reality gets lost?

The theater project is a collaboration between Kreuzgangspiele and the Free Acting School in Hamburg.

Admission: 10:30 AM

Play based on the novella of the same name

Adaptation for the Kreuzgangspiele by Johannes Kaetzler.

In the villas and houses along the shores of a coastal bay, fascinating worlds of life unfold. A fabulously wealthy young man stands at the center of the action: Jay Gatsby. He is mysterious and the subject of wild rumors. Why does no one get close to him?

Not far away, a young athletic couple resides in an elegant villa by the beach. Are they really as likable as they present themselves? In between, there is a tiny house with a young resident who is trying to get rich through stock trading. Is he as friendly as he seems? And what about the attractive woman who is married to a car dealer?

Fate brings all these people together. In a dizzying series of events, their secrets are revealed, and a gigantic panorama of human passions unfolds.

The staging of the famous novel material on the Kreuzgang stage ignites a theatrical fireworks display about the wild twenties of the last century with much music and very big emotions.

Entry: 20:00 Uhr

Admission: 6:00 PM

Play for people aged 5 and above

The little witch just wants to know. Secretly, she sneaks to the Blocksberg and celebrates the wild Walpurgis Night with the big witches. It is strictly forbidden for her; she is far too young and inexperienced for that. What must happen happens: She gets discovered.

The punishment: She must prove that she can become a good witch. Together with her raven, she performs true wonders and manages to become a really good witch. Her great dream must definitely come true – at the next Walpurgis Night, the old witches should finally take her into their witch circle.

But then it turns out differently, very differently. The question arises whether a really good witch is truly good if she is good to everyone. Must a good witch not be really wicked?

The performances of this wonderful story will provide the answer. It will be a grand theatrical adventure for the whole family, and one thing is already certain: The little witch enchants the world and all of us and makes us truly happy. That's a promise!

Admission: 09:45 AM

The permanent exhibition on the life and work of Erich Maria Remarque offers a detailed look into the life, work, and thoughts of the famous writer through numerous photographs, documents, and manuscripts. The exhibition is bilingual, presented in German and English throughout.

Divided into seven sections covering his youth in Osnabrück (1898–1921), the years in Hanover and Berlin (1922–1928), the discussion around All Quiet on the Western Front (1928–1930), his exile in Europe (1931–1939) and the USA (1939–1948), his political works in the 1950s, and the 1960s leading up to his death on September 25, 1970 in Locarno, the exhibition attempts to highlight the ruptures, contradictions, and controversies in Remarque's life while emphasizing their productivity for his work. It illustrates Remarque's numerous psychological conflicts, aiming to resolve the apparent contradiction between the "bon vivant" and the "militant pacifist," and provides insight into his acquaintances, friendships, and marriages. Numerous originals such as the death mask or Remarque's original desk complement the presentation.

Another focus of the exhibition is the worldwide, often highly controversial reception of Remarque's works, which have been translated into at least 60 languages and continue to attract a global audience of millions.

An information terminal allows visitors to delve deeper into specific questions about Remarque's life and work. Another terminal provides access to over 2,000 photographs spanning all stages of Remarque's life, his residences, contacts, and the film adaptations of his works.

The exhibition is open for free visits on Tuesdays to Fridays from 10 am to 1 pm and from 3 pm to 5 pm, and on Saturdays and Sundays from 11 am to 5 pm. Guided tours for school classes and other interest groups can also be arranged outside regular opening hours. Tours can be scheduled with Mr. Martin Siemsen (siemsen.m@osnabrueck.de) by phone at 0541/323-2109 or fax at 0541/323-4355.

A shop on-site offers materials related to Remarque's life and work for sale.

The castle with a lot to offer: "HerrschaftsZeiten! Erlebnis Cadolzburg" from June 24, 2017 at the Cadolzburg - the new highlight of the Nuremberg Metropolitan Region

A powerful castle - the setting of the illustrious history of a ruling family that has achieved great success: this was and is the Cadolzburg. The rulers were the Hohenzollern family, who ruled over Franken and later Brandenburg, also gaining electoral dignity in the 15th century. Later on, they even became Prussian kings and German emperors.

The Cadolzburg derives its radiance not only from its role as the starting point of a significant career in the Holy Roman Empire - the impressive structure itself reflects this golden era of the Hohenzollerns. The new museum "HerrschaftsZeiten! Erlebnis Cadolzburg" of the Bavarian Administration of State Castles will make this time - the late Middle Ages - exciting and informative for visitors through innovative communication concepts. While walking through the castle, visitors can learn not only about the architectural history, wars and peace, daily life, and governing tasks of the princely castle residents. There is much to discover here through interactive and sensory means:

Visitors can experience the castle through their sense of smell, there are tactile stations, sounds and dialogues, vivid models, and invitations to try things out. Exciting or challenging games, medieval Hohenzollerns in their own words, and the jester Contz who guides visitors through the castle bring the Middle Ages to life. Visitors can also expect to see several original medieval artifacts such as swords, maces, or a magnificent treasure chest. Other objects were specially crafted for the museum based on extensive research in historical techniques, such as the gilded armor of the famous General Albrecht Achilles, or textiles dyed according to original recipes. The Bavarian Administration of State Castles also made significant contributions to experimental historical research, like creating a breastplate from boiled leather, in line with the ambition of creating one of Germany's most important castle museums.

The cultural communication of the Bavarian Administration of State Castles also offers a diverse program of accompanying events, making this exciting history even more intriguing - for the young nobleman as well as the castle enthusiast.

Not only the Middle Ages but also the Cadolzburg itself now comes back to life. After the extensive damage of World War II, original medieval rooms and successful architectural creations of the 21st century can now be experienced. The modern buildings completed in 2017 bridge the medieval era with our present time.

You can expect very special experiences here - it truly is THE CASTLE WITH A LOT TO OFFER.

 

 

The Romantic era was a particularly brilliant period for portrait miniatures, reaching its peak and at the same time signaling the end of this special painting technique. Countless artists created portraits with great empathy and astonishing technical perfection. More people than ever collected small portraits of their loved ones to carry with them or to gather at home as a pictorial family album. 142 masterpieces from the renowned Tansey collection illuminate the heyday of an art that had to make way for photography during the 19th century.

Accompanying the exhibition is a catalog that, in addition to the annotated reproduction of all works, is distinguished by essays by various experts on aspects of miniature painting during this time. Hirmer Verlag, bilingual German/English, 432 pages, 208 color illustrations.

Tue - Sun 11am-5pm

In this program, you will cry until it hurts. From laughter!
And this laughter burns! In the diaphragm, on the thighs, and under the nails. How often do we stand there in disbelief, shaking our heads and thinking: "Huh?! - Everyone's crazy, or what?" Whether family, friends, or work, something always seems to go wrong. But despair is not an option, even if we sometimes feel like mere spectators of our own lives. Comedian Ingo Oschmann dissects the big thing we call life in his new program and reveals the beating heart with a fine scalpel and pointed precision. He combines good stand-up comedy with a sense of recognition, clever improvisation, and exciting, astonishing magic tricks for a top-class evening.
He has been doing this for over 30 years on stages across Germany, on television, on the radio, and doing it really well. Experience a 90-minute fun operation under the motto: "Laugh what makes you fall apart." Afterwards, you won't just feel better; you'll also look better.

Entrance: 7:30 PM

Ingo Oschmann admits that he actually can't perform magic. However, he is a real magician! How is that possible? A magical hat plays a crucial role. Whoever puts this hat on their head gains magical powers. In this magic program, it's not the great master magician who is the main character, but the children.
They come on stage and the wonders happen in their hands. A loud participatory spectacle with plenty of action - dynamic, refreshing, and cheeky.
45 minutes of magical fun for the whole family!

This theater magic interactive program is specially designed for children aged 5 to 15. But adults will also have their fun. Guaranteed!

Doors open: 14:30

»Sometimes I think the sky is made up of uninterrupted, never-tiring reading.«
(Virginia Woolf)

Due to high demand, we will again offer the popular 5+1 subscription starting August 1, 2024.

This also applies to discounted tickets (discounts are available upon proof for students, refugees, people with disabilities, and Munich Pass holders). Pay the price for 5 events and attend 6 (Euro 50.- instead of Euro 60.- for 6 events).*

With the promotional code included in the 5+1 subscription, you can then book 6 events of your choice (of course, already sold-out events are excluded). / The code can be redeemed for a maximum of 6 selected events (also in several stages if desired). / PLEASE NOTE that you can only use the code once per event, as the subscription is valid for one person only. / A service fee of 2.- EURO will be charged for each online booking with the promotional code via Reservix.

*This currently only applies to events with an admission price of EURO 16.- (regular price) as well as reduced EURO 10.-.

With the exhibition »The Story That Never Ends. The Collection of the ZKM«, the ZKM | Karlsruhe provides a comprehensive insight into its own collection, which, with around 12,000 works, is among the largest and most significant collections of media art in the world. The exhibition tells not only of the intertwined stories of art and technology but also of the challenges that fast-paced technological media bring to museums worldwide.

The history of media art from the 1950s to the present

Electrification and digitalization have changed the world. This transformation has not only affected our daily lives but has also impacted artistic creation. 

Since the beginning of the 20th century, artists have been using these rapidly evolving technologies and constantly expanding the expressive possibilities of art: The spectrum ranges from video, light, and sound works to motor-driven kinetic objects, as well as computer-based interactive installations or works created with the help of artificial intelligence. 

With about 100 works, »The Story That Never Ends« traces these developmental lines of the apparatus arts and their openness to the categories of space, time, and movement as well as interaction and participation – from the 1950s to the present. A selection of important key works that represent significant moments and milestones of media art illustrates the diversity and impact of these technological developments. Marie-Jo Lafontaine's monumental video sculpture »Les larmes d’acier« (1987), which ironizes the complex conceptual constellations of "man, machine, power, and sexuality," as well as Bill Viola's video-sound installation »Stations« (1994), which unites central aspects of his artistic work along with fundamental themes of human existence, or Jeffrey Shaw's »Virtual Sculpture« (1981), representing early experiments in augmented reality, form a small selection of examples here. 

At the same time, the exhibition also makes the socio-political context in which the works were created comprehensible, allowing for deductions and connections to the pressing questions of our time: Feminist works by earlier (media art) pioneers, such as pezoldo (aka Friederike Pezold), Lynn Hershman Leeson, Kirsten Geisler, or Rebecca Horn, are just as noteworthy as works reflecting the impacts of mass media like television (Nam June Paik, Wolf Vostell), the connection between technology and the military, borders and surveillance, or violence in the digital space (Paul Garrin, Hanna Haaslahti, David Rokeby) or natural ecosystems (Justine Emard, Claudia González Godoy). Artists repeatedly question the possibilities and effects of new media, rethink and redesign them, thus bringing forth new social and cultural narratives that shape the discourse about our relationship with technology. 

We perceive art, as the exhibition title suggests, as a story that will never end as long as there are people. The fact that we do not know what form it will take in the future is something it shares with technology. Our knowledge of the past and present influences how we shape the future and value what is yet to come.

The restoration of media art

„The Story That Never Ends“ not only refers to artistic development but also to the challenges museums face when collecting media artworks: Technical devices are not made for eternity, data carriers deteriorate, software standards become obsolete very quickly, and media formats are no longer readable after a few years. This means that works must continuously be monitored and technically updated by conservators. What impact does this have on art and our cultural memory? What skills do we need to develop to not only have a future but also a past?

The ZKM has an internationally recognized expertise in the conservation and restoration of media art. However, since these conservation and restoration activities mostly happen behind the scenes, »The Story That Never Ends« takes a radical step: The decision about which key works from the collection are shown in the exhibition has been entrusted to the conservators of the ZKM. In doing so, they bring hidden treasures to light that have, due to elaborate preservation measures, often not been publicly visible for decades. Since the works themselves do not necessarily reveal the complexity of their technology and the challenges of their preservation, the exhibition also provides an introduction to the history of technology and conservation strategies for this type of works.

The view from the past into the future

»The Story That Never Ends« thus not only tells the fascinating story of media art through the unique collection of the ZKM. It also highlights the fragility of our electrified and digitalized civilization. The exhibition allows for an in-depth insight into the art and technology history of the 20th and 21st centuries and shows how history sharpens the view of the present and stimulates the imagination of possible futures.

Wed to Fri: 10 am to 6 pm
Sat, Sun: 11 am to 6 pm

fastfood theater – the multiple award-winning improvisation theater!

Best of Life – the best that improvisational theater has to offer!
For twenty years, Augsburg's most popular improv show Best of Life: Directly drawn from life, fast, funny, and intelligent, the actors transform audience suggestions into unexpected scenes, great theater, sharp cabaret, or fantastic songs. The audience provides keywords and eagerly watches as the performers invent something on the spot.

"Quick-wittedness that makes you kneel" (Süddeutsche Zeitung)

Doors open: 30 minutes before the event starts.

Disillusion announce their LIVE SPRING 2026 tour.

Between two album productions, the Leipzig progressive metal visionaries DISILLUSION take time in spring 2026 to unleash their incomparable stage energy live again – in Germany and Europe.

In addition to songs from the current album AYAM, the 20th anniversary of GLORIA is also highlighted in the setlist – a work that, even two decades after its release, has lost none of its timeless luminosity. And since the gentlemen are by no means idle… a new track?

After the successful, often sold-out tour in 2024, which included performances in Germany, France, and the USA, fans can now look forward to a new intense live experience – emotional, epic, and uncompromising.

19:00

Welcome to an unparalleled wine adventure!

On our wine hike on the Freiburg Schlossberg, you can expect not only excellent wine but also a breathtaking panoramic view over Freiburg and the idyllic surroundings in the "Tuscany of Germany".

Explore the picturesque Schlossberg with us while our experienced guides share fascinating facts about viticulture and the wines being offered. In collaboration with the Lena Flurbacher winery from Ihringen am Kaiserstuhl - one of the warmest and most beautiful places in Germany, located in the midst of an extinct volcano - we will taste five exquisite wines that will enchant the senses and take us on a delightful journey.

This wine hike combines the pleasures of wine with the fascination of nature and facts about the Schlossberg - providing an unforgettable experience! As we leisurely stroll along the slopes of the Schlossberg, an impressive view unfolds before us: the beauty of the Rhine valley, the distinctive Kaiserstuhl, and the majestic Vosges will enchant us.

Since the Freiburg Schlossberg is located directly at the edge of Freiburg's old and city center, the wine hike starts in the city center of Freiburg and ends at another spot in the city center of Freiburg (old town). The starting and ending points are only a 3-minute walk apart.

Meeting point:
In the city center of Freiburg at the entrance of the pedestrian bridge “Karlssteg”, which leads from Karlsplatz to Stadtgarten. The meeting point is at the bridge entrance at Karlsplatz, right next to the motorcycle parking area. Our guides can be recognized by their labeled clothing.

Ending point:
In the Freiburg old town in front of the Gasthaus Löwen - Altstadt, Herrenstraße 47, 79098 Freiburg im Breisgau.

Please note: Participation in all our city tours is only for those aged 18 and older. Persons under 18 years cannot participate, not even when accompanied by guardians or supervisors.

Entry (recommended arrival time): 10 minutes prior.