Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

Finally! Since the age of ten, Laura Brümmer has been on stage, taking a run-up for this very moment: her first solo tour! The (TV) audience has long known and loved her humor from live shows and programs like "WDR Ladies Night," "Quatsch Comedy Show," "NightWash TV," or "Genial Daneben." Even though she has been performing on the comedy and musical stages of Germany for twenty years, she still considers herself a fraud. But that ends now! From now on, it's time to stop downplaying! 😉 Laura offers a unique & humorous perspective on things. She talks about the challenges of growing up and how one can still eat cake for breakfast at 30 — and sometimes just does. Clever, with a lot of ease and plenty of wit, Laura lets us forget everyday life for a moment.

"Hochgestapelt" is an evening full of aha moments, optimism, and the realization that no one really knows what they're doing. No matter how old you are or feel — there's plenty to laugh about here! A little bit of boasting doesn’t hurt. Laura, an experienced musical performer, has not only conquered the stages of Germany and Austria with her roles in popular productions like "The Jungle Book" and "Tarzan." Since 2020, she has been seen as a comedian and presenter in formats such as "Ladies Night," "Ladies Night Youngstars," "Quatsch Comedy Club," "Quatsch Comedy Show," "NightWash Live," and the "Stuttgart Comedy Clash," and since then, she has been wildly winning the hearts of the comedy audience with her humor.

Doors open: 19:00 Uhr

The sing-along concert for everyone!
Der SingSalong is an open singing event that invites everyone to join in: if you enjoy singing and music, this is the place for you!
We will sing our way through a colorful repertoire of well-known evergreens, catchy tunes, hits, and current pop-rock music. Anyone in the audience can sing along all night long – as loudly as they want. No prior knowledge or music reading is required, just bring your joy of singing. The lyrics will be projected on a screen for you to follow along, and you will be guided and accompanied live by experienced musicians and choir leaders. Real and in color, pure fun – join in and participate!
Bastian Pusch and Andreas Speckmann, known from "NOTENLOS," will lead the evening.

With refreshments before the event and during the break.

Doors open at 6:30 PM, free seating! Tickets already purchased will not be refunded.

It will be SVENOMENAL! Musician, comedian, and entertainer Sven Bensmann has made a name for himself in the German comedy scene over the last few years. In his new program, he captivates a wide audience once again with his friendly charismatic stage presence. In SVENOMENAL, the urban village kid and Dino-Boy Sven, from whom a true Disney princess has been lost, brings hearty laughs again. And when the punchlines (sometimes spoken, sometimes sung) happen to fly by with a broad grin just above the beltline, they never threaten to fall below it.

Doors open at 19:00.

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

BEFORE THE THEATER EXPERIENCE WE RECOMMEND:
FOOD AT THE SCHARFRICHTER RESTAURANT OR IN THE ROMANTIC ARCADES COURTYARD. TUESDAY TO SATURDAY FROM 5 PM
TABLE RESERVATION REQUESTED AT 0851 - 35 900

Writing the press text for my new program myself is a bit like masturbating in front of a mirror – rarely funny. Nevertheless, it has to be done. So not the masturbating in front of a mirror, but the writing of the press text. My new program is called “Pervekt” because my life is indeed Pervekt. On good days, I stand in front of the ATM. On bad days, I stand in front of the bottle return machine. At the end of the day, I end up with nothing. At least that’s what I tell the tax office. I was born in 1986 in the former GDR. Naked and without money. But that is the state in which one is the most dangerous. And the funniest. Today, 38 years later, I find myself back in this state. My life is Pervekt.

Doors open: 7:00 PM

Playing, laughing, being loud, romping, doing nothing – and that in an exhibition house! From September 4, 2024, BAUBAU invites exactly that. In the play space for children designed by artist Kerstin Brätsch, more is allowed than forbidden. Colorful wallpapers, structures, objects, and a range of “Loose Parts” form spaces on the ground floor of the Gropius Bau that do not impose fixed guidelines but are determined by the activities of the children. They dictate the direction and form of what happens here. Thus, this place becomes a space of possibilities that can change day by day.

BAUBAU will launch in September 2024 in a prototype version and will continue to develop and grow over the coming years both inside and outside the Gropius Bau – in close exchange with the children and their wishes, as this is their place.

The Play
All children have the urge to play. This is how they learn to understand themselves and the world. Especially open, self-determined play is of great significance for emotional and social development. The educational concept for BAUBAU is therefore based on the principles of free play: Here, there is time, space, and permission for children to follow their own needs and interests. They are accompanied by playworkers – trained staff who create a safe and supportive environment where children can play freely.

 
The Art
BAUBAU playfully questions what a museum or an art institution should be. The comprehensive spatial design developed by Kerstin Brätsch is full of references and inspirations: elements from her previous works, such as marbling, paintings, or stucco marble work, reappear here in altered forms and materialities. The wallpapers, curtains, fabrics, seating furniture, and climbing structures are inhabited by dinosaurs, fantastical beings, termite mounds, and abstract elements. With their strange, funny, and perhaps a bit eerie shapes, they create an open framework for free play.

Kerstin Brätsch's practice is designed to allow and incorporate influences from outside. While she has previously collaborated with artists or artisans, she now does so in a completely different way with children: She invites the children to reshape and further develop the space according to their own ideas and visions, without the influence of the artist in unpredictable ways.

Mon, Wed, Thu, Fri 12:00–18:00
Sat, Sun 11:00–18:00
Tue closed

The permanent exhibition on the life and work of Erich Maria Remarque offers a detailed look into the life, work, and thoughts of the famous writer through numerous photographs, documents, and manuscripts. The exhibition is bilingual, presented in German and English throughout.

Divided into seven sections covering his youth in Osnabrück (1898–1921), the years in Hanover and Berlin (1922–1928), the discussion around All Quiet on the Western Front (1928–1930), his exile in Europe (1931–1939) and the USA (1939–1948), his political works in the 1950s, and the 1960s leading up to his death on September 25, 1970 in Locarno, the exhibition attempts to highlight the ruptures, contradictions, and controversies in Remarque's life while emphasizing their productivity for his work. It illustrates Remarque's numerous psychological conflicts, aiming to resolve the apparent contradiction between the "bon vivant" and the "militant pacifist," and provides insight into his acquaintances, friendships, and marriages. Numerous originals such as the death mask or Remarque's original desk complement the presentation.

Another focus of the exhibition is the worldwide, often highly controversial reception of Remarque's works, which have been translated into at least 60 languages and continue to attract a global audience of millions.

An information terminal allows visitors to delve deeper into specific questions about Remarque's life and work. Another terminal provides access to over 2,000 photographs spanning all stages of Remarque's life, his residences, contacts, and the film adaptations of his works.

The exhibition is open for free visits on Tuesdays to Fridays from 10 am to 1 pm and from 3 pm to 5 pm, and on Saturdays and Sundays from 11 am to 5 pm. Guided tours for school classes and other interest groups can also be arranged outside regular opening hours. Tours can be scheduled with Mr. Martin Siemsen (siemsen.m@osnabrueck.de) by phone at 0541/323-2109 or fax at 0541/323-4355.

A shop on-site offers materials related to Remarque's life and work for sale.

The castle with a lot to offer: "HerrschaftsZeiten! Erlebnis Cadolzburg" from June 24, 2017 at the Cadolzburg - the new highlight of the Nuremberg Metropolitan Region

A powerful castle - the setting of the illustrious history of a ruling family that has achieved great success: this was and is the Cadolzburg. The rulers were the Hohenzollern family, who ruled over Franken and later Brandenburg, also gaining electoral dignity in the 15th century. Later on, they even became Prussian kings and German emperors.

The Cadolzburg derives its radiance not only from its role as the starting point of a significant career in the Holy Roman Empire - the impressive structure itself reflects this golden era of the Hohenzollerns. The new museum "HerrschaftsZeiten! Erlebnis Cadolzburg" of the Bavarian Administration of State Castles will make this time - the late Middle Ages - exciting and informative for visitors through innovative communication concepts. While walking through the castle, visitors can learn not only about the architectural history, wars and peace, daily life, and governing tasks of the princely castle residents. There is much to discover here through interactive and sensory means:

Visitors can experience the castle through their sense of smell, there are tactile stations, sounds and dialogues, vivid models, and invitations to try things out. Exciting or challenging games, medieval Hohenzollerns in their own words, and the jester Contz who guides visitors through the castle bring the Middle Ages to life. Visitors can also expect to see several original medieval artifacts such as swords, maces, or a magnificent treasure chest. Other objects were specially crafted for the museum based on extensive research in historical techniques, such as the gilded armor of the famous General Albrecht Achilles, or textiles dyed according to original recipes. The Bavarian Administration of State Castles also made significant contributions to experimental historical research, like creating a breastplate from boiled leather, in line with the ambition of creating one of Germany's most important castle museums.

The cultural communication of the Bavarian Administration of State Castles also offers a diverse program of accompanying events, making this exciting history even more intriguing - for the young nobleman as well as the castle enthusiast.

Not only the Middle Ages but also the Cadolzburg itself now comes back to life. After the extensive damage of World War II, original medieval rooms and successful architectural creations of the 21st century can now be experienced. The modern buildings completed in 2017 bridge the medieval era with our present time.

You can expect very special experiences here - it truly is THE CASTLE WITH A LOT TO OFFER.

 

 

The Romantic era was a particularly brilliant period for portrait miniatures, reaching its peak and at the same time signaling the end of this special painting technique. Countless artists created portraits with great empathy and astonishing technical perfection. More people than ever collected small portraits of their loved ones to carry with them or to gather at home as a pictorial family album. 142 masterpieces from the renowned Tansey collection illuminate the heyday of an art that had to make way for photography during the 19th century.

Accompanying the exhibition is a catalog that, in addition to the annotated reproduction of all works, is distinguished by essays by various experts on aspects of miniature painting during this time. Hirmer Verlag, bilingual German/English, 432 pages, 208 color illustrations.

Tue - Sun 11am-5pm

The format "Poetry Slam" has existed in Germany for over 30 years. And it has long been an institution in Aalen as well. All performances follow a regulation: Only self-written texts are allowed. A time limit of six minutes per performance limits the presentation, and no props may be brought on stage.

Moderator Johannes Elster welcomes five slam poets from the German-speaking area who are taking part in a literary competition.

The slam poets present stories and poems, stand-up and social criticism, poetic and brutal pieces. The audience decides who advances to the final and ultimately wins the KUBAA slam.

Applications for the local spot can be sent to elster.hannes@gmail.com.

People with disabilities (ID with mark B) pay the regular price, and one accompanying person is free. Tickets can be obtained at the Tourist Info Aalen (Tel: 07361/52-2358).

Photo: Holger Bewersdorf

Doors open at 7:15 PM - Coat check fee included in the ticket price.

»Sometimes I think the sky is made up of uninterrupted, never-tiring reading.«
(Virginia Woolf)

Due to high demand, we will again offer the popular 5+1 subscription starting August 1, 2024.

This also applies to discounted tickets (discounts are available upon proof for students, refugees, people with disabilities, and Munich Pass holders). Pay the price for 5 events and attend 6 (Euro 50.- instead of Euro 60.- for 6 events).*

With the promotional code included in the 5+1 subscription, you can then book 6 events of your choice (of course, already sold-out events are excluded). / The code can be redeemed for a maximum of 6 selected events (also in several stages if desired). / PLEASE NOTE that you can only use the code once per event, as the subscription is valid for one person only. / A service fee of 2.- EURO will be charged for each online booking with the promotional code via Reservix.

*This currently only applies to events with an admission price of EURO 16.- (regular price) as well as reduced EURO 10.-.

Reality or an illusion? This question becomes the central element in the new live magic show by Christopher Köhler. The magician invites the audience on a unique journey where the boundaries between reality and illusion continuously blur.

Christopher Köhler masters the art of playing with the audience's expectations and captivating them. His show promises not only magical moments but also a captivating mix of extreme stunts, shocking elements, and thrilling illusions. Köhler has the ability to give viewers goosebumps and proves that magic has much more to offer. Rock'n'Magic indeed! Loud, fast, and unbelievable!

The stage becomes an arena of the unexplainable as Köhler stuns the audience with incredible visual close-up illusions. His daring Houdini-style escapes and outrageous spontaneous audience actions make this show an absolute must-see experience!

"This show is a firework of magic and varying emotions. I want to challenge the viewers to sharpen their senses and break the boundaries of their imagination. In my world, everything is possible," explains Christopher.

“DER MAGIER” promises not only magical entertainment but also a unique blend of thrill, excitement, and pure wonder. Dive into the world of Christopher Köhler and experience a show that tests your imagination. Be ready for an evening full of surprises where reality becomes illusion and illusion becomes reality.

Experience Europe's most booked Dire Straits tribute band live!

At the forefront is the sound that traveled the world, with a guitar that none of us will ever forget. Wolfgang Uhlich is regarded by many knowledgeable fans both domestically and internationally as the best Mark Knopfler imitator. The band has firmly established itself in the German music scene with 800 concerts. The highlight is winning the nationwide tribute contest in Koblenz, with 100 participating tribute bands. Their immense versatility creates a live program for old fans and new enthusiasts alike. The classics “Walk of Life,” “Sultans of Swing,” and “Brothers in Arms” are integral components of the meticulously crafted program, which is 100% live! No aids, no tricks - with individuality, musical sensitivity, precise solo playing, and the right "connection" to the audience, they have conquered stages and the hearts of fans in recent years.

Doors open at 6:30 PM.

The new program by Helene Bockhorst is an ode to life.
Black humor meets colorful outfits and silliness as she confronts uncomfortable questions: Why is a man who enjoys life a bon vivant, while a woman is simply a slut? Should family traditions be carried on, even if they involve depression and unhealthy coping mechanisms? What can I do for a better world - without making too much effort? And am I at least one of the more interesting cases for my therapist?
In her open and honest manner, she takes the audience on an emotional roller coaster ride, where humorous everyday observations have just as much place as life-changing experiences. Between the lines, it’s about how to maintain lightness and hope even in difficult times.
A program about trauma, depression, resilience - and about how there’s always a reason to laugh, even when life doesn’t go the way you wish.

Doors open: 7:00 PM

William Wahl
wahlweise

With "wahlweise," William Wahl presents his third program. His choice songs resonate not only live in sold-out venues across Germany but have also been streamed millions of times on the internet.

While his wordplays reliably trigger fits of laughter, it is the very special blend of poetry and comedy that allows him to master the nuances of the circle.
Bitter-sweet are his piano songs, where despite his keen observations of human weaknesses, he always maintains a loving perspective on life. In his song "Rein versehentlich einvernehmlich," he shows us that perhaps we can still get it right with love. Despite everything. Or to put it in his words: The flip side of the coin is also made of gold.

Doors open: 19:00

The concerts of Gregor Meyle are characterized by a special closeness to the audience. With his band, he presents his songs in a reduced, acoustic form, making the music even more intense and emotional. These shows not only invite sing-alongs but also provide space for reflection and enjoyment – an evening for all who want to experience music with heart and soul.

Gregor Meyle has long established himself as one of the most sought-after musicians in the German scene. Whether in TV formats like “Sing meinen Song – Das Tauschkonzert”, “Meylensteine” or currently in “Your Songs”, where he has shared the stage with music icons like Robbie Williams – the singer and songwriter repeatedly impresses with authenticity and musical versatility. However, it is the live shows where Gregor Meyle truly showcases his strength.

The Unplugged Tour 2026 offers the perfect opportunity to experience the musician in a completely new light. With his distinctive voice, charismatic presence, and musical finesse, he captivates the audience. Gregor Meyle has the ability to interpret his songs in a way that deeply touches the listener – and this is realized in a way that only comes to life in an acoustic concert.

So, for those searching for a special live experience, the Unplugged Tour 2026 should not be missed. Gregor Meyle demonstrates not only his skills as a musician but also as an artist who tells stories with his songs and evokes emotions, involving the audience and presenting a unique show that will remain in the memory of visitors for a long time.

About Gregor Meyle
Many know the charming musician with a hat, beard, and glasses only since the first season of “Sing meinen Song – Das Tauschkonzert”, but he has built his loyal fan base through hundreds of live performances in clubs, concert halls, and large open-air stages. He also made it to the final show as a dragon in “The Masked Singer”. For his studio albums “New York-Stintino” and “Meile für Meyle” on his own label Meylemusic, he received gold awards. With “Meylensteine”, he received his own successful TV show on Vox, and he has now entertained over a quarter of a million enthusiastic concertgoers, earning an Echo and a German Television Award.

Doors open: 7:00 PM